The NatSCA conference and AGM will be at Leeds City Museum on Thursday 26th and Friday 27th April 2018!
The conference theme is: The museum ecosystem: exploring how different subject specialisms can work more closely together.
This conference aims to lead us outside our comfort zone and explore how working closely with different disciplines and departments can not only strengthen our own areas of expertise, but museums as a whole. The museum ecosystem is vast and not limited to just museums as it includes universities, local organisations, funding bodies, artists, communities and many other stakeholders.
We are inviting you to propose presentations and posters that focus on sharing ideas, tips and mechanisms that will help inform the work of other attendees. Proposals are welcome from colleagues across all disciplines (not just natural history!)
Making the Most of a Move: Geological Curators’ Group Conference, Day Two
We like to share the goodies in the field of natural history, so in the first ever cross-over of its kind, Part I (comprising Day One) of this blog can be found over on the Geological Curator’s Group website. No need to take the time to google it, let me give you a hand over there.
Night Early Morning at the Museum
The only thing that beats going to a natural history museum is visiting it when you’re not meant to be. The trump card of such a visit, is when you’re allowed to go to parts of the collections, not normally accessible to the general public. After a day in the lecture theatre, the 35+ members of the “Making the Most of a Move” conference assembled the following morning outside the Natural History gallery of the National Museum of Ireland, in order to tick off every one of the above, on the Museum Treats Bingo Card*.
In a blog series hosted by the Horniman Museum, each month I (the Deputy Keeper of Natural History at said Museum) select a specimen from our collections, do a little research, hopefully find out some riveting and hitherto unknown piece of historical information about it that can be added to our database, and write a blog in a format accessible for the general public. It is one of my pride and joys in my job as it covers so many different aspects of museum life- public engagement, outreach, research, museum documentation, collections management, etc. This month I managed to go a step further and incorporate not just exhibition content into the article (British Wildlife Photographer Awards temporary exhibition), but also a new avenue of research and interest; a 6000 strong army of hawfinch enthusiasts who take to Twitter to record sightings of this shy but glorious little bird. I asked the followers of @HawfinchesUK if they would like to publish an image they had taken and was subsequently presented not just with photographs, but with fascinating insider information of the birding world that I may not have found by my own research.
What a wonderful collaboration of scientists and enthusiasts, and an exceptional reward for the utilisation of social media. Please enjoy:
Working as a curator in a museum is an odd job. It is the best job on the planet. But it is like no other I know of. There are an enormous range of daily tasks a curator carries out, and these are not without their quirks. Here are a few oddities museum curators deal with regularly:
Curators are not Indiana Jones
I’ve written about this before in more detail, but no, we are not Indiana Jones. When we introduce ourselves to new people, the response is sometimes ‘oh, just like Indiana Jones.’ This is a common misconception, albeit a rather flattering one. We do see some dangerous action in the field: dozens of beetles and flies on family friendly bug hunts, slipping on jagged rocks when rock pooling. However, some,many, most do not have whips under their beds. Curators do not steal ancient relics from temples (there are laws against those sorts of things). We are just as determined and passionate as Indy, but very different.
A museum curator and Indiana Jones. Can you tell the two apart? (Photo left Public Domain. Photo right by author)
“You’re Ross from Friends“
This is a another common response when a museum curator tells someone what they do. And yes, Ross Geller (played by the excellent David Schwimmer), was a museum curator before becoming a university lecturer in the wonderful sit-com Friends. Ross worked at the fictional Museum of Natural History as a palaeontology curator. His work spanned enormously for a national museum, where his expertise ranged from human evolution to dinosaurs. Ross Geller is the closest thing to a museum personality curators have ever had. To be honest, this isn’t a bad thing. He was pretty cool. Curators can relate to his slightly obsessive geekiness and matter of fact way of thinking. For me, Ross is a legend on screen. As a teen watching Friends his character was actually extremely influential – I could relate to his nerdy, slightly awkward persona. In fact, without Ross Geller I wouldn’t have thought about a career in museums.
A Fellow of the Royal Entomological Society, Harold Edward Hammond, (1902 – 1963), was a keen Lepidopterist. Coupled with this affinity for butterflies and moths he was also interested in entomology generally and would take up a new order every couple of seasons, afterwards giving the carefully mounted specimens to some young aspiring student of the subject. Before his health failed a few years before his death, it was not unusual to find Hammond out in the snow on Boxing Day, splitting logs with an axe to find beetle larvae. Generous, almost to a fault, he was content with gaining new knowledge and found reward in encouraging a new generation of enthusiasts.
Hammond’s main focus was on the larvae of Lepidoptera and, as can be seen by the associated article, he became an expert in their preservation. Raising many larvae into a suitable size for mounting could be somewhat problematic, so his Birmingham garden became a cross between a sanctuary and a fattening pen for many caterpillars. This miniature farm was orderly and well maintained, where trees were pruned to the size of bushes for easy access and micro habitats were constructed to help manage conditions for more demanding food plants.
The skills that Hammond developed in preserving caterpillars were much in demand by fellow entomologists, and he would sometimes receive dozens of boxes of live larvae a week, all dutifully delivered by a postman oblivious to their wriggling contents. His fee for this service was a request that he could have a larva or two for his own collection. During his preparations he encountered many parasitic hymenopteran and dipteran larvae, so he became quite the expert on those also, co-authoring several papers in the Entomologist’s Gazette.
Katie Ott, a museum studies student on placement with the Horniman, tells us about her fascinating work with our botany collection.
I’m Katie, and I’m three weeks into an eight-week work placement at the Horniman, helping the Natural History team to research and document the botany collection.
The botany collection at the Horniman is made up of around 3000 individual specimens either mounted onto herbarium sheets or bound in volumes. The flowering plant collection dates mainly from 1830-1850.
Two herbarium sheets from Flora Britannica no. 4., Katie Ott
The main task is to transcribe the (beautiful, but squiggly) Victorian handwriting on the herbarium sheets such as the plant’s scientific name, and where it was found etc onto MimsyXG, our collections management database.
I was just thinking last week that social media has taken over the world as the most thing in existence, corporeal or not, when this article came out about how scientists should all be trained in its use; Social Media; More Scientists Needed. No hope of escape for any of us then. (I say on a social media platform).
Last Wednesday, sadly, New Walk Museum had items stolen from display; From Rhino horns to Egyptian jewels. Whilst the objects stolen last week weren’t of natural history origin, this article (if you can see it through the adverts) also reveals that rhino horn was stolen from there a few years ago. The huge rhino horn problem faced by museums, primarily in 2012, was largely curbed by museums removing all horn from display. An update on this situation was published on our website recently in Rhinos and Museums.