From Dioramas to The Red List: Conserving Felbrigg Hall’s Taxidermy Birds for a New Conservation Story.

Written by Louise Green, Project Manager and Collections & House Manager, Felbrigg Hall, National Trust, and Martha Infray, Regional Conservator, National Trust.

Introduction

The Bird Corridor at Felbrigg Hall, Norfolk, houses a nationally significant natural history collection. Consisting of taxidermy bird dioramas collected by Thomas Wyndham Cremer (1834-1894), the displays document many of the resident and migratory bird species historically found in East Anglia.

Created by renowned nineteenth-century taxidermists Gunn of Norwich and Pratt of Brighton, the dioramas are a first-hand resource documenting the ornithological scene in East Anglia during the 19th-century.

Following the successful completion of the first Phase of conservation treatment in 2025, the second and final phase is nearing completion, with only two weeks of treatment remaining this autumn.

Historic label by Thomas Gunn, attached to the back of a diorama © National Trust/ Rob Coleman

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A Mammoth Task: Stabilising and Protecting Fossil Mammal Specimens in a Sustainable and Access-friendly Way for a Large-scale Collections Move.

Written by Lydia Amies, Caitlin Jenkins, Emanuele Casafredda, Lucia Petrera, Tanya Nakamoto and Fabiana Portoni, Natural History Museum, London.

The Natural History Museum, London (NHM) is moving a third of its collection (28 million) specimens to a to a new, purpose-built centre at Thames Valley Science Park near Reading. Under the umbrella of the Unlocked Programme a new facility is being designed and built to house natural history specimens, research laboratories, working space, and digitisation facilities. The project started in 2020 and the moves stage will commence in 2028.

The Unlocked Conservation Team is working to assess, treat and stabilise at-risk specimens that are due to move. Our focus is to futureproof collection storage while using materials in a sustainable and cost-effective way. Our work will improve access to the collections and enable safe handling of specimens. One of the largest and most complex collections we are working on is the Fossil Mammal Collection which is made up of a wide variety of species, from tiny extinct rodents to woolly mammoths.

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NatSCA Digital Digest – August 2026

Compiled by Ellie Clark, Curator of Fossil Cnidaria at the Natural History Museum.

Welcome to the August edition of NatSCA Digital Digest.

Digital Digest is a monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Entomological Skills Workshop at National Museums Northern Ireland

Join Buglife Northern Ireland Conservation Officer, Hannah, and National Museums Northern Ireland Curators for a workshop on collecting, preparing, and identifying insect specimens for conservation research.

The workshop is free and taking place on Saturday the 19th of September.

Book via their webpage. Age group 18 and above.

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The Past, Present and Future of the NatSCA Conference

By Eimear Ashe, Collections Moves Project Manager, National Museum of Ireland, Dublin.

Ulster Museum lecture theatre

NatSCA as a named subject specialist network and membership organisation, held its first conference in 2004 at the National Museum of Ireland in Dublin. This year, the conference took place in Northern Ireland for the first time — hosted by the Ulster Museum in the heart of Belfast. NatSCA has always sited its conference in the UK and Ireland. In the map below, green flags represent a museum that has hosted the conference once, and yellow stars represent sites that have hosted twice (Leeds and Dublin):

Where has NatSCA held its annual conferences?

This year’s programme was notably wide‑ranging, attracting a diverse mix of attendees from across the sector. Given my current role as Project Manager for the redevelopment of the Natural History Museum at the National Museum of Ireland, several talks particularly resonated with me. I was especially interested in the presentation by Lydia Amies and Emanuele Casafredda, which focused on stabilising and relocating fossil mammal collections. Collection moves and storage planning have been a recurring theme throughout my career, so it was really worthwhile seeing how colleagues elsewhere are tackling similar logistical and conservation challenges.

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Beyond the Scientific Record: Using Photography to Inspire Curiosity about Natural History Collections

Photo essay, written and produced by Molly Wilders, Photographer, mollywilders.com.

While museum collections on display are designed to be viewed and understood by the public, collection storerooms primarily exist to support research. Museum professionals spend their lives studying and caring for specimens but few outsiders truly understand what that work looks like.

As a photographer with a background in biology, my projects often focus on documenting the work of researchers in laboratories and the field. In 2022 I reached out to Ashleigh Whiffin, Curator of Entomology at National Museums Scotland, to collaborate on a photography project focusing on her work and the collections she oversees.

The digitisation of museum collections has become increasingly important, with high-quality images supporting research and education, allowing collections to reach audiences without geographical barriers. However, while digitised specimens are invaluable scientific resources, they have a limited ability to inspire awe in the average viewer.

Our first experiences of nature are usually emotional, with feelings coming before facts. Yet it can be difficult to connect with a specimen viewed only as scientific data. My work as a photographer is to make the viewer feel something about these collections and the people who care for them. If an image then inspires someone to ask questions about a specimen, collection or curator, then my job is complete.

Huge thanks to Ashleigh for being so generous with her time. It’s been a delight to make these photographs with her and to see her use them in her own science communication work.

Slide tray holding holotype and paratype specimens on slides. Image credit: Molly Wilders
Ashleigh showing the way slide trays are stored. Image credit: Molly Wilders
Ashleigh using a step ladder to look in drawers in the top shelves. Image credit: Molly Wilders
Ashleigh looking through shelves of entomology collections. Image credit: Molly Wilders
A pinned jewel scarab beetle. Image credit: Molly Wilders
A pinned beetle being held by tweezers to show its various data labels. Image credit: Molly Wilders
Ashleigh reviewing Coleoptera specimens under a microscope. Image credit: Molly Wilders
Ashleigh sat at a microscope in the Entomology department of the NMS Collections Centre. Image credit: Molly Wilders
Ashleigh looking at a beetle under the microscope. Image credit: Molly Wilders
A close up of a specimen under review. Image credit: Molly Wilders
Drawer of ex-display specimens. Image credit: Molly Wilders
Drawer of Endromis versicolora specimens from Aviemore. Image credit: Molly Wilders
Ashleigh showing a comparison of a faded and non-faded death’s-head hawkmoth. Image credit: Molly Wilders