Category Archives for Curation

Unpacking the Entanglements in Liverpool’s Lost Drawer of White-eyes.

By John-James Wilson, Lead Curator of Zoology, World Museum, National Museums Liverpool.

It started with the discovery of a letter tucked away in the collection history files. In 1948, the curator of the Raffles Museum in Singapore was trying to track down the type specimen of Zosterops difficilis (a subspecies of Mountain White-eye) and had written to the director at Liverpool Museum (now World Museum) to ask if the specimen was there. What began as a simple curiosity-led search for a single specimen quickly snowballed. This 77-year-old enquiry had suddenly launched me into a deep dive into entangled stories of colonial history, war time losses and bird taxonomy.

I found myself re-examining the records of 250 White-eye specimens from the Liverpool collection, many with outdated or ambiguous taxonomic names, obscure references in scientific literature, and possible name-bearing-status. My recent article – Ghosts and entanglements in one drawer of a natural history collection – explains how I cross-referenced historical documents, species descriptions, and records of specimens in other collections around the world to establish modern names and types status for these specimens.

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Scott Wilson’s Iʻiwi: Colouring the Past

Written by Dan Gordon, Keeper of Biology, The Great North Museum: Hancock.

Sometimes you come across something in the stores that catches your eye. Something a little puzzling, maybe something hiding in plain sight, or in a drawer you’d never had cause to open before. For me, the specimen in question was a bright red bird. Clearly historic by its beady glass eyes, but seemingly lacking any other provenance, and identity unknown. The appearance was striking, with bright scarlet feathers and a long, curved bill like a scimitar. This made identifying it the easiest step – an I’iwi (ee-EE-wi) one of the Hawaiian Honeycreepers, and a little surprising, given its rarity. It sat alone, without context, among a flock of other small birds, drawing your eye as a patch of scarlet amongst the browns and greys. A mystery, then.

NEWHM : 2016.H5 – I’iwi (Drepanis coccinea) collected by Scott B. Wilson 1888. All images credited to The Natural History Society of Northumbria.

A bit of digging in the archives began to shed some light. Two of a Honey-Eater from Keauhou, Kona – Presented per J. Hancock by Scott Wilson Esq. looked like a likely candidate. One of a pair, collected from the Big Island, Hawaii, reached us here in 1889. The Natural History Society of Northumbria were keen collectors of specimens from all over the world at that time, but this one seemed unusual. Who was Scott Wilson, and why might he have sent them here?

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The Curious Case of a Historical Seed Collection

Written by Hideko Yamamoto (former Volunteer, Natural History Museum, London) with input from Jovita C. Yesilyurt (Senior Curator, General Herbarium, Natural History Museum, London).

For centuries, a quiet corner of the Natural History Museum has concealed a secret: a previously undocumented historical seed collection. Hidden in locked cabinets, hundreds of small paper packets hold botanical specimens—and unanswered questions. This article offers a glimpse into this overlooked collection, the detective work behind its investigation, and the exciting possibilities that still lie ahead. The mystery remains unsolved—for now.

A Vast Botanical Treasure

The Natural History Museum’s botany collection contains more than five million specimens gathered worldwide over 300 years. These range from herbarium sheets and carpological (fruit) collections to microscopic slides, wet specimens, and seeds (Fig. 1). Ideally, each specimen carries detailed scientific and historical information, allowing researchers to reconstruct past ecosystems, track species distributions, and study evolutionary and climate-related change over time.

Figure 1: Tray with one of the sets of the seed collections

Equally important is the historical context: who collected the specimen, under what circumstances, and how it entered the Museum. Such information brings collections to life, revealing the people, motivations, and networks behind scientific discovery. Yet many specimens lack this documentation. Among them are seed packets stored quietly in locked cabinets of the herbarium.

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The Rediscovery of a Challenger Expedition Specimen in William Herdman’s Zoology Museum Collection at the University of Liverpool (and how digitisation is transformative).

Written by Leonie Sedman, Curator of Heritage & Collections Care, University of Liverpool.

Along with many other NatSCA members, I care for a mixed collection, meaning that one inevitably becomes something of a ‘Jack of all trades’ missing out on the academic satisfaction created by specialisation. As a curator who finds collections research to be the most satisfying part of my job, it can be frustrating when that research is often only possible on a ‘need-to-know’ basis – usually when a new display or exhibition is being planned, or when the specimens are to be used in teaching. Looking on the bright side though – this does provide glimmers of joy when the research produces something exciting!

In 2004 when I was first employed to manage the University of Liverpool’s Heritage Collections (medical & scientific museum collections built up through research or teaching), I retrieved a large proportion of the collections from attics and cellars where they languished because the objects and specimens were no longer actively used in teaching (this is now changing – but that would be a different blog). The Zoology Museum collection was one of these.

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From Deck to Decant: A Marine Biologist’s Déjà Vu After a Year in a Natural History Museum

Written by Dr Jamie Maxwell, Collections Assistant, National Museum of Ireland, Natural History.

Not every job takes you to a windswept beach on Ireland’s west coast to recover the head of a stranded True’s beaked whale calf. But then again, my past year as a Collections Assistant at the Natural History Museum in Dublin has been anything but ordinary. As we collected the head of the slightly decomposed whale calf, I was reminded of my previous fieldwork experiences, mainly on research cruises during my academic career. Before joining the museum, I spent a decade in education and research as a marine biologist, specializing in deep-sea invertebrates. During that time, I not only investigated freshly collected specimens but also engaged with museum collections. It wasn’t until I became a collections assistant at the National Museum of Ireland, Natural History that I became fully immersed in the day-to-day workings of a museum. Much of the past year was taken up with decanting the contents of the Merrion Street building in preparation for renovation. In this blog, I’ll explore how decanting a museum is remarkably like being involved with a research cruise. 

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