Natural History Museums for a World in Harmony with Nature: Now’s the Time!

Written by Henry McGhie, Curating Tomorrow, henrymcghie@curatingtomorrow.co.uk.

Bio: Henry McGhie has a background as an ecologist, museum curator and manager. He set up Curating Tomorrow in 2019 to help empower museums and their partners to contribute to sustainable development agendas, including the Sustainable Developmet Goals (SDGs), climate action, biodiversity conservation, Disaster Risk Reduction and human rights. He is a member of the ICOM Sustainability Working Group, and a Churchill Fellow working on these topics.

This blog post takes in some of the developments over the last couple of years, and sets out some current opportunities for museums with natural history collections to strengthen their contributions to environmental sustainability.

Let’s cast our minds back to 1992, over thirty years ago now, when representatives of all countries agreed to take action in three areas. This was the Rio Earth Summit, which adopted the Convention on Biological Diversity, the Framework Convention on Climate Change (the grandparent of the Paris Agreement) and the Convention to Combat Desertification. It’s entirely possible you may not even have heard of all of these, but don’t worry you’re far from alone. While governments signed onto these agreements, they were broad, framework agreements. It is true that governments were supposed to take the lead in these, and other agreements, but surely sectors – including museums – don’t need to wait to be asked? However, the agreements have just not been turned into action, and that is a fault of governments, but also of the sectors, that could have gained a lot by saying ‘we have something to contribute here’. What I’m proposing isn’t just that museums take up these agreements to look good, sound good, show off, or compete with one another or with other sectors, but to use them as practical tools.

Why? Because connecting with the big picture and international agreements helps museums to:

  • Shape their programmes and activities, to provide people interested in these topics with educational and participatory activities.
  • Put their unique resources to good use in pursuit of positive social and environmental outcomes.
  • Play a significant and distinctive part in an ambitious programme for a better world.
  • Build partnerships and collaborations, with one another and with other sectors, working to shared goals.
  • Create and demonstrate impact, showing that museums and collections are not a nice-to-have, but essential players in securing a future in harmony with nature.
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Starting a Social Business – Connect-Conserve/Cyswllt-Cadwraeth Cymru

Written by Dr Victoria Purewal ACR), Business founder and Director, Connect-Conserve/Cyswllt-Cadwraeth Cymru.

I own a natural science conservation company called ‘Pure Conservation’, however after Covid, I felt differently about working on my own and for myself. Covid has impacted so many people, it has made us revaluate our lifestyle and our relationships, and affected every aspect of our home and working lives. At the end of the last lockdown, I decided to change and improve my working life, to move in a different direction, and be more sustainable and inclusive.

I started seeking out fellow local conservators in Wales, meeting for coffee, and visiting each other’s workspaces. Being able to talk about our lives and businesses was invigorating, and a great relationship developed. However, I realised that when Covid fully retreated and normal working practice resumed, we could be in competition with each other. Every one of us had struggled in some way during lockdown and it would be better to work together, then we could be more supportive and stronger as a team.

These conversations also highlighted that collections had suffered during lockdown. Limited access to collections for staff meant that spaces and specimens had begun to moulder. For most institutions, finding the financial support or workforce to help remedy this is possible, but for many collection owning community groups, it just isn’t an option, and so that is what inspired me to set up this initiative.

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Diving into a Coral Reef with Cambridge Communities

Written by Sara Steele, Museum Education Assistant, Museum of Zoology and Roz Wade, Learning Officer, Museum of Zoology.

This article was first published as a blog for University of Cambridge Museums, 1st June 2020.

Our audiences are full of creativity, something we see in bucketfuls at our events and workshops. We wanted to go further, and showcase audience creations and collaborations in our programming and displays.

As a Museum celebrating the wonders of the natural world, we have an innate desire to protect it. We have committed to embedding sustainability into our public programme : tackling the materials we use and considering the impacts of activity outputs. Not all craft day creations end up on the fridge, let alone as an item cherished for life. Could we bear the thought of our logo sitting atop a landfill?

With this focus on collaboration and sustainability in mind, and with the help of the artistic mind of volunteer Fanny Bara Moreau, we designed a summer activity with longevity at its core.

Every summer, the University of Cambridge Museums box up their wares and head out into the weather with themed activities to communities across the city with Cambridge City Council’s Big Weekend and Children and Young People’s Participation Service (ChYpPs). Summer 2019 had a tropical oceans theme at the Museum of Zoology, with the goal of inspiring conversations around the conservation of our coral reefs. We wanted to use this as an opportunity to bring audiences together through shared making and showcase their creations in our programmes and displays.

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