Category Archives for exhibitions

Unpacking the Unnatural History Museum (Season 1)

Written by Verity Burke, John Pollard Newman Fellow of Climate Change and the Arts, University College Dublin.

Blaschka Models. Image credit: courtesy of the National Museum of Ireland: Natural History.

We’re at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity, and the Intergovernmental Panel on Climate Change has reported on the devastating trajectory of the climate crisis. Museums have an important role to play in communicating the value of nature. Yet nature is, necessarily, mediated in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. While the natural world has always been mediated in the museum space, what does this mediation mean now for natural history museums and collections, and the natures they present?

These are some of the questions which drive my research into museum representations of the natural world, and was the inspiration behind putting together an event series called ‘The Unnatural History Museum: Mediating Nature in the Sixth Mass Extinction’ (part of the Irish Research Council-funded project ‘Still Lives: Organic and Digital Animals in the Natural History Museum’ at Trinity College Dublin). I was keen to make a space to have these conversations across disciplines and sectors (something which we get surprisingly few opportunities to do, despite often working on similar topics or issues), to allow us to share what we were doing and discuss why. This blog is a short overview of the topics that the first season of the Unnatural History Museum engaged with from September 2022 to April 2023, with some excitement about what arose in the first season, and in anticipation of continuing these conversations in a planned second season.

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NatSCA Digital Digest – March 2023

Welcome to the March edition of NatSCA Digital Digest.

Compiled by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA Conference 2023

Registration is open for the Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. The focus this year is:

So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections

This is the “How To…” conference for people working with natural history collections. The last few years have seen unprecedented changes in the expectations for what the museum sector can deliver. Global and local social and environmental issues have coincided to reinforce the needs of museums to consider their reinvention and relevance.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you in April!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

Unnatural History Museum session

This session will be held on 22nd March 2023 on the topic of decolonising natural history museums. 

“We are at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity. Yet nature is, necessarily, interpreted in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. The Unnatural History Museum brings together museum professionals and academics across disciplines to platform vital conversations about the museum mediation of the natural world during the sixth mass extinction.”

Each session is hosted on Zoom to allow for international participation, and takes the format of short presentations focussed around a specific theme, followed by a synthesised Q&A and roundtable discussion. To register and find out more click here.

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Aliens Escape the Herbarium

Written by Annette Townsend (Interdisciplinary Natural History Artist) & Sally Whyman (Curator: Botany Curator, Amgueddfa Cymru – National Museum Wales).

Aliens 1956. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Plants growing on the wall of a London art gallery!! On closer inspection you discover they are alien plants, introduced to the UK. Looking even closer you realise they are delicate sculptures, handmade from beeswax, paraffin wax, tinned copper wire, tissue paper, cotton thread, artists’ pigments, acrylic paint and acrylic varnish.

Aliens 1992. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Mounted on stainless steel plates with stainless steel strips, and epoxy printed collector labels, in a juxtaposition of historic and modern materials and techniques, each sculpture mimics a real herbarium sheet, found in the Welsh National Herbarium, Amgueddfa Cymru.   

Wax passion flowers in progress. Image A.M. Townsend

The brainchild of Annette Marie Townsend and Sally Whyman who wanted to combine the skill, vision and dexterity of the artist with the depth of collection knowledge of the curator, allowing the plants to come to life and escape the confining folders and cabinets of the herbarium. This Aliens series allows the plants tell their stories of biodiversity change and invasive species to new audiences, further afield than museum visitors and botanical researchers.    

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NatSCA Digital Digest – February 2023

Compiled by Glenn Roadley, NatSCA Committee Member, Curator of Natural Science at The Potteries Museum & Art Gallery.

Welcome to the February edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA Conference

The NatSCA annual conference and AGM will be held at The Potteries Museum & Art Gallery on Thursday 27th and Friday 28th April 2023. The focus this year is:

So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections.

This is the “How To…” conference for people working with natural history collections. The last few years have seen unprecedented changes in the expectations for what the museum sector can deliver. Global and local social and environmental issues have coincided to reinforce the needs of museums to consider their reinvention and relevance. Booking will open shortly, so keep an eye on our website and social media channels for updates.

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

DiSSCo UK Community Event

The next DiSSCo UK event will be held on March 3rd, 14:30-16:30 via Microsoft Teams. Please save this date in your calendars! A general update on DiSSCo UK activities and future plans will be provided, and we will hear from our colleagues at Kew regarding their digitisation project, and will discuss the affiliation between natural science collections and the humanities sector. For details, contact Tara Wainwright (tara.wainwright@nhm.ac.uk)

Bursaries for People and Plants workshop 2 at Royal Botanic Gardens, Kew (Friday March 10th 2023)

Applications are now open for 4 funded spaces at workshop 2 of the AHRC funded project ‘People and Plants: reactivating ethnobotanical collections as material archives of Indigenous ecological knowledge’.

Four bursaries of up to £225 each are available. This sum may be set against your travel costs or accommodation costs.

Conditions:

  • Only members of the Natural Science Collections Association and the Museum Ethnographers Group can apply for a bursary.
  • All successful applicants must provide a write up for the NatSCA or MEG blog.
  • Due the funds available, applications are limited to UK residents only.
  • Bursaries are only open to individual members.

To apply for a bursary please write no more than 500 words on how the workshop would be useful for your own personal or professional development, how this fits with your interests and what you might bring to the discussion.

Preference will be given to those lacking institutional support to attend workshops, early career museum professionals and students.

All bursaries are given at the discretion of the project team and the NatSCA and MEG committee. Applicants will be notified by February 20th if they have been successful and travel and accommodation will be booked by the project.

Applications should be sent to: Ali Clark a.clark@nms.ac.uk by Friday February 17th at 5pm.

Details of the workshop: March 10th Royal Botanic Gardens, Kew

This workshop will be run in partnership with the Department of Cultures and Languages, Birkbeck, University of London and Museu Goeldi, Brazil. Discussions will be centred around the ecological value of ethnobotanical collections, including a focus on the interaction of western botanical nomenclature and traditional knowledge which forms the basis of an existing British Academy Knowledge Frontiers project. The Richard Spruce collection (1849-1864) will be the basis of a case study for how culture, plants and environment in the northwest Amazon have changed over the last 160 years.

Speakers include: Luciana Martins (Birkbeck), Dagoberto Lima Azevedo (Tukano Indigenous Researcher), Claudia-Leonor Lopez Garces (Museu Paraense Emilio Goeldi) and Cinthya Lana (University of Gothenburg)

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Naturalis’ New Hall of Evolution

Written by Becky Desjardins, Senior Preparateur, Naturalis Biodiversity Center.

In 2019 Naturalis opened a new building with eight permanent exhibit halls. We are happy to announce that we have opened the ninth hall, Evolution. The exhibit designer, Marijke Besselink, told me that the concept for the hall was developed after she heard how visitors reacted to a stone that was in the former Naturalis prehistory exhibit. This stone came from Greenland and dates to 3.76 billion years ago. In this rock you can see layers that indicate the presence of oxygen that might have been produced by single celled organisms. It is one of the earliest signs of life on earth. One of the museum educators told Marijke how in the old exhibit, visitors were astonished that the rock was so old, and would touch it with awe. Now this centerpiece is in the front centre of the dark blue exhibit, and when a visitor touches the stone, it starts up a light and sound interaction which connects to other vitrines around the exhibit. This gives the visitor a feeling of connection, that everything on Earth is intertwined: we are all related.

© Henk Caspers

Around the stone we can find fossils from the Burgess Shale, a Canadian formation that includes more than 500-million-year-old ancestors of most modern animals. Marijke wanted to make it clear to the public what the animals preserved as fossils looked like as to the casual observer these small fossils sometimes look like a dark grey smudge! Projections help the fossil organisms manifest out of their slate beds and move across the vitrine and into an aquarium filled with creatures from the so-called Cambrian explosion. The aquarium, made with the Pepper’s Ghost technique, is one of the highlights of the hall. Besides being very cool looking, visitors see how these prehistoric animals moved, and see how similar they are to modern animals.

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