Tag Archives for World Museum Liverpool

NatSCA Digital Digest – August

Compiled by Ellie Clark, Collections Move Team Leader at the Natural History Museum

Welcome to the August edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration is now open for the 13th European Bird Curators Meeting, October 2024, in Liverpool.

The European Bird Curators Meetings aim to promote cooperation, dissemination of best practices and new techniques in the curation, management, and use of bird collections. Presenters in the scientific programme often include curators, collection managers, museum historians and ornithological researchers. These are friendly meetings and anyone with an interest is welcome to join us.

The meeting will include plenary and submitted presentations, discussion sessions, collections tour, conference dinner (optional – Tuesday 29th October) and field excursion (optional – Thursday 31st October). 

Please follow the ‘Tickets available here’ link from the event webpage to register. They have single day registration options and have kept costs as low as possible to encourage attendance by local natural history curators. 

If you have any questions, please email vertebratezoology@liverpoolmuseums.org.uk.

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Going ‘Extinct’ for Jewellery

Written by Sonal Mistry (Masters Students in Scientific Illustration, Zuyd University of Applied Sciences, the Netherlands) and Olivia Beavers (Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool).

Last year, Sonal approached the vertebrate zoology team at World Museum Liverpool to see the Nicobar Pigeon taxidermy mounts, study skins, as well as the Liverpool Pigeon study skin and dodo skeleton to use as reference for her work. From the first meeting, it was fascinating to see the detailed nature of her initial sketches and how quickly she worked.

World Museum has received requests from wood carvers and illustrators to access the osteology collection, taxidermy mounts and/or study skins as a reference for their work. The in-person visits help them to create more accurate drawings and carvings compared to using 2D images for reference. 

Collaborating with researchers of a particular species or family broadens our understanding of the collections. For example, Sonal’s explanation of her university assignment shed light on the endangered status of Nicobar Pigeons and the unconventional use of their gizzard stones in jewellery which I was unaware of.

Sonal is currently pursuing a master’s degree in Scientific Illustration, at Zuyd University of Applied Sciences in Maastricht, the Netherlands. Her passion for the sciences and the arts enriches her illustrations with a unique quality that is evident in her diverse projects, showcasing a blend of creativity and scientific accuracy.

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Discovering Treasures in the Depths of the Dagnall.

Written by Ruth Cowlishaw of Liverpool School of Tropical Medicine.

This year marks Liverpool School of Tropical Medicine’s 125th anniversary. The school was the first institute of its kind back in 1898, built to help investigate some of the tropical diseases brought back to the busy port city from shipping expeditions and trade. To celebrate such a major milestone an array of events and activities have been planned by the school, including outreach events and fundraising, whilst also giving us a chance to reflect on our history. One such planned scheme was the distribution of internal funds for exciting projects, proposed by staff members that would make a difference in this very special year.

Mary Kingsley Building, LSTM. ©LSTM

The Dagnall Laboratory situated in the Mary Kingsley Building is the main teaching laboratory for the school. Within its walls it houses many historical pathological and entomological samples, from mosquito wings and blood films to seven-meter-long tapeworms. Throughout the years a selection of these samples has been used to help educate thousands of medical professionals, postgraduate students and armed forces personnel. However, a large part of the collection became forgotten and neglected as specimen preservation skills and staff were lost over time. With news of potential funding myself and the team saw an opportunity to rediscover these “lost” specimens and decided to put together a bid with the aim to reinvigorate our collection. The project not only aligned with the 125 Anniversary theme of Heritage and History but also looked forward to the future.

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How to Find Ectoparasites on Study Skins and Explore Natural Heritage Shared between Colonial and Provincial Museums

Written by John-James Wilson, Lead Curator of Zoology at World Museum, National Museums Liverpool & Jing Jing Khoo, Postdoctoral Research Associate at Institute of Infection, Veterinary & Ecological Sciences, University of Liverpool.

Selangor Museum was established in Kuala Lumpur by British colonial officials in 1887. A purpose-built museum building, opened in 1907, was designed by Liverpool-born architect Arthur Hubback, but there is a stronger link between Selangor Museum and Liverpool.

Selangor Museum’s early director Herbert Robinson was also born in Liverpool and had worked as an assistant at the Liverpool Museums, now known as World Museum. Selangor Museum wasn’t a large institution, with just three British curators and three museum hunters from Sarawak, one being Charles Ulok. But through the museum’s work, a European knowledge system was imposed onto the local wildlife.

The museum’s work included extensive hunting on the hill and mountains and islands of Malaysia, Thailand and Indonesia. The museum soon ran out of storage space in Kuala Lumpur and specimens were routinely sent to England. Hundreds of specimens were sent to Robinson’s former workplace, World Museum, in 1914.

https://archive.org/embed/from-selangor-museum-to-liverpool

Click link above for 3-minute video about Selangor Museum and its connection to Liverpool made for the Green Representatives Network at Monash University in Selangor.

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William Thomas March, a Jamaican Collector, Naturalist and Early Pioneer of Biological Data Recording in Jamaica.

Written by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

Figure 1. William Thomas March’s bird skins stored in the Vertebrate Zoology collection at World Museum, National Museums Liverpool © National Museums Liverpool (World Museum: NML-VZ T1134, NML-VZ T760, NML-VZ T5652, NML-VZ 1989.66.1279, NML-VZ T19525, NML-VZ T12817, NML-VZ T9981, NML-VZ T1128, NML-VZ T14037, NML-VZ T14031/ Olivia Beavers)

August celebrates Jamaican independence, so what better way to celebrate than to talk about a Jamaican collector from the 1800s whose contributions to understanding Jamaican biodiversity are not yet fully recognised. 

I recently finished the project stage of the Associateship of the Museum Association (AMA). My project focused on helping to tell untold stories of the collections held at World Museum. 

Through trial and error, I started to look through World Museum’s database and Google the names of collectors to see if we had collectors who had black or brown heritage – with a focus on collectors with specimens from the Caribbean. I ended up finding William Thomas March. Only two previous papers were written about him, both by Catherine Levy (Managing Director of Windsor Research Centre, former President of the Caribbean Birds, and of BirdLife Jamaica). 

To coincide with the research and my project, I created a new dataset titled ‘Bird skins from Jamaica in the collections of World Museums Liverpool’ – now available on the Global Biodiversity Information Facility (GBIF) website. It includes specimens from William Thomas March.

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