In a move unprecedented in Specimen of the Week history, I have chosen to blogify the same specimen as I selected in my last Specimen of the Week. The reason is that in many ways it is not the same specimen as it was six weeks ago: it has undergone a profound transformation. We used to call this specimen “the googly-eyed owl”, due to its comedy wonky eyes, but it is googly-eyed no longer. This week’s Specimen of the Week is…
Meet the NatSCA Committee: Ordinary Member
Name: Lucie Mascord
What is your role on the NatSCA Committee? I am the new Conservation Representative
Job title and institution: Conservator of Natural History, Lancashire Conservation Studios
Twitter username: @LuceGraham
Tell us about your day job: I am a specialist natural history conservator, working for a museums service and my own business. In both, I provide conservation services to the heritage and private sector. This is mainly in the North West – everywhere from Cumbria or to Cheshire, but my work has taken me all over the country which means I get to visit lots of new collections.
My role covers all scope of natural history collections but I specialise in bone, fluid preserved collections and taxidermy. My work is incredibly varied; as well as a conservator I am a preparator – preparing bone, skins, taxidermy and fluid preserved material. I can spend 200 hours plus conserving a single specimen, or carry out a whole collection survey in 72 hours! I also provide training to institutions in natural history collections care.
Natural science collections are very popular with visitors. Why do you think this is?
Overall, I think it is about innate curiosity – the natural world is deeply fascinating and diverse. The reason natural history collections are popular with children is they are still in that stage of uninhibited curiosity.
Our interest and relationship to natural history collections has changed and evolved over time, but I have also observed that some of those traditional links with natural history collections are being revived. I think hobbyist specimen collecting and preparing is having a resurgence; there are more curiosity shops and natural history dealerships popping up; and natural history has been all over interior design for years now. It is very evident that we are in a taxidermy popularity peak at the moment, unfortunately it’s for reasons I don’t much like – the morbid factor. Isn’t it fashionable to be macabre! This very much celebrates badly crafted and poorly preserved specimens (very Victoriana). On the other hand, this is an engaged audience whom we can positively interest in our collections.
What do you think are the biggest challenges facing natural science collections right now?
I think everyone in the community would agree that the loss of specialist knowledge and skills is really concerning. I am particularly concerned that these are also undervalued. We are continually having the conversation about whether we need them, and I think “specialists” within the museum community can often be characterised as inflexible, uncompromising and routed in “old-fashioned” practice when it comes to the use of our collections. This is an erroneous stereotype. Natural history collections, more so than any other, have to progress with research and science so not to become redundant.
With natural history conservation, these risks to skills are further magnified. There are very few specialists nowadays, and little appreciation of how vital the skills involved are. In many museum roles, we all find ourselves asked to take on more, this may sometimes manifest itself in untrained staff taking on conservation work on natural history collections. This would never be considered acceptable on oil paintings, so why should it be acceptable on other materials! Even within the conservation sector the specialist role can be overlooked.
We need to stand firm on our position on the need for specialist skills, and demand that our specialists are utilised in the work with our collections, and in training.
What would be your career in an alternate universe without museums?
I never wanted a 9-5 job or a desk job. I studied in human anatomy, and rather fancy myself as a forensic pathologist. I also wanted to pursue my art and anatomical illustration. In many ways, my current career is a good mix of all those things.
What is your favourite museum, and why?
I have a soft spot for the place I started my career as a volunteer, the Victoria Gallery and Museum at the University of Liverpool. It is worth visiting alone just to see the incredible Waterhouse architecture and glazed tile interior.
My favourite natural history collection is the Galerie de Paléontologie et d’anatomie comparée in Paris, but the top spot has to go to the People’s History Museum in Manchester – sometimes it’s good to have a break from natural history. It’s invigorating to visit a museum that challenges you and inspires change.
Written by Lucie Mascord, Conservator of Natural History, and NatSCA Committee Member.
A 70 foot long whale skeleton hangs overhead a fantastic ‘collection’ of natural science curators, collection managers, conservators, and education and museum professionals, busily gathering around and eagerly greeting each other at this year’s annual Natural Sciences Collections Association (NatSCA) conference. As Natural History Museum ‘fly’ specialist Erica McAlister tweeted: “If that fell that’s most of UK’s natural history curators & conservators wiped out”.
This year’s event (#NatSCA2017), at the University Museum of Zoology, Cambridge, had a record 110 delegates, and as such was the biggest NatSCA conference to date. At the heart of the conference was the new Whale Hall, part of an enormous redevelopment project of the David Attenborough Building. As many of us marvelled at the huge leviathan overhead, the rest of us rushed between advertising sponsor stalls, exchanged ideas, caught up with one another and most importantly, fuelled up on coffee!
Feeling inspired, we were ready to begin this year’s talks on the theme: “Evolving Ideas: Provocative New Ways of Working with Collections” as Paolo Viscardi, NatSCA Chair, keenly ushered us in to the main lecture theatre. Continue reading
Meet the NatSCA Committee: Archivist
Name: Paul A. Brown
What is your role on the NatSCA Committee? I am the Archivist, responsible for collecting together the archives from our previous incarnations; The Biology Curators’ Group and The Natural Sciences Conservation Group and more recent NatSCA documents. Most of this sits by my desk. Do any of you membership have anything that could be added?
Job title and institution: Senior Curator, Hemiptera (Sternorrhyncha), Thysanoptera, Phthiraptera, Psocoptera, Collembola, Thysanura, Archaeognatha, Diplura & Protura, Insect Small Orders section, Life Sciences Department, Natural History Museum, London.
Twitter username: I am too old to learn how to have one!
Tell us about your day job: I am presently responsible for part of the ‘small’ orders listed above. This entails re-curating and data-basing the mostly microscope slide collections and dealing with scientific visitors, loans of material and answering enquiries. I still do some research into the taxonomy of Aphids in particular (see research-gate). Almost 40 years in Museums so according to some, I might know something? If you have problems with microscope slides then who ya gonna call, ‘slide busters?’! Continue reading
What Should I Read?
I came across a very entertaining blog by Lily Nadine Wilks which looks at the frustrations of museum documentation in Mysteries of the Past. She has been working on the Charles Lyell digitisation project at the Oxford University Museum of Natural History.
Having noticed lately that there are more harlequin ladybirds in my house than there are Lego sets*, I was interested to come across A decade of invasion – a story of Harlequin Ladybird in the UK. I can’t believe THAT many ladybirds exist in the UK having only arrived in 2004. They are clearly a prolific species, if only I could teach them to write research papers. Continue reading
Yes. That is the title and this is a blog telling you about some of them. I was tasked with the job of hunting through the thousands of drawers, the hundreds of jars and the millions of slides to find the most famous or most infamous of specimens within the Collection at the Natural History Museum London. I have worked on the fly collection at the museum for over ten years now but still regularly come across hidden gems in the collection. Just in the fly collection, we have approximately 3-4 million specimens (when you see jars swimming with flies you will understand why this estimate has such a large degree of error), that have been collected since the early 17th Century from every geographical region around the world. Some of the collectors are recognisable whilst others are less so but have come to mean so much to us who deal with the collection.
So, let me welcome you to the collection. It is arguably the best fly collection in the world – I admit I may be a little biased but please be patient with me. I get very excited about the flies and forget most of my impartiality. Continue reading
2016 was a busy year for the NatSCA blog, we published 27 blogs from a super range of authors on an exciting variety of topics. When looking at the analytics of the blog to see what’s popular, it became apparent that people don’t just read what’s current in terms of publication date, they read what’s relevant to them at the time. This means that on top of the 27 blogs published last year, a further 102 blogs dating back to 2012 were also viewed from our archive, in 2016.
Since its inception in August 2012, there have been 182 blogs published on the NatSCA website, and so with such a large number, it’s really interesting to see what grabbed people’s attention, or search engines, the most. Continue reading