Unpacking the Entanglements in Liverpool’s Lost Drawer of White-eyes.

By John-James Wilson, Lead Curator of Zoology, World Museum, National Museums Liverpool.

It started with the discovery of a letter tucked away in the collection history files. In 1948, the curator of the Raffles Museum in Singapore was trying to track down the type specimen of Zosterops difficilis (a subspecies of Mountain White-eye) and had written to the director at Liverpool Museum (now World Museum) to ask if the specimen was there. What began as a simple curiosity-led search for a single specimen quickly snowballed. This 77-year-old enquiry had suddenly launched me into a deep dive into entangled stories of colonial history, war time losses and bird taxonomy.

I found myself re-examining the records of 250 White-eye specimens from the Liverpool collection, many with outdated or ambiguous taxonomic names, obscure references in scientific literature, and possible name-bearing-status. My recent article – Ghosts and entanglements in one drawer of a natural history collection – explains how I cross-referenced historical documents, species descriptions, and records of specimens in other collections around the world to establish modern names and types status for these specimens.

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Scott Wilson’s Iʻiwi: Colouring the Past

Written by Dan Gordon, Keeper of Biology, The Great North Museum: Hancock.

Sometimes you come across something in the stores that catches your eye. Something a little puzzling, maybe something hiding in plain sight, or in a drawer you’d never had cause to open before. For me, the specimen in question was a bright red bird. Clearly historic by its beady glass eyes, but seemingly lacking any other provenance, and identity unknown. The appearance was striking, with bright scarlet feathers and a long, curved bill like a scimitar. This made identifying it the easiest step – an I’iwi (ee-EE-wi) one of the Hawaiian Honeycreepers, and a little surprising, given its rarity. It sat alone, without context, among a flock of other small birds, drawing your eye as a patch of scarlet amongst the browns and greys. A mystery, then.

NEWHM : 2016.H5 – I’iwi (Drepanis coccinea) collected by Scott B. Wilson 1888. All images credited to The Natural History Society of Northumbria.

A bit of digging in the archives began to shed some light. Two of a Honey-Eater from Keauhou, Kona – Presented per J. Hancock by Scott Wilson Esq. looked like a likely candidate. One of a pair, collected from the Big Island, Hawaii, reached us here in 1889. The Natural History Society of Northumbria were keen collectors of specimens from all over the world at that time, but this one seemed unusual. Who was Scott Wilson, and why might he have sent them here?

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The Curious Case of a Historical Seed Collection

Written by Hideko Yamamoto (former Volunteer, Natural History Museum, London) with input from Jovita C. Yesilyurt (Senior Curator, General Herbarium, Natural History Museum, London).

For centuries, a quiet corner of the Natural History Museum has concealed a secret: a previously undocumented historical seed collection. Hidden in locked cabinets, hundreds of small paper packets hold botanical specimens—and unanswered questions. This article offers a glimpse into this overlooked collection, the detective work behind its investigation, and the exciting possibilities that still lie ahead. The mystery remains unsolved—for now.

A Vast Botanical Treasure

The Natural History Museum’s botany collection contains more than five million specimens gathered worldwide over 300 years. These range from herbarium sheets and carpological (fruit) collections to microscopic slides, wet specimens, and seeds (Fig. 1). Ideally, each specimen carries detailed scientific and historical information, allowing researchers to reconstruct past ecosystems, track species distributions, and study evolutionary and climate-related change over time.

Figure 1: Tray with one of the sets of the seed collections

Equally important is the historical context: who collected the specimen, under what circumstances, and how it entered the Museum. Such information brings collections to life, revealing the people, motivations, and networks behind scientific discovery. Yet many specimens lack this documentation. Among them are seed packets stored quietly in locked cabinets of the herbarium.

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Darwin and Marx in the Museum. A review of Joel Wainwright’s ‘The End: Marx, Darwin and the Natural History of the Climate Crisis’.

Written by Joe Rigby, Senior Lecturer, University of Chester: Faculty of Arts, Humanities and Social Sciences.

‘Storehouses for dinosaur bones, mineral samples, and fading dioramas portraying early humans. Do such places have something to tell us about capitalism and the climate crisis?’ (Wainwright 2025, p. 8)

Attached cover image of Joel Wainwright’s The End

As readers of the Natsca blog will appreciate, the discipline of ‘natural history’ encompasses a wide range of what today have become institutionalised as more or less separate fields of knowledge, including geology, biology, geography, anthropology, and history. In The End: Marx, Darwin and the Natural History of the Climate Crisis Joel Wainwright argues that recovering this kind of knowledge of ‘the history of nature and the role of nature in history’ (Wainwright 2025, p. 8) is essential to help address the current climate crisis. Whilst Wainwright is hardly the first person to make such a claim about the importance of natural history today, The End makes a convincing case for the importance of drawing jointly on the ideas of Charles Darwin and Karl Marx in order to do so.

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Liverpool, Natural History and Extinction: The Case of a Real Liver Bird

Written by John-James Wilson (Lead Curator of Zoology, World Museum), Jude Piesse (Senior Lecturer in English Literature, LJMU) & Alyssa Grossman (Senior Lecturer in Communication and Media, University of Liverpool).

The interdisciplinary public engagement project ‘ENLivEN: Empire, Nature and Liverpool: Investigating and Engaging with Natural History’, is a collaboration between University of Liverpool, Liverpool John Moores University (LJMU) and 14 city-wide partners. In this blog we bring together reflections from a workshop held at World Museum, Liverpool in October 2025, where we trialled approaches for the project with LJMU undergraduates. ENLivEN will develop further workshops on similarly evocative ‘catalyst’ specimens and objects held across participating institutions.

John-James Wilson (Lead Curator of Zoology, World Museum)

Spotted Green Pigeons are a species that became extinct at the beginning of the nineteenth century.

In 1793, Dr John Latham noticed two unusual taxidermized pigeons in private natural history collections in London. He described them as a new species that he called Spotted Green Pigeons. One of the specimens is now lost but the other was bought by the 13th Earl of Derby. In 1851, the 13th Earl of Derby left his specimen to the people of Liverpool in his will. Because the specimen is kept at World Museum, this specimen became known as the Liverpool Pigeon.

The Liverpool Pigeon is now the only known Spotted Green Pigeon specimen in existence. Uncertainty about the status and nearest relatives of Spotted Green Pigeons continued for over 200 years. DNA analysis in 2014 convinced scientists that Spotted Green Pigeons were a genuine, extinct species. Spotted Green Pigeons were only very distantly related to Feral Pigeons found in Liverpool and cities around the world.

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