Tag Archives for practical tips

Unpacking the Unnatural History Museum (Season 1)

Written by Verity Burke, John Pollard Newman Fellow of Climate Change and the Arts, University College Dublin.

Blaschka Models. Image credit: courtesy of the National Museum of Ireland: Natural History.

We’re at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity, and the Intergovernmental Panel on Climate Change has reported on the devastating trajectory of the climate crisis. Museums have an important role to play in communicating the value of nature. Yet nature is, necessarily, mediated in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. While the natural world has always been mediated in the museum space, what does this mediation mean now for natural history museums and collections, and the natures they present?

These are some of the questions which drive my research into museum representations of the natural world, and was the inspiration behind putting together an event series called ‘The Unnatural History Museum: Mediating Nature in the Sixth Mass Extinction’ (part of the Irish Research Council-funded project ‘Still Lives: Organic and Digital Animals in the Natural History Museum’ at Trinity College Dublin). I was keen to make a space to have these conversations across disciplines and sectors (something which we get surprisingly few opportunities to do, despite often working on similar topics or issues), to allow us to share what we were doing and discuss why. This blog is a short overview of the topics that the first season of the Unnatural History Museum engaged with from September 2022 to April 2023, with some excitement about what arose in the first season, and in anticipation of continuing these conversations in a planned second season.

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NatSCA Digital Digest – May 2023

Compiled by Glenn Roadley, NatSCA Committee Member, Curator of Natural Science at The Potteries Museum & Art Gallery.

Welcome to the May edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. If you have any top tips and recommendations for our next Digest please drop an email to blog@natsca.org.

Sector News

NatSCA Conference

The NatSCA annual conference and AGM was held at The Potteries Museum & Art Gallery on Thursday 27th and Friday 28th April 2023. The focus this year was So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections.

With 86 delegates present each day plus over 20 online, it was great to welcome everyone back to physical NatSCA conferences. A huge thanks to everyone that attended and to our speakers for the brilliant talks! For those that were unable to attend, we’re hoping to make the presentations available online in the near future.

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

SHNH International Summer Meeting

This year’s SHNH International Summer Meeting, ‘The Language of Nature’, will take place at Thinktank, Millennium Point, Birmingham on Tuesday 13 June 2023 (with visits planned for 14 June). This one-day international meeting will explore the language of nature in its broadest sense. Over centuries, different formats and mediums, stylistic approaches and classification systems have been used to describe and represent the natural world. These ‘languages’ influence how we conceive of nature, how we categorise it, how we wonder at it and who we credit with its ‘discovery’. This conference aims to bring new perspectives to the history of natural history writing and other expressions of nature, exploring not only the creativity and originality involved but also the limitations and biases that shape our understanding of the natural world and how it has been perceived throughout history. Full details here.

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Designated Status for Ipswich Museums’ Post-Cretaceous Geology Collection.

Written by Dr Simon Jackson, Collections and Learning Curator (Natural Sciences), Colchester + Ipswich Museums.

Ipswich Museums’ Post-Cretaceous Geology Collection, which includes our outstanding ice age collection, has been awarded Designated status by Arts Council England. The team here are delighted!

“OK, what exactly is Designation?” some of you may be thinking… Well, the scheme is administered by Arts Council England and identifies the pre-eminent collections of national importance held in England’s non-national museums, libraries and archives, based on their quality and significance. So, this award is a mark of distinction which is useful, for instance, in securing funding. If this has piqued your interest, and, for instance, you may be thinking “perhaps my collection is eligible for the scheme?” you can read more about Designation here: Designation Scheme | Arts Council England or my 2020 paper about the Tullie House bid I led on then, here https://www.natsca.org/article/2578 .

So, what’s been Designated at Ipswich? The Ipswich Post-Cretaceous Geology Collection includes c.30,000 specimens. The greatest strength of the collection includes Suffolk Plio-Pleistocene fossils, the remains of animals which lived during the Pleistocene ice age, and the warmer Pliocene before it. Suffolk has an outstanding Plio-Pleistocene record, with the only exposures of the Coralline Crag (Middle Pliocene) and extensive exposures of the Red Crag (the only exposed British deposit to document the transition into the ice age). The county’s deposits also document the dramatically changing environments of the ice age between warmer, wetter episodes (interglacials) and colder, drier episodes (glacials).  With pre-eminent collections covering this period, the collection now attracts international research, which, for instance, includes searching for the oldest mammoth DNA from Europe in c. 200,000 year old teeth from Suffolk – research led by the Centre for Palaeogenetics, at the Stockholm University and the Swedish Museum of Natural History, and the NHM). You can read more about the project here: https://cimuseums.org.uk/mammothdna/

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NatSCA Digital Digest – April 2023

Compiled by Milo Phillips, Assistant Curator of Entomology for National Museums Scotland.

Welcome to the April edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration for the NatSCA 2023 conference closes on April 20th so get booking ASAP. The conference will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. For all the info and to register, check out our webpage.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you later this month!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Early bird registration ends this Friday 15th April. See details and registration here.

Science, Gender & Sociability in a Northern City c. 1775-1820 Conference

This interdisciplinary event brings together scholars in women’s history, the history of science, literature, theatrical performance, music and historical archaeology from across the UK and the US, to contextualise and analyse the diary of Jane Ewbank (1778‒1824). More information on speakers, and links for bookings, can be found here. The conference runs Thursday 8th to 10th June 2023.

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Meet the NatSCA Committee – Patti Wood Finkle

Written by Patti Wood Finkle, Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Name

Patti Wood Finkle

What is your role on the NatSCA committee?

I am an ordinary committee member and have volunteered to lead the conference planning committee next year.

Job title and institution

Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Twitter username

I don’t have a twitter account, but I am a co-host on The M Files Podcast, a museum-centric podcast that my colleagues and I started during the pandemic to help museum professionals connect and learn more about other museums. Basically we get to meet new people and chat about how much we enjoy working in museums.

Tell us about your day job

In my current roll, I work with rocks, minerals, fossils, meteorites, man-made composites, industrial paintings and prints, as well as historic scientific instruments and equipment. We have a wide-ranging collection and there are always things to do, whether it is updating the current database with images and information, accessioning an incoming collection, or writing exhibit text (and I’ve done all three this week). A large part of my job is collections based, but with a staff of two, it is important to manage our time wisely and both of us take on tasks such as tours, guest lectureships, exhibit planning and development, supervising our student workers, and working with our parent institution. I also work with students and facilitate partnerships with faculty and student organizations whenever possible.

Natural science collections are very popular with museum visitors. Why do you think this is?

Because natural science is amazing! To see, in person, how large a whale is, how brilliantly a gem may sparkle, how beautiful a beetle can be is exhilarating. Screens and computers can only show you so much, but to see the things for yourself is authentic and tangible. It fuels our curiosity and our wonder. The number of times I have heard both children and adults walk into a natural science gallery and exclaim “WOW!”, sometimes under their breath and sometimes out loud, is affirmation of the power of these collections to continue to awe and educate visitors of all ages.

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