In a blog series hosted by the Horniman Museum, each month I (the Deputy Keeper of Natural History at said Museum) select a specimen from our collections, do a little research, hopefully find out some riveting and hitherto unknown piece of historical information about it that can be added to our database, and write a blog in a format accessible for the general public. It is one of my pride and joys in my job as it covers so many different aspects of museum life- public engagement, outreach, research, museum documentation, collections management, etc. This month I managed to go a step further and incorporate not just exhibition content into the article (British Wildlife Photographer Awards temporary exhibition), but also a new avenue of research and interest; a 6000 strong army of hawfinch enthusiasts who take to Twitter to record sightings of this shy but glorious little bird. I asked the followers of @HawfinchesUK if they would like to publish an image they had taken and was subsequently presented not just with photographs, but with fascinating insider information of the birding world that I may not have found by my own research.
What a wonderful collaboration of scientists and enthusiasts, and an exceptional reward for the utilisation of social media. Please enjoy:
Katie Ott, a museum studies student on placement with the Horniman, tells us about her fascinating work with our botany collection.
I’m Katie, and I’m three weeks into an eight-week work placement at the Horniman, helping the Natural History team to research and document the botany collection.
The botany collection at the Horniman is made up of around 3000 individual specimens either mounted onto herbarium sheets or bound in volumes. The flowering plant collection dates mainly from 1830-1850.
Two herbarium sheets from Flora Britannica no. 4., Katie Ott
The main task is to transcribe the (beautiful, but squiggly) Victorian handwriting on the herbarium sheets such as the plant’s scientific name, and where it was found etc onto MimsyXG, our collections management database.
This year’s event (#NatSCA2017), at the University Museum of Zoology, Cambridge, had a record 110 delegates, and as such was the biggest NatSCA conference to date. At the heart of the conference was the new Whale Hall, part of an enormous redevelopment project of the David Attenborough Building. As many of us marvelled at the huge leviathan overhead, the rest of us rushed between advertising sponsor stalls, exchanged ideas, caught up with one another and most importantly, fuelled up on coffee!
Feeling inspired, we were ready to begin this year’s talks on the theme: “Evolving Ideas: Provocative New Ways of Working with Collections” as Paolo Viscardi, NatSCA Chair, keenly ushered us in to the main lecture theatre. Continue reading →
What a month we’ve had! The Conference at Cambridge on the 20th to 21st April was a roaring success. Over 100 museum delegates gathered together beneath the mantle of a Finback whale skeleton, to swap notes and revive old connections. Many heated exchanges were had over issues ranging from fungi to frocked wolves. No museum-based conference is complete without a tour of the stores – big thanks once again to the Zoology Museum for having us. We got a sneak-preview of the new gallery space too and, while I can’t post pictures of that, I can tell you that you have to go and see it when they open. Highlights for me included an elephant from Sri Lanka with links to Stanley Kubrik, and a Diorama of a beach with added surprises for future conservators. Continue reading →
Tell us about your day job: I work across the collections at the Horniman, but at the moment I am mostly focused on cataloguing and photographing objects selected for a major redisplay of our anthropology collection. I get to work with a fascinating variety of objects from all over the world. I’m really excited to see the new World Gallery when it opens next year. Continue reading →
This bat robot is nearly 20 x life-size. The Robot Zoo, Horniman Museum and Gardens
The reaching-for-the-moon aim of any natural history exhibition is to get the perfect combination of knock-your-socks-off-fun and wow-I-didn’t-know-that-informative, for both children and adults, because (obviously) that attracts the biggest crowd.
Appealing to everyone is pretty much an unobtainable goal. A wise man, who I call Dad, once relayed the phrase to me ‘You can please some of the people all of the time, you can please all of the people some of the time, but you can’t please all of the people all of the time’*. However some, albeit rare, exhibitions, through some manner of dark magic combined with an alignment of moons from all over the universe manage to come together in such a way that the exhibition is branded as ‘outstanding’ and ‘captivating’ by journalists and listed as ‘fun for all the family’ on websites and What to do with the kids this half-term guides. These exhibitions are termed blockbusters and are the envy of their less popular exhibition counterparts.
The Robot Zoo, you will probably have guessed by that prologue, is one such exhibition. I had nothing to do with its inception nor its creation, it’s a touring exhibition that has nested temporarily at the Horniman Museum until October. However, as Deputy Keeper of Natural History at said Museum, I feel a level of temporary ownership and pride in its success. Thus I shall sing and dance about it from now until October when it leaves us for another galaxy gallery far, far away. Continue reading →