The Aquarium at the Horniman Museum and Gardens dates back, in one form or another, to the early 1900s. In more recent times the Aquarium has been home to Project Coral; where pioneering research is being undertaken in coral spawning. The project team, led by Aquarium Curator Jamie Craggs, is successfully developing in-vitro fertilisation techniques for captive corals and they have instigated the first successful spawning of captive coral in the world. Their research will further scientific understanding of the impact of climate change on coral reproduction and has potential to serve as a method of restoring damaged coral reefs.
Being the home of such an important coral conservation project made it an obvious thing to do to get involved with International Year of the Reef. 2018 marks the third IYOR (International Year of the Reef), and to celebrate it, the Horniman Museum is hosting a year of special events, exhibitions, online content and family activities to highlight both Project Coral, and the ongoing plight of coral reefs around the world. As Project Coordinator of the IYOR programme at the Horniman, my role was to help set up and run six projects devised by a team of collaborators. The project was extremely multidisciplinary; utilising the natural history collections, the live aquarium exhibits, art installations, dance performances, and collaborating with external researchers from around the world.
To paraphrase that great Disney wildlife documentary, The Lion King: change is good, but it’s not easy.
Leaving any job after a long time is always strange, and I’ve been lucky enough to have spent (almost!) seven years at the Horniman Museum and Gardens. In that time I’ve worked on several large projects, learned more than I thought I ever would about anthropology collections, and made some wonderful friends. But sadly, I have now had to move on. Happily, I’ve been able to move on to the wonderful Powell-Cotton Museum, where I will be spending the next year curating the natural history collections.
This has meant quite a large change: I’ve moved to a different part of the country, and started a new job that is very different to what I’ve been doing for the last few years. I’ll admit to feeling some imposter syndrome – I have been working almost exclusively with anthropology objects for a long time now (not my subject specialism: I studied zoology), and worried that I might have forgotten some of my natural history knowledge! Thankfully, that doesn’t seem to have been the case, and in fact working with anthropology collections has taught me a surprising amount about working with natural history collections… from identifying worked animal materials (such as ivory and bone) to documentation standards and procedures (I was a Documentation Assistant at the Horniman), I have gained skills and knowledge that will be invaluable in my new role.
Sad to say goodbye to the Horniman Walrus. (C) Horniman Museum and Gardens
In a blog series hosted by the Horniman Museum, each month I (the Deputy Keeper of Natural History at said Museum) select a specimen from our collections, do a little research, hopefully find out some riveting and hitherto unknown piece of historical information about it that can be added to our database, and write a blog in a format accessible for the general public. It is one of my pride and joys in my job as it covers so many different aspects of museum life- public engagement, outreach, research, museum documentation, collections management, etc. This month I managed to go a step further and incorporate not just exhibition content into the article (British Wildlife Photographer Awards temporary exhibition), but also a new avenue of research and interest; a 6000 strong army of hawfinch enthusiasts who take to Twitter to record sightings of this shy but glorious little bird. I asked the followers of @HawfinchesUK if they would like to publish an image they had taken and was subsequently presented not just with photographs, but with fascinating insider information of the birding world that I may not have found by my own research.
What a wonderful collaboration of scientists and enthusiasts, and an exceptional reward for the utilisation of social media. Please enjoy:
Katie Ott, a museum studies student on placement with the Horniman, tells us about her fascinating work with our botany collection.
I’m Katie, and I’m three weeks into an eight-week work placement at the Horniman, helping the Natural History team to research and document the botany collection.
The botany collection at the Horniman is made up of around 3000 individual specimens either mounted onto herbarium sheets or bound in volumes. The flowering plant collection dates mainly from 1830-1850.
Two herbarium sheets from Flora Britannica no. 4., Katie Ott
The main task is to transcribe the (beautiful, but squiggly) Victorian handwriting on the herbarium sheets such as the plant’s scientific name, and where it was found etc onto MimsyXG, our collections management database.
This year’s event (#NatSCA2017), at the University Museum of Zoology, Cambridge, had a record 110 delegates, and as such was the biggest NatSCA conference to date. At the heart of the conference was the new Whale Hall, part of an enormous redevelopment project of the David Attenborough Building. As many of us marvelled at the huge leviathan overhead, the rest of us rushed between advertising sponsor stalls, exchanged ideas, caught up with one another and most importantly, fuelled up on coffee!
Feeling inspired, we were ready to begin this year’s talks on the theme: “Evolving Ideas: Provocative New Ways of Working with Collections” as Paolo Viscardi, NatSCA Chair, keenly ushered us in to the main lecture theatre. Continue reading →