Tag Archives for practice

Liverpool, Natural History and Extinction: The Case of a Real Liver Bird

Written by John-James Wilson (Lead Curator of Zoology, World Museum), Jude Piesse (Senior Lecturer in English Literature, LJMU) & Alyssa Grossman (Senior Lecturer in Communication and Media, University of Liverpool).

The interdisciplinary public engagement project ‘ENLivEN: Empire, Nature and Liverpool: Investigating and Engaging with Natural History’, is a collaboration between University of Liverpool, Liverpool John Moores University (LJMU) and 14 city-wide partners. In this blog we bring together reflections from a workshop held at World Museum, Liverpool in October 2025, where we trialled approaches for the project with LJMU undergraduates. ENLivEN will develop further workshops on similarly evocative ‘catalyst’ specimens and objects held across participating institutions.

John-James Wilson (Lead Curator of Zoology, World Museum)

Spotted Green Pigeons are a species that became extinct at the beginning of the nineteenth century.

In 1793, Dr John Latham noticed two unusual taxidermized pigeons in private natural history collections in London. He described them as a new species that he called Spotted Green Pigeons. One of the specimens is now lost but the other was bought by the 13th Earl of Derby. In 1851, the 13th Earl of Derby left his specimen to the people of Liverpool in his will. Because the specimen is kept at World Museum, this specimen became known as the Liverpool Pigeon.

The Liverpool Pigeon is now the only known Spotted Green Pigeon specimen in existence. Uncertainty about the status and nearest relatives of Spotted Green Pigeons continued for over 200 years. DNA analysis in 2014 convinced scientists that Spotted Green Pigeons were a genuine, extinct species. Spotted Green Pigeons were only very distantly related to Feral Pigeons found in Liverpool and cities around the world.

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A New Generation of Bolton Field Naturalists.

Written by Lauren Field, Curator of Natural History, Bolton Museum. 

In 1895 The Borough of Bolton Botanical Society was formed. This group concerned itself, as the name implies, with botany alone but eventually a feeling emerged among naturalists in Bolton that other aspects of natural history should be covered.

On February 7th 1907 a group of keen local naturalists met at the Chadwick Museum (Bolton Museum’s first building). The group included members of the Botanical Society as well as ornithologists, entomologists and others representing natural history from astronomy to geology – from the heights of the sky to the depths of the earth.

They soon settled on the name Bolton Field Naturalists’ Society.

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Splits and Distortion of a “Hisstoric” Snakeskin: Humidification as Part of Remedial Conservation Treatment of a Boa constrictor Skin”

Written by Claire Kelly, Conservator at Natural History Museum, London.

Boa Constrictor in Fishes, Amphibians and Reptiles Gallery at NHM ©The Trustees of the Natural History Museum

A Boa Constrictor on display in the Fishes, Amphibians and Reptiles Gallery at the Natural History Museum in London, UK was removed to undergo a considerable amount of remedial conservation treatment.

The taxidermy skin, dating from around the late 19th century, is mounted over a plaster form that was placed onto a wooden trunk. The skin exhibited severe deterioration with multiple splits in various areas located throughout the length of the specimen. The entire ventral seam had opened along with skin distortion and lifting around the splits without any stitched seam to hold it in situ. Most of the damage was at the ventral area of the specimen but some splits and distortion were visible whilst on display, along with material shed on to the case base.

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“Our Irish Natural History”: Increasing the Accessibility of Natural History Collections through Community-Driven Interpretation

Written by Adriana Ballinger, Yale University Charles P. Howland Postgraduate Research Fellow at the National Museum of Ireland, Natural History.

Natural history specimens are often inaccessible to the communities from which they were collected. As a result, source communities lack opportunities to connect with elements of their local heritage, and museums and their publics overlook the place-based expertise that many of these communities hold about the specimens we research and see on display. Scientists lead the knowledge creation process surrounding natural history specimens, but source communities can also contribute valuable information, especially regarding the meanings that flora, fauna, and geological features embody in their environments of origin. Although these cultural contexts are often intangible and unquantifiable, they are nevertheless important facets of specimens’ natural histories. For the past year, I have led “Our Irish Natural History,” a community-driven research and exhibition project at the National Museum of Ireland (NMI). I set out to increase the accessibility of the NMI’s natural history collections, explore innovative avenues for community-led interpretation, and create new opportunities for public engagement.

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How to Get a Job Working with Museum Collections

Written by Sarah Burhouse, Caitlin Jamison, Bethany Palumbo & Vicky Ward. Compiled by Jennifer Gallichan, Vertebrate Curator, Amgueddfa Cymru – Museum Wales.

Those of us that that are lucky enough to work with natural science collections will be familiar with the question ‘How do you get a job in a museum’? At a time when cuts to the sector mean that museum jobs seem even fewer and farther between, I felt it was important that we share some of our combined experiences to hopefully give some tips (and hope) for emerging museum professionals.

I reached out to colleagues across the sector to get their ‘origin’ stories and see if they had any advice for those seeking a museum job working with collections. Many thanks to Sarah, Caitlin, Bethany and Vicky for sharing your stories with us.

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