Designated Status for Ipswich Museums’ Post-Cretaceous Geology Collection.

Written by Dr Simon Jackson, Collections and Learning Curator (Natural Sciences), Colchester + Ipswich Museums.

Ipswich Museums’ Post-Cretaceous Geology Collection, which includes our outstanding ice age collection, has been awarded Designated status by Arts Council England. The team here are delighted!

“OK, what exactly is Designation?” some of you may be thinking… Well, the scheme is administered by Arts Council England and identifies the pre-eminent collections of national importance held in England’s non-national museums, libraries and archives, based on their quality and significance. So, this award is a mark of distinction which is useful, for instance, in securing funding. If this has piqued your interest, and, for instance, you may be thinking “perhaps my collection is eligible for the scheme?” you can read more about Designation here: Designation Scheme | Arts Council England or my 2020 paper about the Tullie House bid I led on then, here https://www.natsca.org/article/2578 .

So, what’s been Designated at Ipswich? The Ipswich Post-Cretaceous Geology Collection includes c.30,000 specimens. The greatest strength of the collection includes Suffolk Plio-Pleistocene fossils, the remains of animals which lived during the Pleistocene ice age, and the warmer Pliocene before it. Suffolk has an outstanding Plio-Pleistocene record, with the only exposures of the Coralline Crag (Middle Pliocene) and extensive exposures of the Red Crag (the only exposed British deposit to document the transition into the ice age). The county’s deposits also document the dramatically changing environments of the ice age between warmer, wetter episodes (interglacials) and colder, drier episodes (glacials).  With pre-eminent collections covering this period, the collection now attracts international research, which, for instance, includes searching for the oldest mammoth DNA from Europe in c. 200,000 year old teeth from Suffolk – research led by the Centre for Palaeogenetics, at the Stockholm University and the Swedish Museum of Natural History, and the NHM). You can read more about the project here: https://cimuseums.org.uk/mammothdna/

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‘Tom’ The Burlingham Bird

Written by Anthony Roach FLS (He/Him), Archives Assistant, Worcestershire Archive and Archaeology Service.

Whilst we do have some objects held at Worcestershire Archives, a mummified bird filed in a plastic pocket was a hugely surprising find all the same! The bird was ‘filed’ – its place as important as other key events in the history of Burlingham & Co., Evesham, a business, which from the late 19th century onwards was managed by Henry Burlingham.  

Image of the Burlingham bird when first discovered Ref 705.1373 BA12963.6.63 © WAAS

Either side of the mummified bird contains photographs of the Evesham premises charting its changing fortunes, a catalogue of products sold, adverts and circulars sent out to clients. Whilst Burlingham & Co. began as merchants and agents of a wide range of goods, including coal, their interests narrowed as sellers of construction materials, garden machinery, and fertiliser.

Close up of the Burlingham Bird Ref 705.1373 BA12963.63 © WAAS

I was excited by ‘The Burlingham Bird’ find and set about the challenge of learning more about it and also how best to conserve and safely store the specimen in our archives.

The Mummy Bird

Close up of image with text ‘Mummified seabird found in bag of Arabian Guano’ c.1957-8 Ref 705.1373 BA12963.6.63 © WAAS

As you can see it was described as ‘Mummified sea bird found in bag of Arabian Guano c.1957/8’  When I first examined it, I thought it most resembled either a cormorant or a shag having been used to seeing both around the coasts and estuaries in Devon. Having reviewed the different species found in Arabia using the image supplied with the bird and the morphology of the mummified bird itself, it most closely resembles the Socotra cormorant (Phalacrocorax nigrogularis) – endemic to the Persian Gulf and the south-east coast of the Arabian Peninsula.

Socotra cormorant – Phalacrocorax nigrogularis – Cornell Lab of Ornithology Macauley Library © Oscar Campbell
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Conserving Garden Plant Diversity

Written by Yvette Harvey, Keeper of the Herbarium, Royal Horticultural Society, RHS Garden Wisley.

We live at a period in time where we are very familiar with the concept of mass extinctions that are likely to be caused by human intervention (from burning of the rain-forests, hunting and desertification through to global warming). As the years/decades/centuries progress, our preserved plant and animal [by which I mean anything that moves] collections find themselves being useful tools to provide empirical evidence for the causes of the above, outside of their main purpose of pure taxonomy (Thiers 2020: 219-242).

Following the recent closure of Kew’s Red Listing department, conservation is a subject that readily springs to mind. With c. 390 million specimens contained within the World’s herbaria, information captured in specimen labels has ultimately provided the data for calculating the Area of Occupancy and Extent of Occurrence, both of which play a large part in assessing the IUCN (International Union for Conservation of Nature) Red listing of a plant.

I am lucky to work with a specialist herbarium collection – one that contains ornamental plants based at RHS Garden Wisley. Yes, highly unlikely to play a role in an IUCN assessment, but all the same, a dried ornamental plant collection does play a vital role in conservation. Whilst Plant Heritage aims to conserve living plants, a herbarium that specialises in ornamentals (cultivars) can preserve material of long lost or even recently lost garden plants.

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We Brought Our Electric Ray Specimens Into The Lab…What Happened Next Will Shock You!

Written by Claire Smith, Project Officer at the Cole Museum of Zoology.

If you’ve been following the Cole Museum of Zoology on Twitter, you’ll know that the museum is closed at the moment – not only because of the COVID-19 lockdown, but also because we’re preparing our collections for their move into a brand new Life Sciences building. While the new museum may not be ready to open until 2021, we have plenty of work to do behind the scenes in the meantime.

Along with a team of staff and volunteers, I work on the fluid-preserved collections at the Cole Museum. As well as the ongoing task of keeping all of the wet specimens in good condition, we’re also putting some into safe storage, and getting others ready to go out on display. As part of my fluid-preservation Twitter, I share weekly threads about the kinds of tasks that the team takes on.

When specimens come into the lab needing work, we identify them from an abridged version of the museum’s catalogue. This gives us basic information such as the specimen’s accession number, its species, and what kind of fluid it’s preserved in. The majority of the Cole Museum’s specimens are fairly new, by museum standards – they’re mostly around 60 to 100 years old. Many of them have been re-sealed, re-mounted or been housed in new jars during this time, but every now and then we come across one which appears untouched. Continue reading

Time To Figure Out Where Specimens Are Really From

By John-James Wilson, Curator of Vertebrate Zoology, World Museum, National Museums Liverpool.

In 2020 the Vertebrate Zoology collection at World Museum took a step towards ‘FAIR’ data sharing and began adding datasets of specimen records to the Global Biodiversity Information Facility (GBIF). There is always a trade-off between releasing datasets as soon as possible and ensuring they contain the most precise and reliable data possible. We’ve taken the view that through releasing these datasets, and encouraging their use, a positive feedback loop will incrementally improve data quality. That said, due to restrictions on other activities, one side effect of the Covid pandemic has been a little more time for in-house provenance research.

Banded Broadbill – Eurylaimus javanicus Horsfield, 1821 [accession number: NML 31.12.14.56a]. Collected at ‘Kao Nawng’, Surat Thani, Thailand on 1913-07-21 © National Museums Liverpool (World Museum).

One collection I’ve focussed on during this time is that of prolific collecting duo, Herbert Christopher Robinson and Cecil Boden Kloss, which came to World Museum from the Federated Malay States Museums (FMSM) in 1914. Robinson, a former assistant at the Liverpool Museums, directed the FMSM from 1908 until 1926; Boden Kloss was the colleague ‘to whom he was much attached’. It seems that the FMSM specimens arrived in Liverpool without any additional documentation, so the collection locality information in our database (at National Museums Liverpool we use Mimsy XG) must have originally been transcribed from specimen labels with ‘place collected’ presumed to be Malaysia. Continue reading