Tag Archives for exhibitions

NatSCA Digital Digest – January 2025

Compiled by Milo Phillips, Digitisation Co-ordinator at the Royal Botanic Garden Edinburgh.

Welcome to the January edition of NatSCA Digital Digest.

Happy New Year everyone, and welcome to the first Digital Digest of 2025.

Digital Digest is a monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

First, we have a few conference deadline reminders for the start of the year:

NatSCA Conference & AGM 2025

The 2025 NatSCA conference Call for Papers is closing soon! The deadline to submit is 5pm GMT Friday 17th January. Get in touch with the committee with any questions (conference@natsca.org). We look forward to reading your submissions!

Making a Difference: Showing the Positive Impact of Natural History Collections

The Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 8th and Friday 9th May 2025 at The University of Manchester, Manchester Museum.

Natural history collections are involved in a huge range of work that has enormous positive impacts on people and the planet – this is a conference to share these stories. The #NatSCA2025 conference invites proposals for presentations looking at impact, how our work is making a difference, how we measure it, how we show success, and how we advocate for collections.

We seek ideas from the natural history collections community, educators, collaborators, and beyond. We are interested in practical lessons, unique solutions, new collaborations, and to show what has and hasn’t worked. We are particularly looking for presentations that share the differences museums are making in:

  • facing global challenges such as the biodiversity and climate crises, and environmental issues
  • improving people’s lives
  • changing laws
  • social justice, restitution, and decolonisation
Continue reading →

NatSCA Digital Digest – October 2024

Compiled by Milo Phillips, Digitisation Coordinator at the Royal Botanic Garden Edinburgh.

Welcome to the October edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Forensic Solutions to Pangolin Poaching

Does your collection include pangolins? Museum pangolins requested in an effort to build a stable isotope database.

The plight of the pangolin and intensification of poaching for traditional medicine is well-publicised. There is an urgent need for new forensic solutions to this crisis that transcend disciplines. The Scottish Universities Environmental Research Centre (SUERC) are seeking small scale samples from any and all pangolin species held in UK museums. Of particular interest currently is the Philippine pangolin (Manis culionensis).

The project aims to develop a robust, multi-isotope provenancing map which will make it possible to determine where specific confiscated scales are poached. It will do this using stable isotopes and spatial markers such as trace metals. The team at SUERC are happy to travel for in-house destructive sampling or can provide postage materials if the curators and collection managers would prefer to take samples themselves.

For details, please contact Ruth Lewis-Smith (r.lewis-smith.1@research.gla.ac.uk) at the University of Glasgow.

Continue reading →

NatSCA Digital Digest – September 2024

Compiled by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

Welcome to the September edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

GCG 51st Winter Seminar and AGM – Call for Abstracts Now Open

The Geological Curators Group have announced the details for their Winter Seminar Reciprocal Relationships: how can partnerships help us and our collections develop?  and AGM taking place at Oxford University Museum of Natural History 11 – 13th November 2024. The dates include an evening icebreaker, presentations, workshops, AGM, conference dinner and a field trip.

The deadline for abstracts is October 14th 2024. Please follow the link for further details: https://www.geocurator.org/events/180-agm51 .

Continue reading →

Making a Green Gallery – A Leeds Story

By Sara Merritt, Audience Development Officer at Leeds Museums & Galleries.

Us: We want to retro-fit a permanent gallery! As sustainably as possible! With £40k! In two months! And we want to keep the space open to visitors!

Them: Umm, are you sure that’s a good…

Us: Great! We’ll get cracking.

2022 saw us undertake the retro-fit of our permanent Life on Earth gallery at Leeds City Museum, with the aim of making it as sustainable as possible. The gallery required an overhaul to meet current visitor expectations, with innovative design ideas and production methods to reflect our greater understanding of climate change, the biodiversity crisis, and Britain’s colonial history.

Our objectives were threefold and carefully considered:

  • To manage and deliver a sustainable retro-fit with the addition of creating a carbon calculator to measure our C02 output
  • To ensure the interpretation was relevant, and that we had a strong idea of our target audience to attract visitors who were already engaged in making climate-positive changes.
  • To identify robust materials and production methods which would stand up to visitors pulling, prodding, and everything in between.

We were used to working with greener materials for temporary exhibitions and knew the implications around material availability, longevity of eco materials, and higher associated costs. We therefore needed to keep the project resource light and put our efforts into the interpretation, rather than dramatic object moves. We took the bones of what we had, large cases and great objects, and retold the story with the emphasis on using our objects to inspire our visitors to live more sustainably.

Continue reading →

Divorced or Separated? Naming the Specimens on Display at the Zoologisches and Palaontologisches Museum, Zurich.

Written by Richard Crawford, who has just completed a PhD thesis at the University of the Arts London, entitled ‘Re-presenting taxidermy, Contemporary Art interventions in Natural History Museums’.

Do people read labels in museums? If they do, what do they learn about the object on view? It has been the custom to use labels to give factual names to the things on display in scientific museum displays, but Art curators have taken a different approach and put titles to works that suggest a particular reading of the artwork. These may be suggested by the artist. A good example of this style of labelling is Damien Hirst’s ‘Mother and Child divided’, an artwork that used preserved specimens.

For this work, Damien Hirst famously sawed a cow and a calf in half and exhibited the separate halves in tanks filled with formaldehyde, which he placed apart with sufficient space for a viewer to walk between the two halves of each animal carcass so that they could observe the internal organs of both cow and calf. When it was exhibited at the Tate Gallery in 1995, it helped win him the Turner Prize. The title was ironic. Hirst’s work critiques romantic depictions of the animal as part of harmonious natural order, a place in which mothers protect and nurture their young according to supposedly universal maternal instincts. In place of natural harmony, he presented the viewer with the disjuncture and division brought about by human intervention that brought early death to these two animals, destined for the meat market.

Continue reading →