How a Giant Panda – possibly called Grandma – ended up at Leeds City Museum.

Written by Clare Brown, NatSCA Membership Secretary & Curator of Natural Science, Leeds Museums and Galleries, Leeds Discovery Centre.

On display in the basement gallery of Leeds City Museum is a stuffed Giant Panda. We’ve always known and referred to her as “Grandma”, the panda that died only a few days after arriving in London in 1938.

Photograph of a taxidermy giant panda at Leeds Museum.
‘Grandma’ the Giant Panda ©Leeds Museums and Galleries.

Grandma, named as she was the oldest of the group, and her compatriots Happy, Grumpy, Dopey and Baby (Snow White was released in March that year) were the first live Giant Pandas to arrive in the UK. They had taken a long and complicated journey out of central China. Trapped in the forests above Weizhou, Sichuan, the pandas were initially kept at Chengdu under the care of Elizabeth and Floyd Tangier Smith.

Over several weeks, paperwork was prepared and plans were put in place for moving six pandas across the country during a Japanese invasion. It was then Elizabeth who, leaving a poorly Floyd to catch a plane, navigated her way to the Hong Kong Society for Prevention of Cruelty to Animals’ Dogs Home, a journey of some 1400km. One panda died en route.

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Unpacking the Unnatural History Museum (Season 1)

Written by Verity Burke, John Pollard Newman Fellow of Climate Change and the Arts, University College Dublin.

Blaschka Models. Image credit: courtesy of the National Museum of Ireland: Natural History.

We’re at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity, and the Intergovernmental Panel on Climate Change has reported on the devastating trajectory of the climate crisis. Museums have an important role to play in communicating the value of nature. Yet nature is, necessarily, mediated in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. While the natural world has always been mediated in the museum space, what does this mediation mean now for natural history museums and collections, and the natures they present?

These are some of the questions which drive my research into museum representations of the natural world, and was the inspiration behind putting together an event series called ‘The Unnatural History Museum: Mediating Nature in the Sixth Mass Extinction’ (part of the Irish Research Council-funded project ‘Still Lives: Organic and Digital Animals in the Natural History Museum’ at Trinity College Dublin). I was keen to make a space to have these conversations across disciplines and sectors (something which we get surprisingly few opportunities to do, despite often working on similar topics or issues), to allow us to share what we were doing and discuss why. This blog is a short overview of the topics that the first season of the Unnatural History Museum engaged with from September 2022 to April 2023, with some excitement about what arose in the first season, and in anticipation of continuing these conversations in a planned second season.

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NatSCA Digital Digest – May 2023

Compiled by Glenn Roadley, NatSCA Committee Member, Curator of Natural Science at The Potteries Museum & Art Gallery.

Welcome to the May edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. If you have any top tips and recommendations for our next Digest please drop an email to blog@natsca.org.

Sector News

NatSCA Conference

The NatSCA annual conference and AGM was held at The Potteries Museum & Art Gallery on Thursday 27th and Friday 28th April 2023. The focus this year was So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections.

With 86 delegates present each day plus over 20 online, it was great to welcome everyone back to physical NatSCA conferences. A huge thanks to everyone that attended and to our speakers for the brilliant talks! For those that were unable to attend, we’re hoping to make the presentations available online in the near future.

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

SHNH International Summer Meeting

This year’s SHNH International Summer Meeting, ‘The Language of Nature’, will take place at Thinktank, Millennium Point, Birmingham on Tuesday 13 June 2023 (with visits planned for 14 June). This one-day international meeting will explore the language of nature in its broadest sense. Over centuries, different formats and mediums, stylistic approaches and classification systems have been used to describe and represent the natural world. These ‘languages’ influence how we conceive of nature, how we categorise it, how we wonder at it and who we credit with its ‘discovery’. This conference aims to bring new perspectives to the history of natural history writing and other expressions of nature, exploring not only the creativity and originality involved but also the limitations and biases that shape our understanding of the natural world and how it has been perceived throughout history. Full details here.

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‘Dino Takedown’ at the Natural History Museum of Denmark.

Written by Bethany Palumbo, ACR, Head of Conservation Unit, The Natural History Museum of Denmark.

At the Natural History Museum of Denmark, work is currently underway to prepare and move thousands of specimens to a new building, located in the Botanical Gardens in Copenhagen. One such specimen is ‘Misty’ our beloved 17-meter-long Diplodocus. Misty has been welcoming visitors to the Zoological Museum since 2014 and is a much-loved part of our exhibitions.

Taking this specimen down was symbolic in many ways. It was a goodbye to the old building but also a celebration of the new building and future of the museum. We wanted to commemorate this milestone and so we decided to make the Diplodocus deinstallation into an outreach event called the ‘Dino Takedown’. This would create a rare opportunity for the public to watch the deinstallation process, ask questions and further understand the types of conservation work we do in a museum.

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Designated Status for Ipswich Museums’ Post-Cretaceous Geology Collection.

Written by Dr Simon Jackson, Collections and Learning Curator (Natural Sciences), Colchester + Ipswich Museums.

Ipswich Museums’ Post-Cretaceous Geology Collection, which includes our outstanding ice age collection, has been awarded Designated status by Arts Council England. The team here are delighted!

“OK, what exactly is Designation?” some of you may be thinking… Well, the scheme is administered by Arts Council England and identifies the pre-eminent collections of national importance held in England’s non-national museums, libraries and archives, based on their quality and significance. So, this award is a mark of distinction which is useful, for instance, in securing funding. If this has piqued your interest, and, for instance, you may be thinking “perhaps my collection is eligible for the scheme?” you can read more about Designation here: Designation Scheme | Arts Council England or my 2020 paper about the Tullie House bid I led on then, here https://www.natsca.org/article/2578 .

So, what’s been Designated at Ipswich? The Ipswich Post-Cretaceous Geology Collection includes c.30,000 specimens. The greatest strength of the collection includes Suffolk Plio-Pleistocene fossils, the remains of animals which lived during the Pleistocene ice age, and the warmer Pliocene before it. Suffolk has an outstanding Plio-Pleistocene record, with the only exposures of the Coralline Crag (Middle Pliocene) and extensive exposures of the Red Crag (the only exposed British deposit to document the transition into the ice age). The county’s deposits also document the dramatically changing environments of the ice age between warmer, wetter episodes (interglacials) and colder, drier episodes (glacials).  With pre-eminent collections covering this period, the collection now attracts international research, which, for instance, includes searching for the oldest mammoth DNA from Europe in c. 200,000 year old teeth from Suffolk – research led by the Centre for Palaeogenetics, at the Stockholm University and the Swedish Museum of Natural History, and the NHM). You can read more about the project here: https://cimuseums.org.uk/mammothdna/

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