Naturalis’ New Hall of Evolution

Written by Becky Desjardins, Senior Preparateur, Naturalis Biodiversity Center.

In 2019 Naturalis opened a new building with eight permanent exhibit halls. We are happy to announce that we have opened the ninth hall, Evolution. The exhibit designer, Marijke Besselink, told me that the concept for the hall was developed after she heard how visitors reacted to a stone that was in the former Naturalis prehistory exhibit. This stone came from Greenland and dates to 3.76 billion years ago. In this rock you can see layers that indicate the presence of oxygen that might have been produced by single celled organisms. It is one of the earliest signs of life on earth. One of the museum educators told Marijke how in the old exhibit, visitors were astonished that the rock was so old, and would touch it with awe. Now this centerpiece is in the front centre of the dark blue exhibit, and when a visitor touches the stone, it starts up a light and sound interaction which connects to other vitrines around the exhibit. This gives the visitor a feeling of connection, that everything on Earth is intertwined: we are all related.

© Henk Caspers

Around the stone we can find fossils from the Burgess Shale, a Canadian formation that includes more than 500-million-year-old ancestors of most modern animals. Marijke wanted to make it clear to the public what the animals preserved as fossils looked like as to the casual observer these small fossils sometimes look like a dark grey smudge! Projections help the fossil organisms manifest out of their slate beds and move across the vitrine and into an aquarium filled with creatures from the so-called Cambrian explosion. The aquarium, made with the Pepper’s Ghost technique, is one of the highlights of the hall. Besides being very cool looking, visitors see how these prehistoric animals moved, and see how similar they are to modern animals.

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NatSCA Digital Digest – January 2023

Compiled by Claire Dean, Project Curator, Tullie House Museum & Art Gallery.

Welcome to the January edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

The NatSCA annual conference and AGM will be held at The Potteries Museum & Art Gallery on Thursday 27th and Friday 28th April 2023. The focus this year is So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections.

We are looking for 20-minute presentations, 5-minute lightning talks, and posters. Work can be presented in-person or digitally. All the details you need are here. The deadline for submission is 5pm GMT Monday 30th January.

Abstract submissions are also now open for SPNHC 2023. The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

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Ostracod Odessey – Broadcasting the Brady Collection

Written by Dan Gordon, Keeper of Biology, The Great North Museum: Hancock.

The Great North Museum : Hancock is home to many remarkable collections, but one of the most important is perhaps one of the most unfamiliar to our visitors. The Brady collection of Ostracods.

Ostracods, sometimes called Seed Shrimp, are distinctive Class of crustaceans. A shell of two intricately textured valves almost entirely envelopes their shrimp-like bodies, with just a small opening for a cluster of rapidly moving legs to poke out. As their common name suggests, most species are very small, mostly invisible to human eye, but they’re ubiquitous, busily going about their lives wherever there is permanent or temporary water, from the poles to the tropics. Some swarm the world’s oceans in vast planktonic shoals, while others live in the still, dark pools of caves, in garden ponds or even puddles.

They’re poorly known outside of academic communities, which is a real shame, because despite being fascinating creatures in their own right, they have important roles in many aquatic ecosystems, and significantly, they’re commonly encountered in the fossil record, which means that they are particularly important indicator fossils. In addition, the chemical make-up of their distinctive shells tells us about ocean acidity and temperature, which can tell us about ocean warming and climate change.

The collection was the work of George Stewardson Brady, a local man, born in Gateshead in 1832, and one of the people who pioneered the study of these animals at a time when they were relatively poorly understood.  Housed in a row of cabinets, the Brady collection is made up of nearly 3000 microscope slides with up to 100 Ostracods on each. These specimens were collected all over the world, many of them by well-known expeditions such as the HMS Challenger expeditions in the 1870s. It contains many Types, and provides a valuable resource for the study of these animals today.

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NatSCA Digital Digest – December 2022

Compiled by Milo Phillips, Assistant Curator of Entomology for National Museums Scotland.

Welcome to the December edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Catch up: Museum Action for Climate Empowerment Webinars

The most recent webinar from the Network of European Museum Organisations (NEMO) is now available to watch online if you were unable to make it to the live webinar in November. Henry McGhie or Curating Tomorrow, and NEMO Policy Officer Elizabeth Wilde dig into sustainability insights for the sector, key ways that museums can meaningfully contribute to the United Nations Framework Convention on Climate Change (UNFCCC), and explores a new guide for how museums can measure and report greenhouse gas emissions. All previous webinars can also be found over on the NEMO YouTube channel.

Link to latest webinar: https://www.ne-mo.org/training/nemo-webinars.html

Link to NEMO YouTube channel: https://www.youtube.com/@nemo-networkofeuropeanmuse7452

Registration Open for Field Studied Council January Courses

You can now register for upcoming natural history courses hosted by the Field Studies Council. January workshops include: an introduction to bee conservation, an exploration of botanical folklore, and courses on marine mammal and marine invertebrate biology and ecology. Many are hosted online with FSC Virtual, and costs vary.

Link to upcoming courses: https://www.field-studies-council.org/courses-and-experiences/natural-history-courses/

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Museo Giovanni Capellini – Wunderkammer or Modern Museum?

Written by Michela Contessi, Conservator, Museum University Network, Collezione di Geologia “Museo Giovanni Capellini”, Alma Mater Studiorum – Università di Bologna.

The Geological Collection “Museo Giovanni Capellini” is part of the University Museum Network in Bologna (SMA – Sistema Museale di Ateneo). The museum is in an 18th-century building and includes a core of 16th-century geological and paleontological collections dating back to one of the oldest natural history museums in the world, created by Ulisse Aldrovandi in 1556. Most of the two million specimens now hosted in the museum though, were acquired by Professor Giovanni Capellini (1833-1922), holder of the first chair of geology established in Italy and rector of the University of Bologna. The museum holds important (both historically and scientifically) collections of rocks, fossils and documents from all around the world (Europe, Africa, North and South America), including the 1909 cast of Diplodocus carnegii, which is a popular touristic attraction in Bologna.

Facade of The Geological Collection "Museo Giovanni Capellini"
Figure 1 – Museum facade. © @Sistema Museale di Ateneo – University of Bologna

However, and here comes the problem…

After Capellini’s death in 1922 little was done for the museum, in the early 1960s, when the new-born Institute of Geology and Paleontology was built, the museum building was literally cut in half and the collections crowded into half the original space.

Figure 2 – Museum plan in 1911, shown in red is the current available space.
Figure 2 – Museum plan in 1911, shown in red is the current available space. © @Sistema Museale di Ateneo – University of Bologna

Structural issues arose due to this move, and the museum was closed to the public for almost 30 years. After a major renovation, funded for the ninth centenary anniversary of the University in 1988, the museum was given a new lighting and heating system, reopened to the public and it welcomes several thousand visitors a year since then. The building is now solid (as an old 500-year-old lady can be), but again nothing has been done since, and what looked like a good compromise in the eighties is now obsolete.

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