Tag Archives for Botanical Collections

Where are the Women? Uncovering Hidden Connections to Calke Abbey’s Natural History Collection

Written by Julie Griffith, Property Experience Curator, Calke Abbey, National Trust.

Exploring the stories of Selina (1822-1905), Georgiana (1824-1910) and Matilda (1831-1899) Lovell, uncovers three curious and accomplished women. With interests in botany and conchology and stretching from Derbyshire to Australia, their story is of both individual achievement and natural history connecting sisters across the globe.

With existing narratives around Calke Abbey’s natural history collection overwhelmingly male focussed, recent research into the three Lovell sisters aims to bring women’s stories and connections to natural history into the spotlight at this country house property.

Selina Lovell (1822-1905). Credit: National Trust/David Midgelow
Georgiana Lovell (1824-1910). Credit: National Trust/Ian Buxton, David Midgelow and Brian Birch
Matilda Lovell (1831-1899). AI created image

Who were the Lovell sisters?

The Lovell sisters were closely related to the Harpur Crewe family of Calke Abbey through their mother, Selina Crewe (d.1838), a daughter of Sir Henry, Calke’s 7th Baronet and Nanny, Lady Crewe. Their father, Vice-Admiral William Stanhope Lovell (c.1788-1859) was a distinguished naval officer and veteran of the Battle of Trafalgar.

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An Acre of Yorkshire to Revitalise Botany Education

Written by Sebastian Stroud, Teaching Fellow in Ecology, School of Biology, University of Leeds.

Did you ever visit the experimental gardens of the University of Leeds? For the vast majority of you, I imagine not. It’s more than likely you’ve never even heard of the old gardens, and that’s because they’ve been shut down entirely. Demolished in the mid-noughties, the collections were disbanded and moved to other institutions. A story not unheard of for university living collections.

For those interested, there exists a fascinating history – a story told by the garden’s former plantsman, Martin Lappage (Lappage and Redshaw, 2021). Although, like many of you, I never stepped foot in the old experimental garden, reading Lappage’s book conjured inspiration as though I’d been there with him. From fascinating figs and their minuscule wasp pollinators to award-winning orchid collections, the old garden was a botanist’s dream.

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The Curious Case of a Historical Seed Collection

Written by Hideko Yamamoto (former Volunteer, Natural History Museum, London) with input from Jovita C. Yesilyurt (Senior Curator, General Herbarium, Natural History Museum, London).

For centuries, a quiet corner of the Natural History Museum has concealed a secret: a previously undocumented historical seed collection. Hidden in locked cabinets, hundreds of small paper packets hold botanical specimens—and unanswered questions. This article offers a glimpse into this overlooked collection, the detective work behind its investigation, and the exciting possibilities that still lie ahead. The mystery remains unsolved—for now.

A Vast Botanical Treasure

The Natural History Museum’s botany collection contains more than five million specimens gathered worldwide over 300 years. These range from herbarium sheets and carpological (fruit) collections to microscopic slides, wet specimens, and seeds (Fig. 1). Ideally, each specimen carries detailed scientific and historical information, allowing researchers to reconstruct past ecosystems, track species distributions, and study evolutionary and climate-related change over time.

Figure 1: Tray with one of the sets of the seed collections

Equally important is the historical context: who collected the specimen, under what circumstances, and how it entered the Museum. Such information brings collections to life, revealing the people, motivations, and networks behind scientific discovery. Yet many specimens lack this documentation. Among them are seed packets stored quietly in locked cabinets of the herbarium.

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Aliens Escape the Herbarium

Written by Annette Townsend (Interdisciplinary Natural History Artist) & Sally Whyman (Curator: Botany Curator, Amgueddfa Cymru – National Museum Wales).

Aliens 1956. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Plants growing on the wall of a London art gallery!! On closer inspection you discover they are alien plants, introduced to the UK. Looking even closer you realise they are delicate sculptures, handmade from beeswax, paraffin wax, tinned copper wire, tissue paper, cotton thread, artists’ pigments, acrylic paint and acrylic varnish.

Aliens 1992. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Mounted on stainless steel plates with stainless steel strips, and epoxy printed collector labels, in a juxtaposition of historic and modern materials and techniques, each sculpture mimics a real herbarium sheet, found in the Welsh National Herbarium, Amgueddfa Cymru.   

Wax passion flowers in progress. Image A.M. Townsend

The brainchild of Annette Marie Townsend and Sally Whyman who wanted to combine the skill, vision and dexterity of the artist with the depth of collection knowledge of the curator, allowing the plants to come to life and escape the confining folders and cabinets of the herbarium. This Aliens series allows the plants tell their stories of biodiversity change and invasive species to new audiences, further afield than museum visitors and botanical researchers.    

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Reflecting on a Collections Move During the Pandemic, the Royal Horticultural Society Herbarium one year on.

Written by Clare Booth-Downs, Herbarium Curator, Royal Horticultural Society Herbarium.

Moving On Up, To Move On Out

The Royal Horticultural Society Herbarium (RHS), which holds approximately 150,000 specimens and associated ancillary collections, had outgrown its original storage space.  The building of a new dedicated science and collections centre, RHS Hilltop, which opened in late June 2021, provided a solution to this. Hilltop, the home of gardening science, includes a larger, purpose built facility, the 1851 Royal Commission Herbarium.

The Laboratory, RHS Wisley, Surrey. Image by Clare Booth-Downs. © Royal Horticultural Society.
Interior of the original RHS Herbarium showing the overspill on top of the cabinets. Image: Yvette Harvey.

Increasing the capacity of the herbarium was vital as the collection is expected to expand at a fast pace over the next few years.  With a full time plant collector now in place, the RHS’ ultimate aim is to hold a specimen of every species and cultivar of garden plant growing in the U.K. It is estimated this will be a collection numbering 400,000 specimens by 2050.

This repository will act as a reference point for gardeners, breeders, students and researchers as well as for ‘non-traditional’ herbarium visitors, for example, artists and designers looking for inspiration for fabrics and jewellery.  This is alongside one of the Society’s own research foci, as described by Professor Alistair Griffiths, RHS Director of Science & Collections, “In the UK, we’ve got a massive diversity of cultivated plants, originating from around the world, and all have potential for nature-based solutions.  We’re going to work towards a database of the garden plants and their uses from an environmental, and health and wellbeing perspective”.

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