Welcome to the January edition of NatSCA Digital Digest.
A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. We are really keen to hear more about what you are getting up to, exhibition launches, virtual conferences, training opportunities, webinars, and new and interesting online content. If you have any top tips and recommendations for our next Digest please drop an email to firstname.lastname@example.org.
There’s still time to submit to SPNCC 2022. ‘Through the door and through the web: releasing the power of natural history collections onsite and online’ will take place from 5th to 10th June in Edinburgh and the deadline for abstracts is 28th January. You can submit your abstract to the open symposia or under the general theme. Full details here.
This blog explores conservation work and public engagement activities focused on a natural history specimen found in an unlikely museum setting, made possible thanks to the Bill Pettit Memorial Award 2020.
Brunel’s SS Great Britain is a museum and visitor attraction on the harbour side in Bristol. The site centres around the Steamship Great Britain, which sits within the drydock she was originally built in and launched from on the 19th July 1843. The famous Victorian Engineer, Isambard Kingdom Brunel, acted as her Chief Engineer. She returned to the same drydock on the 19th July, 1970 – a gap of 127 years during when she steamed or sailed to every continent in the world, excluding the Antarctic, and circumnavigated the globe 32 times. The site also includes two museums – the Dockyard Museum, which tells the story of the SS Great Britain from construction to her return to Bristol, and the Being Brunel Museum, which explored the life and works of IK Brunel. The Trusts Collections were Designated in 2014.
In March 2020 the SS Great Britain Trust applied for funding as part of the Bill Pettit Memorial Award.
Written by Dr Victoria Purewal ACR), Business founder and Director, Connect-Conserve/Cyswllt-Cadwraeth Cymru.
I own a natural science conservation company called ‘Pure Conservation’, however after Covid, I felt differently about working on my own and for myself. Covid has impacted so many people, it has made us revaluate our lifestyle and our relationships, and affected every aspect of our home and working lives. At the end of the last lockdown, I decided to change and improve my working life, to move in a different direction, and be more sustainable and inclusive.
I started seeking out fellow local conservators in Wales, meeting for coffee, and visiting each other’s workspaces. Being able to talk about our lives and businesses was invigorating, and a great relationship developed. However, I realised that when Covid fully retreated and normal working practice resumed, we could be in competition with each other. Every one of us had struggled in some way during lockdown and it would be better to work together, then we could be more supportive and stronger as a team.
These conversations also highlighted that collections had suffered during lockdown. Limited access to collections for staff meant that spaces and specimens had begun to moulder. For most institutions, finding the financial support or workforce to help remedy this is possible, but for many collection owning community groups, it just isn’t an option, and so that is what inspired me to set up this initiative.
Welcome to the December edition of NatSCA Digital Digest.
This is the last Digest of 2021 – packed full of festive activities and the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. We are really keen to hear more about museum re-openings, exhibition launches, virtual conferences and webinars, and new and interesting online content. If you have any top tips and recommendations for our next Digest please drop an email to email@example.com.
Abstract submission is now OPEN! If you would like to be involved, please submit by the 28th January 2022. For a list of all symposia (both open and closed) click here. The open symposia are available for everyone, closed symposium are for invited speakers only. For all other abstracts and poster abstracts, please submit your abstract into the ‘general’ theme. To submit an abstract, click here.
A reminder that the final deadline to register for the 65th Annual Palaeontological Association Meeting is December 10th. You can click here to register now!
A key aspect of taxidermy is that it permits the viewer to forget the animal is dead – something that is rather hard to miss when considering skeletons, specimens preserved in fluid, or insects with a pin stuck through them. Allowing ourselves to be tricked into thinking we are looking at a living, breathing – albeit very still – creature is surely one of the reasons that museum visitors so often ask, “Is it real?” when encountering taxidermy on display.
Eventually, it is the stillness that breaks the illusion, along with the obvious realisation that, no, it simply isn’t possible for a live tiger/antelope/walrus to be sat there behind glass in an urban building.