Designated Status for Ipswich Museums’ Post-Cretaceous Geology Collection.

Written by Dr Simon Jackson, Collections and Learning Curator (Natural Sciences), Colchester + Ipswich Museums.

Ipswich Museums’ Post-Cretaceous Geology Collection, which includes our outstanding ice age collection, has been awarded Designated status by Arts Council England. The team here are delighted!

“OK, what exactly is Designation?” some of you may be thinking… Well, the scheme is administered by Arts Council England and identifies the pre-eminent collections of national importance held in England’s non-national museums, libraries and archives, based on their quality and significance. So, this award is a mark of distinction which is useful, for instance, in securing funding. If this has piqued your interest, and, for instance, you may be thinking “perhaps my collection is eligible for the scheme?” you can read more about Designation here: Designation Scheme | Arts Council England or my 2020 paper about the Tullie House bid I led on then, here https://www.natsca.org/article/2578 .

So, what’s been Designated at Ipswich? The Ipswich Post-Cretaceous Geology Collection includes c.30,000 specimens. The greatest strength of the collection includes Suffolk Plio-Pleistocene fossils, the remains of animals which lived during the Pleistocene ice age, and the warmer Pliocene before it. Suffolk has an outstanding Plio-Pleistocene record, with the only exposures of the Coralline Crag (Middle Pliocene) and extensive exposures of the Red Crag (the only exposed British deposit to document the transition into the ice age). The county’s deposits also document the dramatically changing environments of the ice age between warmer, wetter episodes (interglacials) and colder, drier episodes (glacials).  With pre-eminent collections covering this period, the collection now attracts international research, which, for instance, includes searching for the oldest mammoth DNA from Europe in c. 200,000 year old teeth from Suffolk – research led by the Centre for Palaeogenetics, at the Stockholm University and the Swedish Museum of Natural History, and the NHM). You can read more about the project here: https://cimuseums.org.uk/mammothdna/

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NatSCA Digital Digest – April 2023

Compiled by Milo Phillips, Assistant Curator of Entomology for National Museums Scotland.

Welcome to the April edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration for the NatSCA 2023 conference closes on April 20th so get booking ASAP. The conference will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. For all the info and to register, check out our webpage.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you later this month!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Early bird registration ends this Friday 15th April. See details and registration here.

Science, Gender & Sociability in a Northern City c. 1775-1820 Conference

This interdisciplinary event brings together scholars in women’s history, the history of science, literature, theatrical performance, music and historical archaeology from across the UK and the US, to contextualise and analyse the diary of Jane Ewbank (1778‒1824). More information on speakers, and links for bookings, can be found here. The conference runs Thursday 8th to 10th June 2023.

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Meet the NatSCA Committee – Patti Wood Finkle

Written by Patti Wood Finkle, Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Name

Patti Wood Finkle

What is your role on the NatSCA committee?

I am an ordinary committee member and have volunteered to lead the conference planning committee next year.

Job title and institution

Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Twitter username

I don’t have a twitter account, but I am a co-host on The M Files Podcast, a museum-centric podcast that my colleagues and I started during the pandemic to help museum professionals connect and learn more about other museums. Basically we get to meet new people and chat about how much we enjoy working in museums.

Tell us about your day job

In my current roll, I work with rocks, minerals, fossils, meteorites, man-made composites, industrial paintings and prints, as well as historic scientific instruments and equipment. We have a wide-ranging collection and there are always things to do, whether it is updating the current database with images and information, accessioning an incoming collection, or writing exhibit text (and I’ve done all three this week). A large part of my job is collections based, but with a staff of two, it is important to manage our time wisely and both of us take on tasks such as tours, guest lectureships, exhibit planning and development, supervising our student workers, and working with our parent institution. I also work with students and facilitate partnerships with faculty and student organizations whenever possible.

Natural science collections are very popular with museum visitors. Why do you think this is?

Because natural science is amazing! To see, in person, how large a whale is, how brilliantly a gem may sparkle, how beautiful a beetle can be is exhilarating. Screens and computers can only show you so much, but to see the things for yourself is authentic and tangible. It fuels our curiosity and our wonder. The number of times I have heard both children and adults walk into a natural science gallery and exclaim “WOW!”, sometimes under their breath and sometimes out loud, is affirmation of the power of these collections to continue to awe and educate visitors of all ages.

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Flora Explorer: Opening the Cabinets at Portsmouth Museums.

Written by Violet Nicholls, Assistant Curator (Herbarium), Portsmouth Museums.

Plants, lichens and fungi have captured the interests of collectors, scientists and artists for centuries, and I have discovered something about them for myself. As time passes from them being found in the field, they don’t get any less complicated, any less fascinating or any less beautiful. I am about 6 months into a two-year project working on the Guermonprez Herbarium called “Flora Explorer”, which is funded by the Headley Trust.

Image of lichen specimens in open trays
Fig. 1. Drawer of colourful specimens from the lichen cabinet.

The Herbarium

I have been cataloguing and studying the plant, fungi and lichen collections at Portsmouth Museums, and am learning a huge amount about past collecting practices, as well as taxonomy and the collectors themselves. There were so many! Sixty-two different names have cropped up whilst cataloguing the herbarium, with nearly 1000 plant specimens recorded on the database so far. There are around 10,000 plants in the Guermonprez Herbarium in total. How many more names will appear?

Henry Leopold Foster Guermonprez (1858-1924) was a taxidermist, ornithologist and “a botanist who should have been better known”.1 The herbarium is made up of plants collected by Guermonprez and members of his family, plants that were sent to him, and others that were purchased. The large collection was transferred from Bognor Regis Museum to Portsmouth Museum in the 1970’s. Many specimens were collected from West Sussex, where I have lived for most of my life.

“Flora Explorer” builds on work carried out during the “Wild about Portsmouth” project, funded by the National Lottery Heritage Fund. The herbarium is organised into taxonomic order, stored in sealed herbarium cabinets, and the specimens are being catalogued using the relational database used by over 650 museums in the UK, Modes Complete. Digitising the collection has many benefits as it increases access for researchers, and for people who may need the data but can only obtain it remotely. Through the process I have also been updating the taxonomy where necessary, which adds further value to the collection.

Image of herbarium cabinets at Portsmouth City Museum
Fig. 2. Herbarium cabinets at Portsmouth City Museum, containing plant specimens arranged into taxonomic order.
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Top NatSCA Blogs of 2022

Compiled by Jen Gallichan, NatSCA Blog Editor.

A very Happy New Year to all of our readers and contributors! Being the blog editor is a great job as I get to read all of your fantastic posts first and hear about all of the great work going on out there with natural history collections. To reflect on this, here is a round up of the most read blogs that came out in 2022 in case you missed any of them. A huge thank you to everyone who contributed an article, the blog continues to go from strength to strength and this is purely as a result of your work and writing. The 2023 calendar is half full already – so if you are considering submitting something for later in the year, do drop me a line and get it scheduled in.

10. A Foot In The Door – Finding Collections Work As A Trailing Spouse In A Foreign Country. Written by Caroline Grounds, Freelance Zoological Collections Assistant, Musée national d’histoire naturelle, Luxembourg. A lovely blog about finding your niche in a new country, and showing that collections work has no borders.

My happy place: sorting bees from by-catch from pan traps which we set up throughout the country. © Dylan Thissen

9. Thomas Bateman’s Ichthyosaurs. Written by Alistair McLean, Curator of Natural Science, Sheffield Museums Trust. Documenting the conservation work (part funded by the Bill Pettit award) that helped restore two beautiful Ichthyosaur specimens.

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