Nature Read in Black and White: An Update

Presented by Miranda Lowe, Natural History Museum and Subhadra Das, University College
London.

Abstract

There has been an enthusiastic uptake of ideas and practices around decolonising the natural history museum in the wake of the publication of our paper ‘Nature Read in Black and White: Decolonial Approaches to Natural History Collections’ in the NatSCA Journal in 2018. People have written blogs, there have been exhibitions relating to the topic and even the Daily Mail scare quoted cancel culture fears when they heard the Natural History Museum in London was reviewing the colonial histories of its collections. A highlight moment was when Sadiq Khan, the Mayor of London, complimented one of the co-authors of the
paper, saying he had read all sixteen pages and how it was accessible and easy to read. We are gladdened by the national and international impact of our words and research, and this has encouraged us to reflect on this success and raise some other related issues that we would like to share with you in this keynote presentation. In addition to listing recent successes within our own organisations and some plans for future work, we also plan to talk about two further topics about decolonising natural history museums. The first will consider the colonial roots and context of the environmentalist movement, while the second will examine the question of representation in the natural history museum workforce. We will consider the current state of the discourse around decolonising museums, and discuss what continues to be required in the interests of long-term, equitable change.

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Top 10 Blogs of 2020

Written by Jennifer Gallichan, NatSCA Blog Editor; Curator (Vertebrates/Mollusca), National Museum Cardiff.

2020 – what a year! Well done on getting through it, and a heartfelt thanks from me for all of the fantastic blog contributions this year. We saw a marked increase in online engagement when the first lockdown hit, with more of you reading and engaging with our blog page than in any other year. I have very much enjoyed reading all of the articles, and I hope you have too.

To reflect on the year, here are your Top Ten most read NatSCA blog articles from 2020. Covid obviously features, as well as a strong focus on discussions surrounding decolonising collections. I am also pleased to see that there is a healthy dose of solid natural history conservation practice this year. I know I have taken great solace from the fact that no matter what was happening in the world, time seemed to stand still the minute I entered the stores. I hope that focusing on the practicalities of caring and conserving our collections has been a healthy and hopefully reassuring distraction from the craziness surrounding us all.

10. Frequently Asked Questions about Taxidermy

Written by Ella Berry amateur taxidermist & MSc Conservation Practice student, Cardiff University. Attempting to deal with some of those tricky taxidermy questions.

Photo of the taxidermy Gannet (Morus bassanus) waiting patiently(!) to go on display before the event. Photo by author.

9. Museums Beyond Covid

Written by Jan Freedman, Curator of Natural History, The Box, Plymouth. Exploring how our museum spaces and experiences might be very different in the future.

Beautiful taxidermy work of lions attacking a buffalo. I patiently waited 15 minutes until the case was clear of visitors for this photo. Photo by Jan Freedman.

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#NatSCAConservation Twitter Conference

Written by Lucie Mascord, NatSCA committee conservation representative.

During the week of the 18th January 2021 NatSCA will be hosting their first ever Twitter conference all on the subject of conservation.

Following on from the success of our inaugural conservation conference “Caring for Natural Science Collections” held at Oxford University Museum of Natural History back in October 2018, the NatSCA conservation working group had hopes of another conference this year. However, it was not to be, so we are changing the format and coming to you in 2021!

The attendees of the “Caring for Natural Science Collections” one-day conference at Oxford University Museum of Natural History in 2018. ©Bethany Palumbo @bethany_bug

Given how strange this year has been we are keeping it simple. Just follow us on the week of 18th January (programme with exact dates and times to follow) on the hashtag #NatSCAConservation and we will bring the unique world of natural science conservation to you for free! Join us for this great opportunity to explore conservation work relating to the range of natural materials including bone, taxidermy, fluid preserved collections, geology, botany and entomology.

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Diving into a Coral Reef with Cambridge Communities

Written by Sara Steele, Museum Education Assistant, Museum of Zoology and Roz Wade, Learning Officer, Museum of Zoology.

This article was first published as a blog for University of Cambridge Museums, 1st June 2020.

Our audiences are full of creativity, something we see in bucketfuls at our events and workshops. We wanted to go further, and showcase audience creations and collaborations in our programming and displays.

As a Museum celebrating the wonders of the natural world, we have an innate desire to protect it. We have committed to embedding sustainability into our public programme : tackling the materials we use and considering the impacts of activity outputs. Not all craft day creations end up on the fridge, let alone as an item cherished for life. Could we bear the thought of our logo sitting atop a landfill?

With this focus on collaboration and sustainability in mind, and with the help of the artistic mind of volunteer Fanny Bara Moreau, we designed a summer activity with longevity at its core.

Every summer, the University of Cambridge Museums box up their wares and head out into the weather with themed activities to communities across the city with Cambridge City Council’s Big Weekend and Children and Young People’s Participation Service (ChYpPs). Summer 2019 had a tropical oceans theme at the Museum of Zoology, with the goal of inspiring conversations around the conservation of our coral reefs. We wanted to use this as an opportunity to bring audiences together through shared making and showcase their creations in our programmes and displays.

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Telling the Truth About Who Really Collected the “Hero Collections”.

Written by Jack Ashby, Assistant Director of the University Museum of Zoology, Cambridge.

One way that museums can decolonise their collections is to celebrate the true diversity of all the people that were ultimately responsible for making them. We often say things like, “This specimen was collected by Darwin”, or whichever famous name put a collection together, when in reality we know that often they weren’t actually the ones who found and caught the animal.

Museums can be rightly proud of their “hero collections” and the famous discoveries represented by them. Acknowledging that they did not work alone does nothing to diminish their accomplishments. We just need to make clear that other people made enormous contributions to their successes, and celebrate them too.

Undeniably, natural history museums have overwhelmingly celebrated dead white men. A major strand of decolonisation work is to show that a greater diversity of people are, in fact, represented in the history of our collections. But in reality, their contributions are rarely documented.

The Malay Teenagers Who Collected Wallace’s Birds

Lately, I’ve been looking at the collection of birds here at the University Museum of Zoology, Cambridge, that Alfred Russel Wallace brought back from his eight-year voyage to the Malay Archipelago. Any museum with Wallace material considers it among their treasures. He co-discovered evolution by natural selection, added mountains of invaluable specimens to museums worldwide, and founded entire scientific disciplines based on his interpretations of what he saw. And he gives a lot of credit to the people of colour who collected much of his material.

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