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Creating a New Diorama at the Booth Museum of Natural History

Editors note: This is the second of two concurrent blogs about the new diorama at the Booth Museum. Click here to read the first and find out more about how the diorama was created.

Written by Su Hepburn, Head of Learning & Engagement, Brighton & Hove Museums.

Jazmine Miles-Long, Taxidermist © Laurence Dean Photography

Why a new diorama?

In the autumn of 2022, we started our ‘Discover our Dioramas’ project at the Booth Museum of Natural History, part of Brighton & Hove Museums. Funded by an Esmée Fairbairn Collections Fund of £50,000 we set about building the first natural history diorama at the museum in 92 years. This was a significant project for a museum whose Victorian creator Edward Booth had lined every wall with dioramas of birds. Dioramas are an ideal way of storytelling. They are visual and can get a lot of key information to audiences without the need for words.

Alongside this we were also given £3000 from Rampion Windfarms to research and display more information about people especially women involved in the museum’s history. 

These projects gave us the time and space to be playful and to make friends. To impact on our audiences, our staff, our collections, and our future practices. It has brought joy to the museum, visitor and staff alike. 

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NatSCA Digital Digest – July 2024

Compiled by Milo Phillips, Digitisation Coordinator at the Royal Botanic Garden Edinburgh.

Welcome to the July edition of the NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

SPPC Registration and Call for Abstracts

Registration for the Symposium on Palaeontological Preparation and Conservation is now open!

The deadline for abstract submission is July 31st and, the symposium will be run in a hybrid format. Afternoon tours of the university archaeological laboratories will also be available.

For more information on SPPC and to see past abstracts and posters, please visit their website.

Call for Papers – Book of Nature, Nature of Books: Practices of Female Botanists

The research centres TIL (Université de Bourgogne) and EMMA (Université Paul-Valéry Montpellier 3) are organizing a bilingual, international, interdisciplinary conference on the role of women in the development of botany as part of visual, manuscript and print cultures, from the Middle Ages to the contemporary period.

Discussions will focus on the history of natural sciences, print culture, book history, illustration studies, gender studies, plant studies and ecocriticism and the organisers welcome papers on a wide range of case studies, from archives and museum collections to the garden itself.

Please send a 300-word abstract and a biobibliography (in English or French) before 31 October 2024 to the following address: bookofnature2025@gmail.com

The full details can be found here.

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NatSCA Digital Digest – May 2024

Compiled by Ellie Clark, Collections Moves Team Leader at the Natural History Museum.

Welcome to the May edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Registration is now open for the 13th European Bird Curators Meeting, October 2024, in Liverpool.

The European Bird Curators Meetings aim to promote cooperation, dissemination of best practices and new techniques in the curation, management, and use of bird collections. Presenters in the scientific programme often include curators, collection managers, museum historians and ornithological researchers. These are friendly meetings and anyone with an interest is welcome to join us.

The meeting will include plenary and submitted presentations, discussion sessions, collections tour, conference dinner (optional – Tuesday 29th October) and field excursion (optional – Thursday 31st October). 

Please follow the ‘Tickets available here’ link from the event webpage to register. They have single day registration options and have kept costs as low as possible to encourage attendance by local natural history curators. 

If you have any questions, please email vertebratezoology@liverpoolmuseums.org.uk.

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Divorced or Separated? Naming the Specimens on Display at the Zoologisches and Palaontologisches Museum, Zurich.

Written by Richard Crawford, who has just completed a PhD thesis at the University of the Arts London, entitled ‘Re-presenting taxidermy, Contemporary Art interventions in Natural History Museums’.

Do people read labels in museums? If they do, what do they learn about the object on view? It has been the custom to use labels to give factual names to the things on display in scientific museum displays, but Art curators have taken a different approach and put titles to works that suggest a particular reading of the artwork. These may be suggested by the artist. A good example of this style of labelling is Damien Hirst’s ‘Mother and Child divided’, an artwork that used preserved specimens.

For this work, Damien Hirst famously sawed a cow and a calf in half and exhibited the separate halves in tanks filled with formaldehyde, which he placed apart with sufficient space for a viewer to walk between the two halves of each animal carcass so that they could observe the internal organs of both cow and calf. When it was exhibited at the Tate Gallery in 1995, it helped win him the Turner Prize. The title was ironic. Hirst’s work critiques romantic depictions of the animal as part of harmonious natural order, a place in which mothers protect and nurture their young according to supposedly universal maternal instincts. In place of natural harmony, he presented the viewer with the disjuncture and division brought about by human intervention that brought early death to these two animals, destined for the meat market.

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NatSCA Digital Digest – January 2024

Compiled by Milo Phillips, Assistant Curator of Entomology, National Museums Scotland.

Welcome to the January edition of NatSCA Digital Digest.

Wishing a Happy New Year to all our readers!

Digital Digest is a monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA 2024 – Submission Reminder

There’s still time to submit for the 2024 NatSCA Annual Conference! The Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 18th and Friday 19th April 2024, in the Oxford University Museum of Natural History.

Papers can be presented in any of several formats: A 20-minute presentation (consisting of a 15-minute talk followed by 5 minutes of Q&A) or a 5-minute lightning talk. Talks can be presented in person or by submission of a pre-recorded presentation, with the option of an in-person or live stream Q&A (via Zoom).

Deadline for submission: 5pm GMT Friday 19th January. More info and submission forms here.

Museums and Galleries History Group 2024 Symposium

A one-day symposium held at the University of Leeds and online. Microhistory aims to direct attention towards marginal(ized) voices and perspectives and emphasizes the agency of the ‘ordinary’. This symposium will explore the relationships between large historical narratives and individual case studies and their use in disrupting established grand historical narratives, countering oversimplification.

The symposium will be held on January 26th. More information and registration here.

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