NatSCA Digital Digest – December

Save the Date!

The NatSCA conference and AGM will be at Leeds City Museum on Thursday 26th and Friday 27th April 2018!

The conference theme is: The museum ecosystem: exploring how different subject specialisms can work more closely together.

This conference aims to lead us outside our comfort zone and explore how working closely with different disciplines and departments can not only strengthen our own areas of expertise, but museums as a whole. The museum ecosystem is vast and not limited to just museums as it includes universities, local organisations, funding bodies, artists, communities and many other stakeholders.

We are inviting you to propose presentations and posters that focus on sharing ideas, tips and mechanisms that will help inform the work of other attendees. Proposals are welcome from colleagues across all disciplines (not just natural history!)

To submit your abstract, please download and complete a submission form and send your completed form to conference@natsca.org.

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Making the Most of a Move

Making the Most of a Move: Geological Curators’ Group Conference, Day Two

We like to share the goodies in the field of natural history, so in the first ever cross-over of its kind, Part I (comprising Day One) of this blog can be found over on the Geological Curator’s Group website. No need to take the time to google it, let me give you a hand over there.

Night Early Morning at the Museum

The only thing that beats going to a natural history museum is visiting it when you’re not meant to be. The trump card of such a visit, is when you’re allowed to go to parts of the collections, not normally accessible to the general public. After a day in the lecture theatre, the 35+ members of the “Making the Most of a Move” conference assembled the following morning outside the Natural History gallery of the National Museum of Ireland, in order to tick off every one of the above, on the Museum Treats Bingo Card*.

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The Addition of Enthusiasts

In a blog series hosted by the Horniman Museum, each month I (the Deputy Keeper of Natural History at said Museum) select a specimen from our collections, do a little research, hopefully find out some riveting and hitherto unknown piece of historical information about it that can be added to our database, and write a blog in a format accessible for the general public. It is one of my pride and joys in my job as it covers so many different aspects of museum life- public engagement, outreach, research, museum documentation, collections management, etc. This month I managed to go a step further and incorporate not just exhibition content into the article (British Wildlife Photographer Awards temporary exhibition), but also a new avenue of research and interest; a 6000 strong army of hawfinch enthusiasts who take to Twitter to record sightings of this shy but glorious little bird. I asked the followers of @HawfinchesUK if they would like to publish an image they had taken and was subsequently presented not just with photographs, but with fascinating insider information of the birding world that I may not have found by my own research.

What a wonderful collaboration of scientists and enthusiasts, and an exceptional reward for the utilisation of social media. Please enjoy:

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The curious life of a museum curator

Working as a curator in a museum is an odd job. It is the best job on the planet. But it is like no other I know of. There are an enormous range of daily tasks a curator carries out, and these are not without their quirks. Here are a few oddities museum curators deal with regularly:

Curators are not Indiana Jones

I’ve written about this before in more detail, but no, we are not Indiana Jones. When we introduce ourselves to new people, the response is sometimes ‘oh, just like Indiana Jones.’ This is a common misconception, albeit a rather flattering one. We do see some dangerous action in the field: dozens of beetles and flies on family friendly bug hunts, slipping on jagged rocks when rock pooling. However, some, many, most do not have whips under their beds. Curators do not steal ancient relics from temples (there are laws against those sorts of things). We are just as determined and passionate as Indy, but very different.

 

A museum curator and Indiana Jones. Can you tell the two apart? (Photo left Public Domain. Photo right by author)

 

“You’re Ross from Friends

This is a another common response when a museum curator tells someone what they do. And yes, Ross Geller (played by the excellent David Schwimmer), was a museum curator before becoming a university lecturer in the wonderful sit-com Friends. Ross worked at the fictional Museum of Natural History as a palaeontology curator. His work spanned enormously for a national museum, where his expertise ranged from human evolution to dinosaurs. Ross Geller is the closest thing to a museum personality curators have ever had. To be honest, this isn’t a bad thing. He was pretty cool. Curators can relate to his slightly obsessive geekiness and matter of fact way of thinking. For me, Ross is a legend on screen. As a teen watching Friends his character was actually extremely influential – I could relate to his nerdy, slightly awkward persona. In fact, without Ross Geller I wouldn’t have thought about a career in museums.

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NatSCA Digital Digest – November

What’s been Happening?

The 2017 GCG Conference in Dublin was a resounding success. Our resident blogger Emma-Louise Nicholls has been co-opted onto the GCG committee – well done Emma!. I was unfortunately unable to attend the conference but I’m hoping that someone who did will volunteer a write-up for us.

Museums everywhere have been going all spooky for Hallowe’en. The Horniman Museum in Forest Hill turned their monthly lates event into the Bloody Late, a tour-de-force of spooky music and blood-curdling tours.

The Tetrapod Zoology Convention doubled the turn-out of previous years – made possible in part due to the venue change from the London Wetland Centre (near Hammersmith) to The Venue (near Holborn). NatSCA member Heather’s talk on the History of Zoos was great, as was our patron Ben Garrod’s account of working with David Attenborough and other windows into the world of TV science communication. There were lots of other great talks besides, which we will mention as we go along. The palaeoart workshop this year was mural-themed and presented an interesting challenge to create multiple species to scale across geologic time. My animal was a Microraptor, which I drew in the foreground because it was so small. Other people had sauropods in the background and they were still so big they were escaping the paper in places. Several write-ups of this event have been made – you and find some of them here and here. If you want to be kept informed about next year’s TetZooCon, I encourage you to join the Facebook group – they already have all the speakers lined up for next year if it remains a one-day event. They might stretch it to two if there’s enough interest.

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The Legacy of Entomologist Harold Edward Hammond

A Fellow of the Royal Entomological Society, Harold Edward Hammond, (1902 – 1963), was a keen Lepidopterist. Coupled with this affinity for butterflies and moths he was also interested in entomology generally and would take up a new order every couple of seasons, afterwards giving the carefully mounted specimens to some young aspiring student of the subject. Before his health failed a few years before his death, it was not unusual to find Hammond out in the snow on Boxing Day, splitting logs with an axe to find beetle larvae. Generous, almost to a fault, he was content with gaining new knowledge and found reward in encouraging a new generation of enthusiasts.

Hammond’s main focus was on the larvae of Lepidoptera and, as can be seen by the associated article, he became an expert in their preservation. Raising many larvae into a suitable size for mounting could be somewhat problematic, so his Birmingham garden became a cross between a sanctuary and a fattening pen for many caterpillars. This miniature farm was orderly and well maintained, where trees were pruned to the size of bushes for easy access and micro habitats were constructed to help manage conditions for more demanding food plants.

The skills that Hammond developed in preserving caterpillars were much in demand by fellow entomologists, and he would sometimes receive dozens of boxes of live larvae a week, all dutifully delivered by a postman oblivious to their wriggling contents. His fee for this service was a request that he could have a larva or two for his own collection. During his preparations he encountered many parasitic hymenopteran and dipteran larvae, so he became quite the expert on those also, co-authoring several papers in the Entomologist’s Gazette.

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Why not apply for our £2000 Bill Pettit fund?

NatSCA is pleased to invite applications to this year’s Bill Pettit Memorial Award. Up to £2,000 of grant money, is available to NatSCA members this year to support projects including the conservation, access and use of natural science collections.

If you’re not a member, just join us then submit your application!

(c) Richard Ross, Museum National D'Histoire Naturelle, Paris, France 1982 2-1

(c) Richard Ross, Museum National D’Histoire Naturelle, Paris, France 1982 2-1

Charles Arthur William ‘Bill’ Pettit (1937-2009) started his career with the National Institute of Oceanography but moved to the Manchester Museum in 1975 to become Assistant Keeper of Zoology. In his time at Manchester, Bill worked tirelessly for the collections and was instrumental in projects such as FENSCORE as well as numerous publications. It is in recognition of his commitment to natural science collections that we would like to offer this annual award.

Each project will be considered on its own merits by the NatSCA committee and the committee’s decision, including not awarding any money that year, will be final. To apply please put together a 700 word project proposal, which must include:

• The name, contact details and status (e.g. charity, individual, local authority) of the applicant
• The project title and proposed outcomes and benefits
• How the project supports conservation, or access to and use of Natural Science collections
• Detailed costs
• Accurate timescale (including any work undertaken so far and the project end date)
• Details of other funding/match funding already secured for the project

Grants will be considered on an annual basis in January.

Deadline for 2017 applications: Friday 17th November

Successful applicants are required to produce a report/article on their project for publication in either NatSCA Notes & Comments or the Journal of Natural Science Collections before payment.

Applications are open to NatSCA individual or institutional members only.

Please contact David Gelsthorpe (david.gelsthorpe@manchester.ac.uk, 0161 3061601) for further information or to submit a grant application.