Exploring Materials in Natural History Dioramas

Written by Claire Dean, Curatorial Assistant at Tullie House Museum and Art Gallery, Carlisle, and MA Preventive Conservation student at Northumbria University.

The wildlife dome at Tullie House Museum and Art Gallery
The wildlife dome at Tullie House Museum and Art Gallery Carlisle, C. Dean

In many old dioramas, material mysteries abound. As a Curatorial Assistant at Tullie House, I’ve encountered a tree trunk made from a Robinson’s fruit juice box, a fake roof that contained fibrous signs of asbestos, and a hodgepodge of unidentifiable paints and old plastics. The museum’s new-in-post Biodiversity Curator discovered pests thriving amongst the real vegetation and a 30-year-old slice of bread in a garden scene.

Dioramas aim to create the illusion of real habitats for their taxidermy inhabitants, and they use a huge range of materials to do so. After decades of neglect and destruction there is now wider recognition that habitat dioramas can instil a sense of wonder in visitors that no amount of digital wizardry can replace. Through my dissertation research for an MA in Preventive Conservation at Northumbria University, I wanted to find out more about what materials have been used in dioramas over time, how these might impact the preservation of specimens, and what we can do to better protect the dioramas that remain. I put a call out to ask, ‘What’s in your dioramas?’ through an online survey and received 30 responses from people with experience in a range of different sized institutions and private practice.

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Impressions of My First NatSCA Conference

Last April I had the opportunity to attend the NatSCA conference at Leeds City Museum. I have been a member of NatSCA since I came to live in the UK three years ago and finally this year, thanks to one of the NatSCA bursaries, I was able to attend the conference. With more than 70 participants from all over the UK and beyond each day, more than 20 talks, interesting stands showing projects and new technology, good coffee and lunch in a uniquely-shaped hall, the event was very successful.

Over the two-day conference, I met colleagues from work, I recognised familiar faces from previous events and the most exciting part was to meet new people and to hear about the amazing projects and experiences from different experts in the museum environment. We also heard about the benefit of working with communities, schoolchildren, teachers, volunteers, undergraduate students, artists and many other groups.

After thinking carefully about what really impressed me (a difficult job with so many good talks), I would like to highlight the following topics.

Facing Challenges and Thinking Up New Strategies to Engage

The first two talks about the exhibition Dinosaurs of China in Nottingham really impressed me. The project involved extraordinary team work in organising the loans, the trips, the installation of the tallest dinosaur skeleton ever displayed in the UK, and the running of a very successful event with large numbers of visitors. The second talk showed brilliantly the role of theatre to enhance the visitor’s experience and engage the public while also showing a good marketing strategy. Moreover, selecting the artist with the required performance skills was very demanding work.

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