The Dead Plants Society – A Case Study for Fundraising for Natural Science Collections

Written by Clare Brown, Leeds Museums and Galleries.

#fundraising #naturalsciencecollections #howtogetfunding #howtofundmyproject #fundingnaturalscience #botanyfunding #fundingforplantcollections etc

A long time ago, longer than I care to think about, I ran a herbarium coffee morning every week at Portsmouth Museums and Records Office. A group of us – staff and volunteers – got together, catalogued plants and had a coffee-and-biscuit break at about 11. The volunteers involved talked about their love of plants and their love of a good chinwag every week. For some it was their only regular social event. It was incredibly wholesome, inclusive, friendly and productive, and I have wanted to replicate it for ages.

© Leeds Museums and Galleries/Space 2

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An Acre of Yorkshire to Revitalise Botany Education

Written by Sebastian Stroud, Teaching Fellow in Ecology, School of Biology, University of Leeds.

Did you ever visit the experimental gardens of the University of Leeds? For the vast majority of you, I imagine not. It’s more than likely you’ve never even heard of the old gardens, and that’s because they’ve been shut down entirely. Demolished in the mid-noughties, the collections were disbanded and moved to other institutions. A story not unheard of for university living collections.

For those interested, there exists a fascinating history – a story told by the garden’s former plantsman, Martin Lappage (Lappage and Redshaw, 2021). Although, like many of you, I never stepped foot in the old experimental garden, reading Lappage’s book conjured inspiration as though I’d been there with him. From fascinating figs and their minuscule wasp pollinators to award-winning orchid collections, the old garden was a botanist’s dream.

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NatSCA Digital Digest – August

Compiled by Ellie Clark, Collections Move Team Leader at the Natural History Museum

Welcome to the August edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration is now open for the 13th European Bird Curators Meeting, October 2024, in Liverpool.

The European Bird Curators Meetings aim to promote cooperation, dissemination of best practices and new techniques in the curation, management, and use of bird collections. Presenters in the scientific programme often include curators, collection managers, museum historians and ornithological researchers. These are friendly meetings and anyone with an interest is welcome to join us.

The meeting will include plenary and submitted presentations, discussion sessions, collections tour, conference dinner (optional – Tuesday 29th October) and field excursion (optional – Thursday 31st October). 

Please follow the ‘Tickets available here’ link from the event webpage to register. They have single day registration options and have kept costs as low as possible to encourage attendance by local natural history curators. 

If you have any questions, please email vertebratezoology@liverpoolmuseums.org.uk.

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Conserving Garden Plant Diversity

Written by Yvette Harvey, Keeper of the Herbarium, Royal Horticultural Society, RHS Garden Wisley.

We live at a period in time where we are very familiar with the concept of mass extinctions that are likely to be caused by human intervention (from burning of the rain-forests, hunting and desertification through to global warming). As the years/decades/centuries progress, our preserved plant and animal [by which I mean anything that moves] collections find themselves being useful tools to provide empirical evidence for the causes of the above, outside of their main purpose of pure taxonomy (Thiers 2020: 219-242).

Following the recent closure of Kew’s Red Listing department, conservation is a subject that readily springs to mind. With c. 390 million specimens contained within the World’s herbaria, information captured in specimen labels has ultimately provided the data for calculating the Area of Occupancy and Extent of Occurrence, both of which play a large part in assessing the IUCN (International Union for Conservation of Nature) Red listing of a plant.

I am lucky to work with a specialist herbarium collection – one that contains ornamental plants based at RHS Garden Wisley. Yes, highly unlikely to play a role in an IUCN assessment, but all the same, a dried ornamental plant collection does play a vital role in conservation. Whilst Plant Heritage aims to conserve living plants, a herbarium that specialises in ornamentals (cultivars) can preserve material of long lost or even recently lost garden plants.

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Provenance, Provenance, Provenance

Written by Yvette Harvey, Keeper of the Herbarium, Royal Horticultural Society, RHS Garden Wisley, Surrey.

When all is quiet, the crowds have long-gone home and the lights have been dimmed, the back rooms come alive for the curators who have long finished their official hours. For it is the time for tracking down rogue specimens, delving into the past or anticipating the future. What I am trying to say is that it is the time for research and the inevitable Miss Marple style adventures to be discovered when finding details to add to the current knowledge of a historic specimen. I say current because invariably details will have been lost or not even deemed worthy to have been recorded on labels, or written in a language so obscure as to not be recognised by the modern eye.

Perhaps lost details are just a phenomenon of the botanical world, but I suspect not, and I will explain what I am alluding to above using just a couple of examples of specimens made by a single collector, John Forbes, who undertook a voyage from 1822 until his death in 1823, almost 200 years ago.

John Forbes was one of the Horticultural Society of London’s (now the Royal Horticultural Society) early plant collectors. Head-hunted from the Liverpool Botanical Garden for his horticultural skills, he was employed to travel to Southern Africa to bring back plants to introduce to British gardens. He sailed with Captain Owen on the HMS Leven, a voyage tasked with making a survey of the east coast of Africa, visiting (in the following order): Madeira, Tenerife, Santa Cruz, Cape Verde Islands, Brazil, South Africa, Mozambique (Forbes is noted as the second botanist to collect there (Exell & Hayes: 130)), Madagascar, Comoros, Mozambique, South Africa and finally Mozambique (where Forbes died, 16th August 1823).

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