Conservation Matters in Wales – Christmas Conference 2023

Written by Sebastien Lherondel-Davies, 2nd year BSc student, Swansea University, whilst on placement at National Museum Cardiff and Swansea Museum.

On Wednesday 13th December 2023, conservators and curators from all over Wales gathered in Swansea for the first in-person Conservation Matters Wales Christmas Conference since the pandemic. Conservation Matters Wales is a collaboration between Amgueddfa Cymru – National Museum Wales, the Federation of Museums and Art Galleries in Wales, and Cardiff University. The event, hosted by the delightful Swansea Museum, was an opportunity for professionals in the museum collections conservation sector to come together and share the wide range of projects they have been working on. The conference provided us with the chance to present our research project on a historic Lepidoptera collection. 

Swansea Museum
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Make Plastic History

Written by Glenn Roadley, Curator of Natural Science, The Potteries Museum & Art Gallery, Stoke-on-Trent.

In May 2023, Professor Claire Gwinnett reached out to me with an opportunity to host a public event at The Potteries Museum & Art Gallery (PMAG). Claire, Professor of Forensic and Environmental Science at Staffordshire University, is an expert in the study of plastic pollution and has worked with the museum before to lead activities at our various science events, so immediately thought of us when seeing the call for applications for the British Academy’s SHAPE Involve and Engage grants. The programme offered grants of up to £8,000 for innovative engagement activities which highlight humanities research, with partnerships between academic and cultural institutions eligible to apply. Claire and I put our heads together and came up with a plan for a day of family-friendly activities aimed at raising awareness of plastic pollution and the research being undertaken to tackle it. At the centre of these activities would be a workshop run by Dan Lewis, an artist who uses plastic fragments found on the beach to create works of art.

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Welcome to a ’Wild, Wonderful World’ at the Natural History Museum Denmark.

Written by Bethany Palumbo, Head of Conservation, Natural History Museum Denmark.

Dodo Model at the Wild, Wonderful World Exhibition (© Andreas Haubjerg NHMD)

In June 2024, the Natural History Museum Denmark opened a new temporary exhibition titled ‘Wild, Wonderful World or ‘Vilde, Vidunderlige Verden’ in Danish. The exhibition presents the colourful, authentic stories behind specimens, and introduces new perspectives on how to think about nature and the significance of the natural history collections.

For the past several years, temporary exhibitions at the museum had all been loaned exhibitions from other institutions. We decided that this one would instead be entirely from our own historical collections, with some of the specimens on display dating as far back as 400 years. This blog post will present 3 fascinating object stories from the exhibition that I am especially excited to share.

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Bryozoans on the Move: Trials and Challenges of Packing Collections.

Written by Abbie Herdman, Curator of Invertebrates (Non-Insects), Natural History Museum, London.

The Natural History Museum, London (NHM) is currently undertaking one of the biggest collections moves in history, around 38 million specimens total (with 28 million moving off site). A diverse range of collections are expected to move to the new site in Reading including fossils, wet, dry, taxidermy and osteological specimens. This blog will focus on some examples and challenges faced when preparing the bryozoan collections to move.

Bryozoans are an astounding yet little known phylum of predominantly colonial aquatic invertebrate animals, found in both freshwater and marine ecosystems. Known as the ‘moss animals’, for a long time, they were thought to be plants which still confounds the record of this group in aquatic collections due to their growth patterns encrusting on rocks, as seaweed-like and sometimes as gelatinous blobs. There are bryozoan reefs which support diverse marine species, they are recognised bioindicators in aquatic habitats and are ‘blue carbon’ stores (Porter, J, S. et al., 2020).

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Creating a New Diorama at the Booth Museum of Natural History

Editors note: This is the second of two concurrent blogs about the new diorama at the Booth Museum. Click here to read the first and find out more about how the diorama was created.

Written by Su Hepburn, Head of Learning & Engagement, Brighton & Hove Museums.

Jazmine Miles-Long, Taxidermist © Laurence Dean Photography

Why a new diorama?

In the autumn of 2022, we started our ‘Discover our Dioramas’ project at the Booth Museum of Natural History, part of Brighton & Hove Museums. Funded by an Esmée Fairbairn Collections Fund of £50,000 we set about building the first natural history diorama at the museum in 92 years. This was a significant project for a museum whose Victorian creator Edward Booth had lined every wall with dioramas of birds. Dioramas are an ideal way of storytelling. They are visual and can get a lot of key information to audiences without the need for words.

Alongside this we were also given £3000 from Rampion Windfarms to research and display more information about people especially women involved in the museum’s history. 

These projects gave us the time and space to be playful and to make friends. To impact on our audiences, our staff, our collections, and our future practices. It has brought joy to the museum, visitor and staff alike. 

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