Securing £182m to build a new science and digitisation centre in March 2020 was an incredible moment for the Natural History Museum, and the culmination of many years of hard work across the organisation to make the case for better facilities for the collections and research. The support from the Department for Culture, Media and Sport provides an opportunity to secure the future of the collections by moving them into bespoke, accessible storage, to accelerate digitisation of the collections to expand access for researchers globally and transform the study of natural history through an investment in new analytical facilities, technologies and techniques.
Receiving confirmation of the funding just a matter of days before the UK shutdown for the best part of 2 years didn’t come without its challenges, but it’s been incredible to see the progress that has been made towards our immense plan to build the centre and move tens of millions of specimens there by 2027.
Written by Roberto Portela Miguez, Senior Curator in Charge of Mammals, The Natural History Museum.
One could think that natural history curators are a kind of unidimensional creature because of their secretive nature (preference for collections habitat over open exposed museum public galleries) and their passion verging on obsession for the specimens they look after.
However I like to think that much has been done in the 21st century to change this perception and that our consistent and abundant presence in social media and public events sufficiently demonstrates that we are actually well-rounded human beings capable of entertaining a wide range of interests.
For instance, I myself, am known to be partial to a bit of heavy metal, chocolate spread sandwiches (Wild World Magazine, 2013), have a gentle interest in poetry (Waterhouse Times, 2006) and even have indulged my thespian side by making brief appearances on celluloid alongside Javier Bardem (Mondays in the Sun, 2002) …and therefore, aside from my professional interests, I do enjoy exploring other aspects of my personality and sharing the joy with the world.
You may or may not own/have heard of ‘Dinosaurs, How They Lived and Evolved‘ by Dr Darren Naish and Dr Paul Barrett, but either way the good news is there’s now a literally-just-released-second-edition, which is the most up to date a (printed) book can possibly be really. There is a lot of talk about it already but my tuppence is- I have a copy and it’s brilliant. That description fully extends to the captivating cover art by Bob Nicholls of Paleocreations, featuring a hungry Tianyulong (that’s a dinosaur, in case you weren’t sure).
The NatSCA conference and AGM will be at Leeds City Museum on Thursday 26th and Friday 27th April 2018!
The conference theme is: The museum ecosystem: exploring how different subject specialisms can work more closely together.
This conference aims to lead us outside our comfort zone and explore how working closely with different disciplines and departments can not only strengthen our own areas of expertise, but museums as a whole. The museum ecosystem is vast and not limited to just museums as it includes universities, local organisations, funding bodies, artists, communities and many other stakeholders.
We are inviting you to propose presentations and posters that focus on sharing ideas, tips and mechanisms that will help inform the work of other attendees. Proposals are welcome from colleagues across all disciplines (not just natural history!)
I was just thinking last week that social media has taken over the world as the most thing in existence, corporeal or not, when this article came out about how scientists should all be trained in its use; Social Media; More Scientists Needed. No hope of escape for any of us then. (I say on a social media platform).
Last Wednesday, sadly, New Walk Museum had items stolen from display; From Rhino horns to Egyptian jewels. Whilst the objects stolen last week weren’t of natural history origin, this article (if you can see it through the adverts) also reveals that rhino horn was stolen from there a few years ago. The huge rhino horn problem faced by museums, primarily in 2012, was largely curbed by museums removing all horn from display. An update on this situation was published on our website recently in Rhinos and Museums.