Addressing Biodiversity Loss and Climate Change Together: A Great Opportunity for Museums with Natural History Collections

Written by Henry McGhie, Curating Tomorrow, henrymcghie@curatingtomorrow.co.uk

This year has seen not one but two ‘COPs’ (Conference of the Parties), the big meetings where governments monitor their progress towards international agreements. In early November, COP16 for biodiversity was held in Cali, Colombia. In the second half of November, COP29 was held in Baku, Azerbaijan. These big meetings get a lot of press attention, but they are rather poorly understood and are not always reported that well. If you think the COPs are where the leaders of the world get together to hammer out the world’s future, the reality is much more humdrum. By the time countries gather together, they have usually made up their minds on their negotiating positions and not much will change from there on. COP has also become too big and has many ‘layers’ to it. For the climate COPs, there is the Blue Zone, which you need to get a special accreditation to enter (referred to as a ‘badge’), and within that there will be really big plenary events and smaller side events that everyone with a badge can attend. There are also lots of negotiations taking place, inside rooms, that you often can’t access as well as a mass of pavilions, mostly from countries and in some years, businesses. Outside the Blue Zone, there is a public-facing Green Zone that the public can access (sometimes it is in a museum, as it was in 2021 when it was in Glasgow Science Centre). When the climate COP is on there is also a lot of activity going on outside of COP itself, mostly organized by civil society groups, and also by businesses. So, when people say they’ve ‘been to COP’ it can mean a few different things.

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Thoughts on Working with Natural Sciences Collections (and hoping to continue) in the United Kingdom as an Emerging Conservator.

Written by Anais Ellis, Project Conservator, Nature + Love at the Horniman Museum and Gardens.

Around a year ago I concluded three years of formal training to become a conservator. At the Institute of Archaeology, University College London (UCL) the training is taught in two sequential parts.  First, the MA, Principles of Conservation, grounds an understanding of conservation practice within ethical frameworks and principles. Following this, the MSc, Conservation of Archaeology and Museums, includes a year of developing remedial conservation skills in a lab and a 9-month placement in a museum or adjacent environment. The formative moment during this placement was my first experience working with natural sciences collections. There were fossils to clean, fluid specimens to top-up, and a taxidermy ringed seal with several claws missing that the curator asked to be reconstructed. Now, a year later, having finished studying and having worked consistently with natural sciences collections in the United Kingdom (UK) it feels like a good moment to reflect on these experiences. As hoped, they have been wonderful.

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Conservation Matters in Wales – Christmas Conference 2023

Written by Sebastien Lherondel-Davies, 2nd year BSc student, Swansea University, whilst on placement at National Museum Cardiff and Swansea Museum.

On Wednesday 13th December 2023, conservators and curators from all over Wales gathered in Swansea for the first in-person Conservation Matters Wales Christmas Conference since the pandemic. Conservation Matters Wales is a collaboration between Amgueddfa Cymru – National Museum Wales, the Federation of Museums and Art Galleries in Wales, and Cardiff University. The event, hosted by the delightful Swansea Museum, was an opportunity for professionals in the museum collections conservation sector to come together and share the wide range of projects they have been working on. The conference provided us with the chance to present our research project on a historic Lepidoptera collection. 

Swansea Museum
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Make Plastic History

Written by Glenn Roadley, Curator of Natural Science, The Potteries Museum & Art Gallery, Stoke-on-Trent.

In May 2023, Professor Claire Gwinnett reached out to me with an opportunity to host a public event at The Potteries Museum & Art Gallery (PMAG). Claire, Professor of Forensic and Environmental Science at Staffordshire University, is an expert in the study of plastic pollution and has worked with the museum before to lead activities at our various science events, so immediately thought of us when seeing the call for applications for the British Academy’s SHAPE Involve and Engage grants. The programme offered grants of up to £8,000 for innovative engagement activities which highlight humanities research, with partnerships between academic and cultural institutions eligible to apply. Claire and I put our heads together and came up with a plan for a day of family-friendly activities aimed at raising awareness of plastic pollution and the research being undertaken to tackle it. At the centre of these activities would be a workshop run by Dan Lewis, an artist who uses plastic fragments found on the beach to create works of art.

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Welcome to a ’Wild, Wonderful World’ at the Natural History Museum Denmark.

Written by Bethany Palumbo, Head of Conservation, Natural History Museum Denmark.

Dodo Model at the Wild, Wonderful World Exhibition (© Andreas Haubjerg NHMD)

In June 2024, the Natural History Museum Denmark opened a new temporary exhibition titled ‘Wild, Wonderful World or ‘Vilde, Vidunderlige Verden’ in Danish. The exhibition presents the colourful, authentic stories behind specimens, and introduces new perspectives on how to think about nature and the significance of the natural history collections.

For the past several years, temporary exhibitions at the museum had all been loaned exhibitions from other institutions. We decided that this one would instead be entirely from our own historical collections, with some of the specimens on display dating as far back as 400 years. This blog post will present 3 fascinating object stories from the exhibition that I am especially excited to share.

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