As a Natural History conservator, I was thrilled to learn that the 2021 SPNHC conference would be a joint conference with the AIC. These two large US organizations have very different priorities and committees, but many collaborative interests. I had waited a long time for this collaboration! The theme of the conference was ‘Transformation’ seeking ideas to not only transform museums, but discuss how museums can transform the world for the better. A fitting theme for a year of massive upheaval and dramatic change.
The conference was originally due to be held in Jacksonville Florida, but the on-going pandemic meant it was moved online at the last minute. Though disappointed to not see colleagues physically, holding the conference online did allow for truly international participation and I could catch up on talks as and when I was able!
The majority of sessions were collaborative with talks from both members of AIC and the SPNHC. They were spread over 6 weeks, allowing for many more sessions than could normally be accommodated in a 5-day conference. The sessions were varied, covering not only the conservation of objects but digitization and data management, using Natural History as an educational tool, collaborating with stakeholder communities and storage and display.
Written by Becky Desjardins (Senior Museum Preparator & Conservator), Georgia Kay & Kim König (MSc students Museums & Collections – Leiden University; Naturalis Interns), Naturalis Biodiversity Center.
Back in 2013, Naturalis conducted a research project about arsenic in the museums’ specimens. The goal was to determine if arsenic was spreading from the collection areas into staff and or public areas of the museum. We tested many specimens with an XRF but also tested the elevators, door handles, floors, shelves, keyboards, etc. From this testing we developed protocols about handling specimens and how we use the spaces in the collection. You can read all about that project over here.
What didn’t get tested were the large mounted vertebrates. Back in 2013 the Naturalis collections were spread over a number of warehouses around Leiden. Because these external buildings were considered depots only (meaning no offices/canteens in these spaces) there was less concern about arsenic contamination in non-collection areas. The large vertebrates were considered to be high risk specimens (so very toxic), and were handled as such, they never had their moment with the XRF.
Welcome to the July edition of NatSCA Digital Digest.
A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences and training opportunities. We are really keen to hear more about exhibition launches, conferences (live or virtual) and webinars, and new or interesting online content. If you have any top tips and recommendations for our next Digest please drop an email to email@example.com.
What To See & Do
The ‘Insectarium: Fascination and Fear’ exhibition present artwork on the feelings that insects inspire in us. If you can’t make it to Aberlady, Scotland, you can view the art online here.
If you’re looking for something crafty to do there are plenty of online workshops to take part in. With the Oxford University Museum of Natural History on 14th July at 8pm participate and enjoy ‘Drawn to Nature: Conservation’. In this online event you will hear about the art of conservation before taking a chance to draw some natural history specimens. The Natural History Museum are offering making sessions where you can create a crochet dinosaur or make your own plant pot.
Working with natural science collections is quite a unique role. The specimens we care for, the stories they tell, the research we carry out or help facilitate, and the engagement with the public, are just a few rewarding jobs that we carry out daily. Sometimes there are barriers between those working with natural science collections and those at a higher management level. This is mainly due to a lack of understanding of the importance of these types of collections. “Why are there so many flies?“, “It’s just taxidermy, bring it out for people to stroke“, “It’s just a rock”. Just a few of things many of us have heard being said about natural science collections.
Whilst we can respond to these kinds of comments, some of us may find it more difficult to respond in a strategic way: in a language that makes sense to high level managers or funders. I have in the past, and I’ve found that frustrating, because I know the importance of the collections I look after. I was very pleased to be asked to review a new book about management of collections, focusing on strategy and development, Managing Natural Science Collections: A guide to strategy, planning and resourcing which was released this year and it couldn’t have come at a better time. A time when the country is recovering from an economic slump after the Covid pandemic. A time when cuts to the museum sector are inevitable.
Abel Chapman’s time in southern Africa was only the first of many visits to the continent. His next trip, in 1904, was to a very different place – British East Africa. This was a colonial protectorate roughly equivalent to today’s Republic of Kenya. It had grown out of land leased by the British East Africa Company but was now firmly under British imperial control.
The Uganda railway, a huge feat of engineering, had been completed just three years before Chapman’s visit. This now allowed trains to travel the 800km (500 miles) between Mombasa on the east coast and the African Great Lakes. The British now had the means to extend their influence right across East Africa, disrupting the slave routes and simultaneously opening up the land to the missionaries, settlers, tourists and game hunters that were now pouring in. It was in this rapidly changing environment that Chapman strove to find the longed for wilderness that had eluded him in Transvaal, and test his skills as a sportsman, before that land too vanished under the settler’s plough.