(Note: this article includes interactive games. If they don’t work, your organisation may have blocked game websites through your network)
You might think that playing video games falls at the opposite end of the hobby-spectrum when compared to getting engaged with nature. But the immersion and creativity allowed often provides many of the same benefits, and nature is used as inspiration for many of the most popular video games. In this way video games can become a gateway to learning about nature in the real world – did you know that the highest grossing media franchise of all time (step aside, Marvel) started as a video game about collecting fictional animals to help a scientist with their biological recording project? You’ve probably heard of it. And the Animal Crossing franchise, a game series where a core activity involves collecting insects and fish to donate to the local museum, has sold over 70 million copies.
Games like Pokémon and Animal Crossing show that natural science collections are already on to a winner when it comes to subject matter and gaming. The collections are full of characters and stories, and games should be considered as another way to provide access to these.
About this time last year, The Potteries Museum & Art Gallery was successful in a bid to the Arts Council England Designation Development Fund, securing funding of £72,500 to catalogue and display its nationally significant geology collections. The Designation Development Fund provides funding for projects which ensures long-term care of Designated collections and maximises their public value.
In early March 2020, just days before the museum closed and the country sank into lockdown due to Covid-19, I contributed a summary of the project to the Geological Curators’ Group blog (you can read it here). It really does show how quickly everything changed – at the time of writing the original blog, we were expecting the project to kick off in June 2020, beginning with the recruitment of an Assistant Curator to carry out the documentation of geological specimens bequeathed to the museum by Ted Watkin. This collection, comprised of about 2,000 fossils mostly originating from around Staffordshire, is to form the basis of the project and the new displays, highlighting the history and importance of the Carboniferous coal fields under Stoke-on-Trent.
Though new to the committee, I’ve been volunteering for NatSCA for about 5 years, primarily updating the NatSCA Jobs Listings web page. I’ll be continuing to help out with keeping our website up to date, and I’m looking forward to assisting with the organisation of future NatSCA conferences.
As Curator of Natural Science at The Potteries Museum & Art Gallery, I am responsible for caring for and providing access to the ~150,000 Natural Science specimens held by Stoke-on-Trent City Council. As the main repository for Natural Science specimens in Staffordshire, the museum holds a robust representation of local flora and fauna, backed by strong links with the local biological recording community. My day to day work usually involves answering enquiries (usually requests for identification), organising both Natural Science and cross-disciplinary displays and exhibitions, developing the collections through both acquisitions and disposals and facilitating visitors and loans. I’m lucky to work with a great team of volunteers, who perform invaluable work documenting and digitising our specimens.