NatSCA Digital Digest

Chameleon

Events

  • The iDigBio 4-part webinar series, The Value of Digitizing Vertebrate Collections, starts on Tuesday 8th September. The first session is on mammal collections (delivered by Cody Thompson, University of Michigan), and will be held at 3 – 4pm EDT (that’s 8 – 9pm in the UK!). You can access it here: https://idigbio.adobeconnect.com/vertdigitization. The following three sessions will be at the same time each Tuesday (at the same link):

September 15: The Value of Digitizing Fish Collections, Andy Bentley, University of Kansas Biodiversity Institute and President of SPNCH
September 22: The Value of Digitizing Herpetology Collections, Chris Phillips, Illinois Natural History Survey, University of Illinois
September 29: The Value of Digitizing Bird Collections, Carla Cicero, UC Berkeley and Lead PI for Vertnet.

Around the Web

What to do when someone gives you a giant squid.

A technological revolution in museums? 3D printing and virtual reality.

A visit to Microbia, the world’s first microbe museum!

CT scan reveals fossils within fossils.

19th century Ecuadorian snail specimen is a new species.

State of the Union! Natural History Museums 2014

Author Mark Carnall, Curator, Grant Museum of Zoology, UCL
#NatureData Coordinating Committee
All views are the opinion of the author. August 2014.

‘After visiting the recent natural history museum community conference in July: SPNCH 2014, Cardiff, Mark Carnall reflects on what the sector internationally is thinking and doing – in particular what’s happening digitally and what people’s thoughts are on a UK natural science database’.

Primate skeletons in the Grant Museum of Zoology, UCL ©UCL, Grant Museum of Zoology and Matt Clayton

Primate skeletons in the Grant Museum of Zoology, UCL ©UCL, Grant Museum of Zoology and Matt Clayton

At the end of June was a rather special event; the coming together of three subject specialist networks (SSN), the Society for the Preservation of Natural History Collections (SPNHC), the Natural Sciences Collections Association (NatSCA) and the Geological Curators’ Group (GCG) hosted by Amgueddfa Cymru National Museum Wales. Between them, these three networks represent a sizeable chunk of curators, conservators, directors and educators who work in and with natural history museums and collections. Each SSN has yearly meetings but a syzygy rarely happens.

The full conference was a six day affair packed with field trips, stores tours, talks, workshops, demos, poster sessions and discussions attended by over 250 delegates from almost as many natural history institutions. This provided a great opportunity to catch up and meet friends, facilitated the catharsis in sharing frustrations unique to natural history museums and offered a rare chance to establish a sense of ‘the state of the union’ in natural history museums across Europe, North America and elsewhere.

 

The broad theme of the conference was historic collections and future resources and many of the presentations were about off-label uses of collections, advocacy and digitisation. Inspiringly, the conference was kicked off with a series of keynotes which carried the resounding message of “get over it” when it comes to the communities’ existential crisis in demonstrating value and worth with a rousing series of presentations from Professor Paul Smith and Dr Chris Norris setting the tone for the rest of the conference.

Off-label use of collections, a term borrowed from accidental discoveries of secondary beneficial side effects in the pharmaceutical industry, came up time and time again. Cynically, as the curator of a small museum it’s nice to finally be joined by colleagues from some bigger museums who, without having to face the “use it or lose it” challenge to keep a museum in existence, have cottoned on to the notion that perhaps collections have uses beyond the 10% of material that has a function in alpha taxonomy and (often low impact) taxonomic research. Colleagues presented example after example of natural history collections being used for research into environmental change. One question that wasn’t satisfactorily answered was about how this use of collections can be procedurally built into research. Many of the examples were incidental discoveries (hence off-label) rather than arising from researchers deliberately thinking of uses of collections in the first instance. However, advocates for the importance of natural history collections now have a new suite of examples to convince decision and policy makers about unique insights into the natural world which can only be gleaned from scrutinising collections.

When it came to advocacy, unfortunately the community fell into the trap of talking about scientific research use of collections almost to the exclusion of all other audiences. I’ve written before about how natural history museums need to celebrate and contribute more to being a part of the cultural sector, especially for museums which don’t hold scientifically important collections and specimens. Myopia aside, the community seems to have come on to some degree, telling each other how important natural history collections are, which came out in a panel discussion on advocacy. There are still a lot of stereotypes about what museums are and what they do that need to be pulled down, but there’s a danger in evangelising which can be quite divisive. Another general theme that came out across the series of talk days is that we need to get more sophisticated and generally get better at demonstrating what we do well. The finding of the NatSCA and Arts Council England study into the popularity of different kinds of museum galleries was presented, demonstrating that natural history collections are the most popular, but put some audiences off if they don’t appear to be well maintained or invested in. Natural History Near You was also presented, finally making headway into ascertaining exactly where all the natural history collections are, a fundamental piece of information that has eluded several generations of natural history collections workers. Interestingly, one of the contrasts between the UK delegates and those from the rest of Europe and North America was that with a handful of exceptions, the majority of the social media generated around the conference came from UK colleagues. It seems that social media is yet to take off as a promotional, professional networking and advocacy tool for museum professionals elsewhere.

Lastly, there was a cornucopia of presentations on digitising collections. It’s uncontroversial to say that museums in general are far from being digital – let alone post digital – and that natural history museums and collections as a group are lagging behind the rest of the museum sector. It seems that colleagues in North America and from the rest of Europe are making huge advances in all aspects of digitisation from technical advances, standards in digitisation, data capturing pipelines and networks, and databases linking specimen information. Embarrassingly, UK museums are somewhat left in the dust, contributing little to the 20 or so European and International data repositories and the data that does exist is incomplete, hard to export, manipulate or in many cases even locate – let alone scrutinise. This is in part what the #naturedata project hopes to solve, with “one portal to rule them all” in the UK at least. The need for this is even more pressing thanks to worryingly vague requirements for databases required for compliance with the Nagoya Protocol on Access and Benefit-sharing. Three conference sessions on the Nagoya Protocol valiantly tried to deconstruct the bureaucratic layers represented by this legislation but it looks like the practicalities of compliance will be causing headaches for generations of museum professionals yet.

Overall, the conference was an excellent set of days. Networking and socialising with enthusiastic, passionate and brilliant colleagues really is the best way to recharge the batteries and reinvigorate the soul. Throughout the presentations the niggling thought I kept returning to was that all the innovative, experimental and inspiring ways we use to get the most of our collections are still hamstrung by our fundamental issue of getting a handle on what we have in our collections. The curse and gift of natural history collections is their vast size, but it’s no longer good enough to use the size of our collections as an excuse for not getting to grips with every single specimen we have and making them available to the people for whom we keep them in trust.

 

Digitisation

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Today we have Lukas Large, curatorial trainee with the Birmingham Museums Trust, on digitisation:

The theme of this year’s SPNHC2014 meeting was ‘Historic Collections: Future Resources’. Digitisation was featured as one of the main topics as this is an important way that collections are being made accessible to researchers and new audiences.

The talks described a wide variety of digitisation projects from the enormous Paris Herbarium which ran for 4 years and created images of 5.3 million specimens to Arkansas State Herbarium with 18,000. Many of the projects involved herbarium sheets as these are relatively easy to image but an amazing variety of objects have been digitised including fossils at GB3D Type Fossils, insects and even historic slide collections.

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Extracting the information from specimen labels is an important but potentially expensive and time consuming process so many museums have started to use crowd sourcing to perform tasks such as transcribing specimen labels. Laurence Livermore discussed several successful examples such as Herbaria@home which has been running since 2007 and has a dedicated team of digital volunteers who have contribute 135,000 transcriptions.

These new uses of collections show just how important it is that these objects are properly cared for. Without the museum staff that have looked after these objects, we would not have them to digitise. Without ongoing care, researchers will not be able to study them in the future.

Slides from the talks are available on the iDigBio website as well as detailed descriptions of the protocols and tools used by different projects which are extremely useful for anyone planning their own digitisation project.

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