Welcome to the April edition of NatSCA Digital Digest.
A monthly blog series featuring some interesting things to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. We are really keen to hear more about museum re-openings, exhibition launches, virtual conferences and webinars, and new and interesting online content. If you have any top tips and recommendations for our next Digest please drop an email to firstname.lastname@example.org.
Where to Visit
The Lost-Wax for Lost-Species online exhibition brings together over 100 artists and five independent founders to collectively make a Noah’s Ark of endangered species.
Visit the Field Museum of Chicago’s egg vault with Alie Ward and Dr John Bates with this Oology podcast.
The third in City of Trees’ Natural World Webinars on Wednesday 14th April are joined by Rachel Webster, Curator of Botany at Manchester Museum, as the world of blossoms is explored. They will be taking a closer look at some flowers and thinking about the science of blooming.
Concisely contained within one day’s worth of talks, the NATSCA conference on ‘Decolonising Natural Science Collections’ was eye opening. Rarely have I felt my time was so well spent. The conference was recorded so I encourage you to go press play
With over 300 attendees from Australia to America, the conference had a global reach. The chance to be physically in the same room as so many from the field was sorely missed. However, this didn’t stop attendees taking to the chat rooms sharing ideas, links to literature and discussing the talks.
On reflection, what linked all the talks was an approach differing from the norm. Something altogether novel was provided by looking at objects already existing within our collections, and seeking the hidden information they could offer. The conference showcased not only the large scale, systemic nature of this problem but of on-going work proving the commitment and drive of individuals from multiple disciplines to see decolonisation carried out effectively in the museum sector.
By far the most shocking facet of the conference was how close to the surface these stories are. Colonial connections in our collections are not tenuous. It is confounding to me, that as someone who has visited museums all my life, I knew nothing of this. It would be instructive to see the methodology used to unravel these stories, the initial approach taken, and any difficulties encountered along the way for those inspired to undertake their own investigations. I am still uncertain how to approach unearthing these buried histories.
Welcome to the March edition of NatSCA Digital Digest.
A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. We are really keen to hear more about museum re-openings, exhibition launches, virtual conferences and webinars, and new and interesting online content. If you have any top tips and recommendations for our next Digest please drop an email to email@example.com.
Where to visit
As we move closer to spring, the Museum of Zoology Cambridge and Cambridge University Garden will be broadcasting a Wildlife Diaries livestream at 5pm on Thursday 1st April. The series of blog posts will be available on YouTube: https://youtu.be/RScsiUeR5aQ accompanied by a panel of wildlife experts who will be ready to answer your questions. You can revisit some of their 2020 BioBlitz highlights here.
The Museum Association’s Moving on Up conference is taking place on March 17th. This is for anyone working in any area of the museum sector, and those employed in a different sector who want to bring their skills to a museum setting.
Written by Claire Smith, Project Officer at the Cole Museum of Zoology.
If you’ve been following the Cole Museum of Zoology on Twitter, you’ll know that the museum is closed at the moment – not only because of the COVID-19 lockdown, but also because we’re preparing our collections for their move into a brand new Life Sciences building. While the new museum may not be ready to open until 2021, we have plenty of work to do behind the scenes in the meantime.
Along with a team of staff and volunteers, I work on the fluid-preserved collections at the Cole Museum. As well as the ongoing task of keeping all of the wet specimens in good condition, we’re also putting some into safe storage, and getting others ready to go out on display. As part of my fluid-preservation Twitter, I share weekly threads about the kinds of tasks that the team takes on.
When specimens come into the lab needing work, we identify them from an abridged version of the museum’s catalogue. This gives us basic information such as the specimen’s accession number, its species, and what kind of fluid it’s preserved in. The majority of the Cole Museum’s specimens are fairly new, by museum standards – they’re mostly around 60 to 100 years old. Many of them have been re-sealed, re-mounted or been housed in new jars during this time, but every now and then we come across one which appears untouched. Continue reading →
In 2020 the Vertebrate Zoology collection at World Museum took a step towards ‘FAIR’ data sharing and began adding datasets of specimen records to the Global Biodiversity Information Facility (GBIF). There is always a trade-off between releasing datasets as soon as possible and ensuring they contain the most precise and reliable data possible. We’ve taken the view that through releasing these datasets, and encouraging their use, a positive feedback loop will incrementally improve data quality. That said, due to restrictions on other activities, one side effect of the Covid pandemic has been a little more time for in-house provenance research.
One collection I’ve focussed on during this time is that of prolific collecting duo, Herbert Christopher Robinson and Cecil Boden Kloss, which came to World Museum from the Federated Malay States Museums (FMSM) in 1914. Robinson, a former assistant at the Liverpool Museums, directed the FMSM from 1908 until 1926; Boden Kloss was the colleague ‘to whom he was much attached’. It seems that the FMSM specimens arrived in Liverpool without any additional documentation, so the collection locality information in our database (at National Museums Liverpool we use Mimsy XG) must have originally been transcribed from specimen labels with ‘place collected’ presumed to be Malaysia. Continue reading →