Tag Archives for museum collections

Paddy the Pangolin: Conservation of a Taxidermy Museum Specimen

This article is re-posted from a piece that appeared on the Amgueddfa Cymru blog page, 3 August 2023 with permission from the author.

Written by Madalyne Epperson, MA Conservation Practice student, Durham University – when on placement at Amgueddfa Genedlaethol Caerdydd – National Museum Cardiff.

Paddy in the Wild During the Cambridge French West Africa Expedition 1957 (Pan Golin 2018)

Natural history collections are often central to our understanding of evolution, population genetics, biodiversity, and the environmental impacts of pesticide use and climate change, among other things. For this reason, caring for these collections is of great importance. A taxidermy tree pangolin – named Paddy by the conservation team – was brought to Amgueddfa Cymru – Museum Wales in 2017 in need of attention. Paddy was collected on August 4th, 1957, by researchers during Cambridge University’s French West Africa Expedition. According to the expedition diary, Amgueddfa Cymru had asked the researchers to retrieve a pangolin to make a museum specimen, as was common practice at that time. The mounted pangolin was feared lost after the expedition’s drying tent went up in flames on August 25th, 1957. Paddy was terribly singed by the fire, which greatly disheartened the expedition team. It is perhaps for this reason that Paddy never made it to the museum when the expedition concluded. It was not until 2016/2017 that Paddy was found in Staffordshire in the home of one of the expeditions members and sent over to the museum.

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How to Reimagine a 117-year-old Diorama of Seabirds for a 2021 Gallery.

Written by Patricia Francis, Natural History Curator, Gallery Oldham. 

An account of ‘how to’ reuse an old, forgotten about diorama and turn it into a display highlighting a widespread and major environmental problem of today.

I first found this large sea stack diorama in a corner of a museum storeroom. The storeroom being in a basement of a building without lift access, so the display obviously had had a bit of a rough arrival to its resting place. It had been left uncovered for many years and was in a bit of a sorry state. There were a few birds left in position covered by plastic bags, sad remnants of a previous splendid display. It is a four-sided diorama and on one side at the base of the display is a ‘rock pool’ where a large sea worn pebble bears the following: Fred Stubbs, Oldham 1905.

After a bit of background research, I found this exhibit had four periods when it has been displayed. Firstly, in Oldham’s first Museum which opened in 1883 and where it was made – one of four original dioramas mentioned in a notebook and in the local newspaper the ‘Oldham Chronicle’ in an article of 1909 when it was described as: ‘A splendidly conceived stack, an isolated sandstone rock in the sea…provides accommodation on its ledges for a number of seabirds…makes up a beautiful picture at once artistic and scientific’. At this time a young Fred Stubbs was a leading light in the Oldham Natural History Society. Although the Museum was overseen by the Borough Council, the Society had been charged with the day to day running and creating natural history displays.

Very strangely three of these dioramas were coastal – sea stack, salt marsh and seashore, the fourth was woodland. Quite odd for a town museum like Oldham, far from the sea and where the largest local habitat is the Pennine and Peak District moorland! The maker, Fred, was born in Liverpool – so I wondered if his continued family connections with the coast had influenced this?

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How Do You Do Decolonial Research in Natural History Museums?

Written by Jack Ashby, Assistant Director of the University Museum of Zoology, Cambridge.

Subhadra Das and Miranda Lowe’s paper, Nature Read in Black and White: Decolonial Approaches to Natural History Collections (2018) acted as a wake-up call to our sector, effectively founding a discipline in natural history museums. In the five years since, a lot of work has begun to address the colonial legacies underpinning collections of animals, plants, fungi and rocks.[i] The principal aims of this work include telling more honest stories about the different kinds of injustice involved in the acquisition of collections; and addressing the fact that our museums have long been prioritising narratives elevating white individuals over everyone else. In doing so, it is hoped that a greater diversity of people will feel represented by our museums, thereby enhancing the relevance of the collections.

Natural history collections dwarf those of any other museum discipline, and unlike sectors which have been thinking about this for decades, the practices underpinning their creation have not traditionally prioritised recording associated cultural or social histories. Like others who felt inspired by Subhadra and Miranda’s call to action, faced with contemplating how to begin to unpick the stories hidden behind literally millions of ‘scientific’ specimens, it was fundamental to consider the question, where do you start with decolonial research in natural history museums? Obviously, there is no one answer, but I thought it could be helpful to list a few possible approaches. One underlying element is to recognise how colonialism and its framings have shaped the way that events took place – from major historical moments to minute individual acts – and how the stories about these events have been told.

Below is a list of possible starting points for research, with examples of what that could look like in practice (in reality most of these overlap). For me, each has something to say about the entwined human and environmental costs of the colonial project – questions that natural history museums are uniquely placed to address.

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Deaccessioning of the Non-Manx Herbarium in the Natural History Collection, Manx Museum.

Written by Laura McCoy, Curator of Natural History, Manx National Heritage.

The Manx Museum, part of Manx National Heritage, is both the national museum and part of the National Trust of the Isle of Man, which is technically not a part of the UK, it is a Crown Dependency. Its collecting focus is to represent the Island and its history, similar to county museums in the UK. No other museum represents our Island better and that is our strength. When accessing our material, researchers are looking for something relating to the Island itself or how it sits in context to a wider geographical area. We are an Accredited museum and, like many others, we have a collections development forum, made up of curatorial and collections management staff, through which any new proposed acquisitions have to be assessed – but this has not always the case. We still have objects within the collection which would not pass our collections development policy today. 

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How to Find Ectoparasites on Study Skins and Explore Natural Heritage Shared between Colonial and Provincial Museums

Written by John-James Wilson, Lead Curator of Zoology at World Museum, National Museums Liverpool & Jing Jing Khoo, Postdoctoral Research Associate at Institute of Infection, Veterinary & Ecological Sciences, University of Liverpool.

Selangor Museum was established in Kuala Lumpur by British colonial officials in 1887. A purpose-built museum building, opened in 1907, was designed by Liverpool-born architect Arthur Hubback, but there is a stronger link between Selangor Museum and Liverpool.

Selangor Museum’s early director Herbert Robinson was also born in Liverpool and had worked as an assistant at the Liverpool Museums, now known as World Museum. Selangor Museum wasn’t a large institution, with just three British curators and three museum hunters from Sarawak, one being Charles Ulok. But through the museum’s work, a European knowledge system was imposed onto the local wildlife.

The museum’s work included extensive hunting on the hill and mountains and islands of Malaysia, Thailand and Indonesia. The museum soon ran out of storage space in Kuala Lumpur and specimens were routinely sent to England. Hundreds of specimens were sent to Robinson’s former workplace, World Museum, in 1914.

https://archive.org/embed/from-selangor-museum-to-liverpool

Click link above for 3-minute video about Selangor Museum and its connection to Liverpool made for the Green Representatives Network at Monash University in Selangor.

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