Nature’s Empire

Opportunities for international research are rare when working in a regional museum. So when one arose I grabbed it with both hands.

Thanks to two external specialists, Martyn Rix and Henry Noltie (of Royal Botanic Gardens, Kew and Edinburgh respectively), we already knew that a group of 86 beautiful Indian paintings of plants and animals in RAMM’s collection were important. The works were painted by Indian artists under the instruction of European scientists while India was under British rule.  They also recognised that the plants depicted were economically useful for medicines, dyes and timbers. So in 2016 RAMM displayed half of the works in an exhibition called Flower Power – Botanical Drawings from India. The artworks were all conserved through funding from Arts Council England’s PRISM fund, as outlined in this article Preparing for Flower Power.

Sheah Gosh. Watercolour and gouache, c.1770-80 by an unknown artist. Cresswell collection. © 2018 Royal Albert Memorial Museum & Art Gallery, Exeter City Council. This depiction of a lynx is by an unknown artist. In Urdu it is known as ‘siyah gosh’ meaning ‘black-eared’. The animal was probably kept in a menagerie.

The collection caught the attention of two University of Exeter lecturers, Dr Nandini Chatterjee and Dr Andrew Rudd, as well as Dr Jayanta Sengupta; a visiting curator from India. I explained that although we had learnt a lot about the collection already, there was still much we did not know. Such as:

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Transforming Scientific Natural History 3D Data into an Immersive Interactive Exhibition Experience

Interspectral is a Swedish company that provides an interactive exhibition system called Inside Explorer using 3D volumetric scanning, such as CT and micro CT, real-time graphics visualisation and a large touch table to enable gallery visitors to interactively explore natural history subjects using modern science techniques.

Inside Explorer is today used at museums worldwide, for example the British Museum, Natural History Museum London, Utah Natural History Museum, Denver Museum of Science and Nature and many more.

A recent collaboration between Interspectral and Wakehurst; Kew’s wild botanic garden for their Millennium Seed Bank Visitor Atrium, has resulted in some spectacular results. These can be seen in the specially commissioned Secret Structures exhibition. The Inside Explorer system at the exhibition enables visitors to the Millennium Seed Bank to not only marvel at plants, but to learn from them and to understand our need to protect them. The Inside Explorer Digital Table invites them to peel back the layers of intriguing, scanned objects from RBG Kew’s collections; a Brazil nut, a piece of oak, an orchid and a carved walnut shell.

© Kew Gardens

Wakehurst and Interspectral worked with London’s Natural History Museum’s imaging labs to micro CT scan the subjects for the exhibits. These were then produced for exhibition by Interspectral and Wakehurst.

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NatSCA Digital Digest – January

Happy New Year, and welcome to the first Digital Digest of 2018. We have lots of news, conferences, and jobs to keep you entertained for the rest of the ‘working week’. Read on…

What Should I Read?

Palaeontologists have made public the discovery of a new giant bat found in New Zealand, and the media has gone mad for it. Its scientific name (Vulcanops jennyworthyae) was chosen to commemorate the Roman god of fire (specifically including that of volcanoes, making him rather relevant to New Zealand), as well as the hotel in the village in which it was found (also named after Vulcan – that is the Roman god, not Spock’s home planet), and the scientist who found the first fossils; Jenny Worthy.

If you’d like to know all about the Chair of the Geological Curators’ Group, Matthew Parkes, then a perusal of the new blog Six questions for a geological curator would be a good place to start.

The third blog article I’d like to recommend actually came out mid December but it has a lot of interesting points that are important for those working with natural history collections to consider, and so is worth another mention; Four ways natural history museums skew reality.

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