Tag Archives for National Museum of Ireland

A Sunfish, a Sheriff and a Register

By Eimear Ashe, Documentation Officer, National Museum of Ireland – Natural History.

NatSCA friends, I’d like to tell you a little about our current Inventory Project in the National Museum of Ireland (NMI) – Natural History. But first, back in 2009-2017, we ran a project that allowed us to catalogue 170,000 specimens in our collections management system (Adlib). We proposed another project to continue these efforts. The start date of the project regrettably coincided with the pandemic as well as the untimely loss of a key colleague (Dr Matthew Parkes). We regrouped and decided to postpone the physical inventory of objects and instead to focus on the work that could be done remotely by the team of inventory assistants.

On this project, I manage a team of three contracted inventory assistants. The cataloguers work on Natural History for two or three days per week, and other NMI projects for the rest of their week. I spend one full day each week doing project-related work, that is, supervision, answering queries, checking work and reporting.

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Persevering Through The Pandemic

Written by Paolo Viscardi, Curator of Zoology, National Museum of Ireland – Natural History.

Since Covid-19 hit the scene, time has not seemed to behave normally, with a Groundhog Dayesque sense of repetition that has eroded our patience and put our mental health to the test. For many people working with collections it has been a very difficult time, with projects being put on hold, contracts not being renewed, furlough and redeployment making normal work impossible and even the improvements seen in facilitation of working from home offering the thinnest and most tarnished of silver linings.

Dealing with leaks from the Dead Zoo roof

At the Dead Zoo in Dublin the pandemic has thrown up different challenges. With a leaking roof threatening the national collections, a project to safeguard them by undertaking a roof refurbishment was considered a priority and categorised as essential work. The first stage of this project was to remove two whales suspended from supports within the roofspace, which in turn required a substantial amount of preparation, given the crowded Victorian gallery space.

The 1st floor of the Dead Zoo, in all its crowded glory
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Resurrection 101

Written by Paolo Viscardi, Curator of Zoology, National Museum of Ireland – Natural History

Anyone who has to deal with fluid collections, without the support of a natural history conservator, probably has nightmares about cracked jar lids and desiccated specimens. But would you sleep more easily if I told you that it’s possible to get a transformation like this using a straightforward and inexpensive method?

Frog_before-after

Here’s my account of how I resurrected this dehydrated specimen using stuff you probably have sitting in your museum cupboards or that you can buy for less than £20. It’s worth noting that the technique will not always work and if you plan to use it on a specimen that may have useful DNA to contribute, you should take a sample before rehydrating, since it is likely to reduce the quantity and quality of DNA you can extract.

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Invertebrates In Vitro

Written by Paolo Viscardi, Curator of Zoology, National Museum of Ireland – Natural History

I’m not sure why, but people really seem to love Blaschka models.

Beccaria tricolor [sic] Nr.373 in Blaschka catalogue. Specimen NMINH:1886.810.1 at the National Museum of Ireland.

Beccaria tricolor [sic], Nr.373 in Blaschka catalogue. Specimen NMINH:1886.810.1 at the National Museum of Ireland. Image by Paolo Viscardi, 2018

They are the subject of a surprisingly large number of enquiries at the National Museum of Ireland — Natural History (AKA the Dead Zoo), where I look after the zoology collections.

If you’ve not heard of the Blaschkas, they were a father and son company of lampworkers based in Dresden, who supplied museums and universities around the world with glass models for teaching and display. Between 1864 and 1890 they made mail-order models of invertebrates (alongside glass eyes and medical equipment), then from 1890 until 1936 they worked exclusively for Harvard University on the Ware collection of glass flowers.

glass_flowers_gift-bouquet

Bouquet of Blaschka glass flowers made in 1889, gifted to Elizabeth C. and Mary L. Ware. Now part of the Harvard Glass Flowers exhibit. Image by Bard Cadarn, 2018.

At the Dead Zoo we have a particularly large and comprehensive collection of the invertebrates, with around 590 models acquired in lots between 1874 and 1888. I say ‘around’, because many of the models are made up of multiple parts, with different developmental stages, enlargements and details that are classed as elements of the same model.

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NatSCA Digital Digest – March

Compiled by Jan Freedman, Curator of Natural History, Plymouth Museums Galleries Archives.

It’s that time again when we look at some great events and conferences, writing, and jobs, chosen just for you!

What Should I Read?

Dodo’s in Leeds. Not alive, obviously, but still extremely fascinating. A lovely post by Clare Brown at Leeds Museums and Galleries. Harry Higginson: Distributing dodos in the 1860s.

Plants. Pressed. Old. Difficult to look after. Here’s a nice post by Imogen Crarey: Five lessons for life from working on the Horniman’s Historical Herbarium.

How do you print a dinosaur to make it look lifelike and realistic? Let Alex Peaker tell you: Printing a dinosaur.

Want to discover some incredible women in science? Of course you do! Scroll through excellent, engaging and accessible blog posts all about female archaeologists and palaeontologists on the TrowelBlazers website.

What Should I Do?

Perhaps the biggest event of the year, the annual NatSCA conference, is now taking bookings!

Dead Interesting: Secrets of Collections Success
Wednesday 1st – Friday 3rd May 2019
National Museum of Ireland, Dublin – Collins Barracks site
The #NatSCA2019 conference aims to unlock the secrets of collections success by sharing how our members and colleagues in the wider sector have used collections to benefit their organisations, communities and the wider world.
We will host three themed sessions, with a focus on:
Collections: Reveal your collections care, research and access secrets.
Engagement: What are your engagement success stories and how did you make them happen?
Museums and Tech: How has technology helped you unlock, understand and unleash your collections?

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