Securing £182m to build a new science and digitisation centre in March 2020 was an incredible moment for the Natural History Museum, and the culmination of many years of hard work across the organisation to make the case for better facilities for the collections and research. The support from the Department for Culture, Media and Sport provides an opportunity to secure the future of the collections by moving them into bespoke, accessible storage, to accelerate digitisation of the collections to expand access for researchers globally and transform the study of natural history through an investment in new analytical facilities, technologies and techniques.
Receiving confirmation of the funding just a matter of days before the UK shutdown for the best part of 2 years didn’t come without its challenges, but it’s been incredible to see the progress that has been made towards our immense plan to build the centre and move tens of millions of specimens there by 2027.
2021 was the bicentenary of the birth of the Derbyshire antiquarian, Thomas Bateman (1821-1861). To commemorate the event, Sheffield Museums Trust developed an exhibition focusing on the Bateman collection, much of which is preserved in Sheffield.
The collections of Thomas and his father William Bateman (1787-1835), are perhaps best known in archaeological circles. The pair were prominent barrow diggers, and spent much of their relatively short lives excavating burial mounds in the Peak District of Derbyshire and surrounding counties. The specimens they acquired were displayed in the family museum at Lomberdale Hall, Middleton-by-Youlgreave in Derbyshire.
The collection consisted of archaeology, world cultures and natural history (predominantly taxidermy, birds’ eggs, insects, mineralogy and palaeontology). A large part of it was initially loaned to and later sold to Sheffield Public Museum (now Weston Park Museum) in 1876 and 1893 respectively.
The importance of the Bateman family’s contribution to the study of natural science has historically been overshadowed by their notoriety as archaeologists. But their efficacy as general collectors plus the relative abundance of surviving contextual information, puts them into the top tier of contributors to Sheffield’s natural science collection.
This blog explores conservation work and public engagement activities focused on a natural history specimen found in an unlikely museum setting, made possible thanks to the Bill Pettit Memorial Award 2020.
Brunel’s SS Great Britain is a museum and visitor attraction on the harbour side in Bristol. The site centres around the Steamship Great Britain, which sits within the drydock she was originally built in and launched from on the 19th July 1843. The famous Victorian Engineer, Isambard Kingdom Brunel, acted as her Chief Engineer. She returned to the same drydock on the 19th July, 1970 – a gap of 127 years during when she steamed or sailed to every continent in the world, excluding the Antarctic, and circumnavigated the globe 32 times. The site also includes two museums – the Dockyard Museum, which tells the story of the SS Great Britain from construction to her return to Bristol, and the Being Brunel Museum, which explored the life and works of IK Brunel. The Trusts Collections were Designated in 2014.
In March 2020 the SS Great Britain Trust applied for funding as part of the Bill Pettit Memorial Award.
Written by Dr Victoria Purewal ACR), Business founder and Director, Connect-Conserve/Cyswllt-Cadwraeth Cymru.
I own a natural science conservation company called ‘Pure Conservation’, however after Covid, I felt differently about working on my own and for myself. Covid has impacted so many people, it has made us revaluate our lifestyle and our relationships, and affected every aspect of our home and working lives. At the end of the last lockdown, I decided to change and improve my working life, to move in a different direction, and be more sustainable and inclusive.
I started seeking out fellow local conservators in Wales, meeting for coffee, and visiting each other’s workspaces. Being able to talk about our lives and businesses was invigorating, and a great relationship developed. However, I realised that when Covid fully retreated and normal working practice resumed, we could be in competition with each other. Every one of us had struggled in some way during lockdown and it would be better to work together, then we could be more supportive and stronger as a team.
These conversations also highlighted that collections had suffered during lockdown. Limited access to collections for staff meant that spaces and specimens had begun to moulder. For most institutions, finding the financial support or workforce to help remedy this is possible, but for many collection owning community groups, it just isn’t an option, and so that is what inspired me to set up this initiative.
In April 2019 Holly Morgenroth (Collections Officer at The Royal Albert Memorial Museum) gave me a call to say she had acquired a dead beaver that was in good condition for taxidermy. This was significant because this beaver was part of the River Otter Beaver Trial. All deceased beavers should now be sent to the Zoological Society of London for medical autopsies, which means they are usually not in good enough condition for taxidermy after the procedure. This particular beaver, originally from a population of beavers in Scotland, had been introduced to the River Otter in April 2019 to expand the gene pool of the population. Sadly she was found dead – it is possible she drowned in salt water as there were no visible injuries from conflict or a road traffic accident. Devon Wildlife Trust decided she did not need a post mortem and very kindly handed her over to Holly at the museum. Holly jumped at the opportunity and expertly packed her into a large plastic tub and placed her in the museum’s chest freezer and got to work obtaining funding to have her processed into taxidermy and a full skeleton.