With generic terms like mankind and Homo sapiens (“wise man”), people of all genders are well aware that it is the masculine that has dominated the vocabulary of humanity. Not so in the animal kingdom.
Across UCL Culture we are celebrating the centenary of some women first getting the vote in the UK in a number of different ways. In the run up to International Women’s Day, here on the blog our Specimens of the Week will be exploring themes like women in natural history, female specimens, and – in this case – the language of natural history. This week’s Specimen of the Week is…
Koalas are one of many Australian mammals that are named after a characteristic that only females have. Their scientific name Phascolarctos means “pouched bear”. LDUCZ-Z65. (C) UCL Grant Museum of Zoology
***The Taxidermy Koala***
I find it interesting to think about animals that are named after features that only one sex has. How would you feel if your species was defined by a characteristic that you yourself didn’t possess?* My own passion is the mammals of Australia. Unlike many other groups (for example there are entire groups of insects that can only be identified by studying male genitalia), for those animals which are named for sex-specific features, Australian mammals are almost** universally named after things that only appear in females.
Excited (botanical) chatter, the inexorable flashing of camera equipment, intrigued visitors gathering around our new gallery space; this was our Virtual Flora of Tullie Herbarium Project, funded by the Bill Pettit Memorial Award at the start of 2017.
The scope of the project, between 30th of May to 26th of September 2017, was to use a team of volunteers to begin photographing and cataloguing our (“ex”) University of Lancaster herbarium. This significant acquisition of 35,000 vascular plant sheets is a highly data rich and well-provenanced collection with invaluable information on the historical and contemporary distribution of species across the UK and beyond. Almost a third of the specimens were collected from Cumbria, much of it collected during a major 30 year survey of the flora of Cumbria; an exemplar model of field surveying which is aspired to by Botanical Society of Britain and Ireland (BSBI) recorders today. The survey work culminated in the team leader’s (Geoffrey Halliday) highly comprehensive publication of A Flora of Cumbria. No other herbarium has a comparable recent (1968+) collection of Cumbrian material. But despite the importance of this recent acquisition, none of these specimens were digitised.
Thanks to the Bill Pettit Memorial Award funding this was all about to change.
I help promote information sharing and collaboration between NatSCA and closely allied subject specialist network the Geological Curators’ Group. These groups share core aims and, increasingly with loss of specialist curatorial posts, a membership. It’s exciting to explore how we can capitalise their individual strengths for the benefit of natural sciences collections and the people who work with them.
I work with a small team (Biology Curator Rhian Rowson and Geology Curator Deborah Hutchinson) to curate over one million natural sciences specimens of all shapes and sizes. As many a curator will recognise, this varies from high level strategic work to lifting, shifting, labelling and cleaning – a medley of activities to enable diverse access to and preserve these astonishing collections.
Medicinal plant on a page from Bristol’s earliest natural sciences collection – the Broughton herbarium, Bristol & Jamaica, 1779-90. (C) Bristol Culture.
The NatSCA conference and AGM will be at Leeds City Museum on Thursday 26th and Friday 27th April 2018!
The conference theme is: The museum ecosystem: exploring how different subject specialisms can work more closely together.
This conference aims to lead us outside our comfort zone and explore how working closely with different disciplines and departments can not only strengthen our own areas of expertise, but museums as a whole. The museum ecosystem is vast and not limited to just museums as it includes universities, local organisations, funding bodies, artists, communities and many other stakeholders.
We are inviting you to propose presentations and posters that focus on sharing ideas, tips and mechanisms that will help inform the work of other attendees. Proposals are welcome from colleagues across all disciplines (not just natural history!)
Making the Most of a Move: Geological Curators’ Group Conference, Day Two
We like to share the goodies in the field of natural history, so in the first ever cross-over of its kind, Part I (comprising Day One) of this blog can be found over on the Geological Curator’s Group website. No need to take the time to google it, let me give you a hand over there.
Night Early Morning at the Museum
The only thing that beats going to a natural history museum is visiting it when you’re not meant to be. The trump card of such a visit, is when you’re allowed to go to parts of the collections, not normally accessible to the general public. After a day in the lecture theatre, the 35+ members of the “Making the Most of a Move” conference assembled the following morning outside the Natural History gallery of the National Museum of Ireland, in order to tick off every one of the above, on the Museum Treats Bingo Card*.
In a blog series hosted by the Horniman Museum, each month I (the Deputy Keeper of Natural History at said Museum) select a specimen from our collections, do a little research, hopefully find out some riveting and hitherto unknown piece of historical information about it that can be added to our database, and write a blog in a format accessible for the general public. It is one of my pride and joys in my job as it covers so many different aspects of museum life- public engagement, outreach, research, museum documentation, collections management, etc. This month I managed to go a step further and incorporate not just exhibition content into the article (British Wildlife Photographer Awards temporary exhibition), but also a new avenue of research and interest; a 6000 strong army of hawfinch enthusiasts who take to Twitter to record sightings of this shy but glorious little bird. I asked the followers of @HawfinchesUK if they would like to publish an image they had taken and was subsequently presented not just with photographs, but with fascinating insider information of the birding world that I may not have found by my own research.
What a wonderful collaboration of scientists and enthusiasts, and an exceptional reward for the utilisation of social media. Please enjoy:
Working as a curator in a museum is an odd job. It is the best job on the planet. But it is like no other I know of. There are an enormous range of daily tasks a curator carries out, and these are not without their quirks. Here are a few oddities museum curators deal with regularly:
Curators are not Indiana Jones
I’ve written about this before in more detail, but no, we are not Indiana Jones. When we introduce ourselves to new people, the response is sometimes ‘oh, just like Indiana Jones.’ This is a common misconception, albeit a rather flattering one. We do see some dangerous action in the field: dozens of beetles and flies on family friendly bug hunts, slipping on jagged rocks when rock pooling. However, some,many, most do not have whips under their beds. Curators do not steal ancient relics from temples (there are laws against those sorts of things). We are just as determined and passionate as Indy, but very different.
A museum curator and Indiana Jones. Can you tell the two apart? (Photo left Public Domain. Photo right by author)
“You’re Ross from Friends“
This is a another common response when a museum curator tells someone what they do. And yes, Ross Geller (played by the excellent David Schwimmer), was a museum curator before becoming a university lecturer in the wonderful sit-com Friends. Ross worked at the fictional Museum of Natural History as a palaeontology curator. His work spanned enormously for a national museum, where his expertise ranged from human evolution to dinosaurs. Ross Geller is the closest thing to a museum personality curators have ever had. To be honest, this isn’t a bad thing. He was pretty cool. Curators can relate to his slightly obsessive geekiness and matter of fact way of thinking. For me, Ross is a legend on screen. As a teen watching Friends his character was actually extremely influential – I could relate to his nerdy, slightly awkward persona. In fact, without Ross Geller I wouldn’t have thought about a career in museums.