In what must surely be one of the most excitingly themed workshops known to scientists, Monica Price (formerly of Oxford University Museum of Natural History) and Jana Horak (Amgueddfa Cymru – National Museum Wales) recently ran a day-long workshop called Hazards in Geological Collections. We’re not talking hazards like booklice eating your specimen labels, we’re talking The Big Guns. It was Christmas come early for the attendees who had gathered from the ‘four corners’ of the British Isles to learn what villainstreasures might be lurking in their collections.
Each of the three tables of eager minds was presented with a box of unlabelled specimens from which to try and list the potential hazards. After a very thorough health and safety briefing, we all leaned cautiously in towards the box. Decked out in nitrile gloves and face masks, we were the picture of professionalism. The excitement of the workshop was definitely heightened by the real, LIVE specimens in front of us. Had any of us had been stupid enough to open up and breathe in the contents of an asbestos tube, or rub ourselves all over with a toxic mineral, we could have done ourselves some serious harm. But as it was, the 20 or so geologists in the room were suitably well-behaved.
To paraphrase that great Disney wildlife documentary, The Lion King: change is good, but it’s not easy.
Leaving any job after a long time is always strange, and I’ve been lucky enough to have spent (almost!) seven years at the Horniman Museum and Gardens. In that time I’ve worked on several large projects, learned more than I thought I ever would about anthropology collections, and made some wonderful friends. But sadly, I have now had to move on. Happily, I’ve been able to move on to the wonderful Powell-Cotton Museum, where I will be spending the next year curating the natural history collections.
This has meant quite a large change: I’ve moved to a different part of the country, and started a new job that is very different to what I’ve been doing for the last few years. I’ll admit to feeling some imposter syndrome – I have been working almost exclusively with anthropology objects for a long time now (not my subject specialism: I studied zoology), and worried that I might have forgotten some of my natural history knowledge! Thankfully, that doesn’t seem to have been the case, and in fact working with anthropology collections has taught me a surprising amount about working with natural history collections… from identifying worked animal materials (such as ivory and bone) to documentation standards and procedures (I was a Documentation Assistant at the Horniman), I have gained skills and knowledge that will be invaluable in my new role.
Sad to say goodbye to the Horniman Walrus. (C) Horniman Museum and Gardens
Dear Digital Digest-digesters, it has been an extremely busy month but there are just enough hours in the month to put out the April edition. Continue reading for a round up of all the things you need to know…
What Should I Read?
After much to-ing and fro-ing and panicking from various factions, it has been announced that “accredited museums and galleries will be granted an exemption in legislation… that bans the trade of elephant ivory in almost all circumstances”. This is great news for museums. Read the full story on the Museums Association website here.
There has been a lot of coverage of the dinosaur tracks found in Scotland, but if you missed it all, here’s what the BBC had to report. Both sauropod and theropod tracks are present and they’ve gotten everyone all excited.
Wildlife Photographer of the Year is in the news for another year as another photographer falls foul of either not reading, or else ignoring, the rules. The anteater in one of the winning images has been investigated and concluded to be a taxidermy specimen. The image was therefore disqualified and the photographer told to er… get stuffed.
I have a strong suspicion that an object that is now in our collection at the Grant Museum was in fact a souvenir bottle of plum brandy. How could such a thing happen?
The mystery specimen in its original fluid before conservation. Is it in fact a bottle of plum brandy that a researcher bought as a souvenir? (C) UCL Grant Museum of Zoology.
My former colleagues Mark Carnall and Emma-Louise Nicholls first brought this “specimen” to my attention in 2011, when they found it in our wet specimen store: an unmarked bottle of clear brown liquid containing a near-spherical object with a cork stopper in its narrow neck. Mark wrote a blog at the time working through the process of elimination of all the spherical objects that might belong in a zoological collection such as ours. While others had assumed it was a testis, Mark and Emma decided that it was in fact a plum – not zoological at all. Aside from its identity, the other question was: how did a 25mm sphere get in a bottle with a 10mm neck?
As part of the International Year of the Reef (that’s this year, in case you hadn’t crossed paths with it yet) the Horniman Museum and Gardens is releasing a series of blogs that showcase and celebrate research taking place around the globe on coral reef conservation. There have been three installments so far, with the latest one here. FYI- the images in this blog series are STUNNING! The hashtag for Internal Year of the Reef is #IYOR2018.
It’s that wonderful day of the year again when men all over the world realise it’s International Women’s Day and subsequently Google ‘When is International Men’s Day?’. To celebrate the day, the Natural History Museum has published an article- The women watching over London’s natural history collections, to demonstrate the diversity of roles of their wonderful staff, covering 11 fabulous women in conservation, curation, and research.
My main role over for the last four years has been organising our annual conferences at York, Bristol, Derby and Cambridge museums.
There’s a lot of work involved in putting the programme together and it’s a great team effort, along with our fantastic treasurer and the staff based at the various venues. I have found it very rewarding to see us expand our audience and develop our programme themes.
I am currently a member of the of the journal editorial board and NatSCA bursaries/grants sub-committee.
Job Title & Institution
Curator of the Herbarium: World Museum, National Museums Liverpool.
Donna Young, hard at work on the herbarium. (C) National Museums Liverpool.
Excited (botanical) chatter, the inexorable flashing of camera equipment, intrigued visitors gathering around our new gallery space; this was our Virtual Flora of Tullie Herbarium Project, funded by the Bill Pettit Memorial Award at the start of 2017.
The scope of the project, between 30th of May to 26th of September 2017, was to use a team of volunteers to begin photographing and cataloguing our (“ex”) University of Lancaster herbarium. This significant acquisition of 35,000 vascular plant sheets is a highly data rich and well-provenanced collection with invaluable information on the historical and contemporary distribution of species across the UK and beyond. Almost a third of the specimens were collected from Cumbria, much of it collected during a major 30 year survey of the flora of Cumbria; an exemplar model of field surveying which is aspired to by Botanical Society of Britain and Ireland (BSBI) recorders today. The survey work culminated in the team leader’s (Geoffrey Halliday) highly comprehensive publication of A Flora of Cumbria. No other herbarium has a comparable recent (1968+) collection of Cumbrian material. But despite the importance of this recent acquisition, none of these specimens were digitised.
Thanks to the Bill Pettit Memorial Award funding this was all about to change.