Category Archives for Uncategorized

‘Dino Takedown’ at the Natural History Museum of Denmark.

Written by Bethany Palumbo, ACR, Head of Conservation Unit, The Natural History Museum of Denmark.

At the Natural History Museum of Denmark, work is currently underway to prepare and move thousands of specimens to a new building, located in the Botanical Gardens in Copenhagen. One such specimen is ‘Misty’ our beloved 17-meter-long Diplodocus. Misty has been welcoming visitors to the Zoological Museum since 2014 and is a much-loved part of our exhibitions.

Taking this specimen down was symbolic in many ways. It was a goodbye to the old building but also a celebration of the new building and future of the museum. We wanted to commemorate this milestone and so we decided to make the Diplodocus deinstallation into an outreach event called the ‘Dino Takedown’. This would create a rare opportunity for the public to watch the deinstallation process, ask questions and further understand the types of conservation work we do in a museum.

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Designated Status for Ipswich Museums’ Post-Cretaceous Geology Collection.

Written by Dr Simon Jackson, Collections and Learning Curator (Natural Sciences), Colchester + Ipswich Museums.

Ipswich Museums’ Post-Cretaceous Geology Collection, which includes our outstanding ice age collection, has been awarded Designated status by Arts Council England. The team here are delighted!

“OK, what exactly is Designation?” some of you may be thinking… Well, the scheme is administered by Arts Council England and identifies the pre-eminent collections of national importance held in England’s non-national museums, libraries and archives, based on their quality and significance. So, this award is a mark of distinction which is useful, for instance, in securing funding. If this has piqued your interest, and, for instance, you may be thinking “perhaps my collection is eligible for the scheme?” you can read more about Designation here: Designation Scheme | Arts Council England or my 2020 paper about the Tullie House bid I led on then, here https://www.natsca.org/article/2578 .

So, what’s been Designated at Ipswich? The Ipswich Post-Cretaceous Geology Collection includes c.30,000 specimens. The greatest strength of the collection includes Suffolk Plio-Pleistocene fossils, the remains of animals which lived during the Pleistocene ice age, and the warmer Pliocene before it. Suffolk has an outstanding Plio-Pleistocene record, with the only exposures of the Coralline Crag (Middle Pliocene) and extensive exposures of the Red Crag (the only exposed British deposit to document the transition into the ice age). The county’s deposits also document the dramatically changing environments of the ice age between warmer, wetter episodes (interglacials) and colder, drier episodes (glacials).  With pre-eminent collections covering this period, the collection now attracts international research, which, for instance, includes searching for the oldest mammoth DNA from Europe in c. 200,000 year old teeth from Suffolk – research led by the Centre for Palaeogenetics, at the Stockholm University and the Swedish Museum of Natural History, and the NHM). You can read more about the project here: https://cimuseums.org.uk/mammothdna/

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NatSCA Digital Digest – April 2023

Compiled by Milo Phillips, Assistant Curator of Entomology for National Museums Scotland.

Welcome to the April edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration for the NatSCA 2023 conference closes on April 20th so get booking ASAP. The conference will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. For all the info and to register, check out our webpage.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you later this month!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Early bird registration ends this Friday 15th April. See details and registration here.

Science, Gender & Sociability in a Northern City c. 1775-1820 Conference

This interdisciplinary event brings together scholars in women’s history, the history of science, literature, theatrical performance, music and historical archaeology from across the UK and the US, to contextualise and analyse the diary of Jane Ewbank (1778‒1824). More information on speakers, and links for bookings, can be found here. The conference runs Thursday 8th to 10th June 2023.

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Meet the NatSCA Committee – Patti Wood Finkle

Written by Patti Wood Finkle, Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Name

Patti Wood Finkle

What is your role on the NatSCA committee?

I am an ordinary committee member and have volunteered to lead the conference planning committee next year.

Job title and institution

Collections Manager at the Earth and Mineral Sciences Museum & Art Gallery at the Pennsylvania State University, in State College, Pennsylvania, USA.

Twitter username

I don’t have a twitter account, but I am a co-host on The M Files Podcast, a museum-centric podcast that my colleagues and I started during the pandemic to help museum professionals connect and learn more about other museums. Basically we get to meet new people and chat about how much we enjoy working in museums.

Tell us about your day job

In my current roll, I work with rocks, minerals, fossils, meteorites, man-made composites, industrial paintings and prints, as well as historic scientific instruments and equipment. We have a wide-ranging collection and there are always things to do, whether it is updating the current database with images and information, accessioning an incoming collection, or writing exhibit text (and I’ve done all three this week). A large part of my job is collections based, but with a staff of two, it is important to manage our time wisely and both of us take on tasks such as tours, guest lectureships, exhibit planning and development, supervising our student workers, and working with our parent institution. I also work with students and facilitate partnerships with faculty and student organizations whenever possible.

Natural science collections are very popular with museum visitors. Why do you think this is?

Because natural science is amazing! To see, in person, how large a whale is, how brilliantly a gem may sparkle, how beautiful a beetle can be is exhilarating. Screens and computers can only show you so much, but to see the things for yourself is authentic and tangible. It fuels our curiosity and our wonder. The number of times I have heard both children and adults walk into a natural science gallery and exclaim “WOW!”, sometimes under their breath and sometimes out loud, is affirmation of the power of these collections to continue to awe and educate visitors of all ages.

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NatSCA Digital Digest – March 2023

Welcome to the March edition of NatSCA Digital Digest.

Compiled by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA Conference 2023

Registration is open for the Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. The focus this year is:

So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections

This is the “How To…” conference for people working with natural history collections. The last few years have seen unprecedented changes in the expectations for what the museum sector can deliver. Global and local social and environmental issues have coincided to reinforce the needs of museums to consider their reinvention and relevance.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you in April!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

Unnatural History Museum session

This session will be held on 22nd March 2023 on the topic of decolonising natural history museums. 

“We are at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity. Yet nature is, necessarily, interpreted in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. The Unnatural History Museum brings together museum professionals and academics across disciplines to platform vital conversations about the museum mediation of the natural world during the sixth mass extinction.”

Each session is hosted on Zoom to allow for international participation, and takes the format of short presentations focussed around a specific theme, followed by a synthesised Q&A and roundtable discussion. To register and find out more click here.

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