Category Archives for Curation

Our Top Ten Blogs of 2019

Written by Jennifer Gallichan, Curator of Molluscs & Vertebrates at National Museum Cardiff.

2019 was an interesting year for me as I took on the role of NatSCA blog editor. It has been a great year and I have very much enjoyed reading all of the articles from our amazing contributors. To celebrate this, I wanted to bring together a list of our top ten most viewed blogs from 2019 in case you missed any of them.

Top scorers this year include a surprising number of botanical articles, with four of the ten written by our plant loving colleagues.

Strawberry fruits made from dressmaking beads coated in molten wax and attached to waxed wire stems. © Annette Townsend

Some of my personal favourites, although not top scorers, are actually two articles which we were kindly allowed to re-blog: Annette Townsend’s beautiful and mesmerising work in how to make a wild strawberry sculpture from honey bee wax, and John Wilson’s fantastic article about the orang-utan specimens sent to World Museum, Liverpool by Alfred Russell Wallace.

But, here are the top ten most read NatSCA blogs by your good selves…

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Provenance, Provenance, Provenance

Written by Yvette Harvey, Keeper of the Herbarium, Royal Horticultural Society, RHS Garden Wisley, Surrey.

When all is quiet, the crowds have long-gone home and the lights have been dimmed, the back rooms come alive for the curators who have long finished their official hours. For it is the time for tracking down rogue specimens, delving into the past or anticipating the future. What I am trying to say is that it is the time for research and the inevitable Miss Marple style adventures to be discovered when finding details to add to the current knowledge of a historic specimen. I say current because invariably details will have been lost or not even deemed worthy to have been recorded on labels, or written in a language so obscure as to not be recognised by the modern eye.

Perhaps lost details are just a phenomenon of the botanical world, but I suspect not, and I will explain what I am alluding to above using just a couple of examples of specimens made by a single collector, John Forbes, who undertook a voyage from 1822 until his death in 1823, almost 200 years ago.

John Forbes was one of the Horticultural Society of London’s (now the Royal Horticultural Society) early plant collectors. Head-hunted from the Liverpool Botanical Garden for his horticultural skills, he was employed to travel to Southern Africa to bring back plants to introduce to British gardens. He sailed with Captain Owen on the HMS Leven, a voyage tasked with making a survey of the east coast of Africa, visiting (in the following order): Madeira, Tenerife, Santa Cruz, Cape Verde Islands, Brazil, South Africa, Mozambique (Forbes is noted as the second botanist to collect there (Exell & Hayes: 130)), Madagascar, Comoros, Mozambique, South Africa and finally Mozambique (where Forbes died, 16th August 1823).

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Making the Most of What You’ve Got

Written by Dr Emma Nicholls, Deputy Keeper of Natural History, Horniman Museum and Gardens

The Collection

The Horniman Museum is the custodian of a collection of ca. 175,000 fossil specimens, collected by Walter Hellyer Bennett (1892-1971). A mining geologist and palaeontology enthusiast, Bennett collected somewhat indiscriminately, not pausing to favour geography, strata, or taxa, which makes it a collection of great interest to a wide variety of academics, and for other uses such as exhibitions and loans.

This huge collection was bequeathed to the Croydon Natural History and Scientific Society in the 1970s, where choice pieces were put out on open display whilst the rest remained stored in Bennett’s original wooden cabinets. It contains some beautiful material, such as this Isotelus gigas trilobite, and Eryon propinguus lobster.

A) Isotelus gigas, and Ordovician trilobite from the Trenton Limestone. B) Eryon propinquus, a Jurassic lobster from the Solnhofen Limestone. © Horniman Museum and Gardens.

The collection is approximately 10% vertebrate material, 85% invertebrates, and 5% plants and trace fossils. In case you are interested in particular taxonomic groups (as we are keen on facilitating research enquiries and visits… fyi) the invertebrates are mostly bivalves, brachiopods, cephalopods, corals, and gastropods, with a large variety of other taxonomic groups represented in small numbers as well (please do get in touch if you’re interested in getting more information), and the vertebrates are primarily conodonts, crocodilians, dinosaurs, fish (including sharks), ichthyosaurs, mammals, plesiosaurs, pterosaurs, and turtles. Geographically, around 87% of the material was collected within Europe, primarily from the UK (50%) and France (15%). A further 10% is from North America whilst small amounts of material were collected from across Africa, South America, the Middle East, Asia and Australasia. Notable sites include the Solnhofen Limestone and the Burgess Shale.

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Survey of Flowering Plants Stored in Fluid Preservatives Across European Herbaria

Written by Ranee Prakash, Senior Curator (Flowering Plants), Algae, Fungi and Plants Division, Department of Life Sciences, Natural History Museum, London.

A survey of flowering plant material stored in various fluid preservatives across several European herbaria/institutions was carried out a few years ago. The feedback received from the survey is shared and shows that the majority of the herbaria use 70% IMS (industrial methylated spirit) to store their collections.

Introduction

The seed plant collections (stored in various liquids such as formalin, some have unknown liquids, and some mention poison) form a relatively small yet significant part of the botanical holdings at NHM (Natural History Museum). They include some important material dating back to the mid 1800’s and type collections such as the world’s largest flower Rafflesia arnoldii collected by Robert Brown. However, these wet collections have remained a somewhat underused asset and are in dire need of curatorial attention.

In continuation to this aim, a survey of flowering plants stored in spirit collections across various institutions in Europe was carried out in 2012 so as to assess what preservatives other institutions were using and what would be the best method to store the collections at NHM for posterity. The objective of this survey was to gather information on:

  • How big the spirit collection is
  • How the collection is used
  • Which liquid preservatives the flowering plant collections are stored in

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Invertebrates In Vitro

Written by Paolo Viscardi, Curator of Zoology, National Museum of Ireland – Natural History

I’m not sure why, but people really seem to love Blaschka models.

Beccaria tricolor [sic] Nr.373 in Blaschka catalogue. Specimen NMINH:1886.810.1 at the National Museum of Ireland.

Beccaria tricolor [sic], Nr.373 in Blaschka catalogue. Specimen NMINH:1886.810.1 at the National Museum of Ireland. Image by Paolo Viscardi, 2018

They are the subject of a surprisingly large number of enquiries at the National Museum of Ireland — Natural History (AKA the Dead Zoo), where I look after the zoology collections.

If you’ve not heard of the Blaschkas, they were a father and son company of lampworkers based in Dresden, who supplied museums and universities around the world with glass models for teaching and display. Between 1864 and 1890 they made mail-order models of invertebrates (alongside glass eyes and medical equipment), then from 1890 until 1936 they worked exclusively for Harvard University on the Ware collection of glass flowers.

glass_flowers_gift-bouquet

Bouquet of Blaschka glass flowers made in 1889, gifted to Elizabeth C. and Mary L. Ware. Now part of the Harvard Glass Flowers exhibit. Image by Bard Cadarn, 2018.

At the Dead Zoo we have a particularly large and comprehensive collection of the invertebrates, with around 590 models acquired in lots between 1874 and 1888. I say ‘around’, because many of the models are made up of multiple parts, with different developmental stages, enlargements and details that are classed as elements of the same model.

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Wild About Portsmouth – Discovering and Uncovering a Little Known Natural History Collection

Written by Christine Taylor, Curator of Natural History, Portsmouth Museums

Wild about Portsmouth is a two-year Heritage Lottery Funded project to share and raise the profile of the city’s natural history collections.  In addition to enabling visitors to get more hands on with the collections through events and activities, work is being carried out to make them more accessible for museum staff and researchers.

Challenges

The collections are held at three sites across the city and housed in environmentally controlled stores with many specimens held in archival quality boxes. However, the absence of a natural history curator for over 10 years has led to a series of challenges with accessing them:

Little Knowledge of Collections

Apart from the sizeable and substantial HLF Guermonprez Collection transferred from Bognor Regis Museum in the 1970s, very little was known about the collectors associated with the remainder of the natural history collections. In-depth knowledge of the HLF Guermonprez Collection has also been lost over time, although it is occasionally cited in publications by Sussex naturalists.

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Global Biodiversity Collections: Becoming Part of the Open Data Community

Written by Isla Gladstone, Senior Curator Natural Sciences, Bristol Museums

On 13th March I travelled to Sofia in Bulgaria, my mind buzzing with questions about biodiversity data…

I had been awarded one of 30 funded places on the first training school of Mobilise, an EU initiative to mobilise data, experts and policies in scientific collections. More specifically, Mobilise is an EU COST Action: a bottom-up network funded over four years to boost research, innovation and careers by COST, an intergovernmental framework for European Cooperation in Science and Technology.

Digitisation and data management challenges in small collections promised new skills in the key basics of data quality and cleaning. It also offered a chance to meet colleagues from around the world, and connect to a bigger picture.

At a time of unprecedented human-caused climate change, biodiversity loss and environmental degradation, it feels more urgent than ever to connect museum collections to real-world change. Natural sciences collections offer precious opportunities here. Alongside huge potential to engage communities and inspire debate, specimens are unique sources of the scientific evidence urgently needed to unlock sustainable development solutions:

“There is more information about biodiversity in [the world’s] natural sciences collections than all other sources of information combined.” iDigBio

Collections’ biodiversity data: the what, when, where, who collected attached to many biological and palaeontological specimens © Bristol Museums

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