Category Archives for Projects

Collecting Coventry, a Temporary Exhibition at the Herbert Art Gallery & Museum

Written by Ali Wells, Curator (Herbert Collections), Herbert Art Gallery & Museum.

This blog post details a temporary exhibition at the Herbert, how it was presented, how decolonisation and feedback were integrated into the show. This is an overview, please get in touch if you would like more information on any aspect of the exhibition.

In May 2024 the Herbert launched its latest major temporary exhibition, Collecting Coventry. The display focuses on the history of collecting in Coventry museums and showcasing the breadth of the collections.

The main aims were to

  • Present the Herbert’s collections after several years of external or predominately loan-based temporary exhibitions.
  • Get out visitor favourites like the Lowry and display stored objects for the first time.
  • Look like a museum store.
  • Give visitors the opportunity to comment on aspects of museum work and ask questions relating to collections and displays. For example, Collections Development policy, display of human remains, use of technology, future exhibitions, representation.
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NatSCA Digital Digest – December 2024

Compiled by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

Welcome to the December edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA Conference & AGM 2025

The 2025 NatSCA conference Call for Papers is open! The deadline to submit is 5pm GMT Friday 17th January. In the meantime, don’t hesitate to reach out to the committee with questions. (conference@natsca.org) We look forward to reading your submissions!  

Making a Difference: Showing the Positive Impact of Natural History Collections

The Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 8th and Friday 9th May 2025 at The University of Manchester, Manchester Museum.

Natural history collections are involved in a huge range of work that has enormous positive impacts on people and the planet – this is a conference to share these stories. The #NatSCA2025 conference invites proposals for presentations looking at impact, how our work is making a difference, how we measure it, how we show success, and how we advocate for collections.

We seek ideas from the natural history collections community, educators, collaborators, and beyond. We are interested in practical lessons, unique solutions, new collaborations, and to show what has and hasn’t worked. We are particularly looking for presentations that share the differences museums are making in:

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Addressing Biodiversity Loss and Climate Change Together: A Great Opportunity for Museums with Natural History Collections

Written by Henry McGhie, Curating Tomorrow, henrymcghie@curatingtomorrow.co.uk

This year has seen not one but two ‘COPs’ (Conference of the Parties), the big meetings where governments monitor their progress towards international agreements. In early November, COP16 for biodiversity was held in Cali, Colombia. In the second half of November, COP29 was held in Baku, Azerbaijan. These big meetings get a lot of press attention, but they are rather poorly understood and are not always reported that well. If you think the COPs are where the leaders of the world get together to hammer out the world’s future, the reality is much more humdrum. By the time countries gather together, they have usually made up their minds on their negotiating positions and not much will change from there on. COP has also become too big and has many ‘layers’ to it. For the climate COPs, there is the Blue Zone, which you need to get a special accreditation to enter (referred to as a ‘badge’), and within that there will be really big plenary events and smaller side events that everyone with a badge can attend. There are also lots of negotiations taking place, inside rooms, that you often can’t access as well as a mass of pavilions, mostly from countries and in some years, businesses. Outside the Blue Zone, there is a public-facing Green Zone that the public can access (sometimes it is in a museum, as it was in 2021 when it was in Glasgow Science Centre). When the climate COP is on there is also a lot of activity going on outside of COP itself, mostly organized by civil society groups, and also by businesses. So, when people say they’ve ‘been to COP’ it can mean a few different things.

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Thoughts on Working with Natural Sciences Collections (and hoping to continue) in the United Kingdom as an Emerging Conservator.

Written by Anais Ellis, Project Conservator, Nature + Love at the Horniman Museum and Gardens.

Around a year ago I concluded three years of formal training to become a conservator. At the Institute of Archaeology, University College London (UCL) the training is taught in two sequential parts.  First, the MA, Principles of Conservation, grounds an understanding of conservation practice within ethical frameworks and principles. Following this, the MSc, Conservation of Archaeology and Museums, includes a year of developing remedial conservation skills in a lab and a 9-month placement in a museum or adjacent environment. The formative moment during this placement was my first experience working with natural sciences collections. There were fossils to clean, fluid specimens to top-up, and a taxidermy ringed seal with several claws missing that the curator asked to be reconstructed. Now, a year later, having finished studying and having worked consistently with natural sciences collections in the United Kingdom (UK) it feels like a good moment to reflect on these experiences. As hoped, they have been wonderful.

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Digitisation of the National Herbarium of Ireland: Moving on from Manual to Semi-Automatic Imaging.

Written by Wuu Kuang Soh, botanist at the National Botanic Gardens of Ireland (OPW).

The National Herbarium (DBN) at the National Botanic Gardens of Ireland is home to an ever-expanding collection of approximately 600,000 plant and fungal specimens from across Ireland and around the globe. This rich collection spans mainly from the early 1800s to the present day, including specimens gathered from voyages of exploration, ranging from the Americas to Asia. Some of the oldest specimens, dating back to 1661, are over 350 years old. Apart from our herbarium, the other important plant collections on the island of Ireland are held by the Ulster Museum and Trinity College Dublin. This makes the DBN collection invaluable not only as a source of natural heritage but also as a part of Ireland’s cultural legacy. 

Herbarium collections are crucial to enhancing our understanding of the natural world. Beyond documenting plant species, these specimens reveal the intricate relationships between plants and their environments and tell the story of botanical discovery over time. The wealth of data gathered from this collection allows us to track historical and geographical changes in flora and helps predict future environmental impacts. Digitising this vast collection is a key step toward preserving these resources for future generations. Digital records not only provide greater access for researchers and the public but also safeguards the physical specimens by minimising handling and potential damage.

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