Curators of the Caribbean part II: Following in Dr A Broughton’s Footsteps

We started our first day of plant collecting early on the 28th September. Armed with data relating to the specimens collected by Broughton and the localities, we took a team of botanists with us into searing heat and high humidity to the top of a mountain and were very fortunate not to get into danger as there is plenty in the scrub. Land is reclaimed illegally for growing marijuana and producing charcoal so we had to be careful and often dogs are used to keep people away. This also meant that the habitat is much changed and so finding the necessary specimens to bring back was not always possible but we did manage to find some corresponding records.

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From left to right Dr Philip Rose, Patrick Lewis, Vicky Purewal, Rhian Rowson, Keron Campbell and Patrick Plummer (machete wielder, which was useful for cutting paths through the vegetation).

Prior to our expedition, Keron Campbell, botanist at the Natural History Museum of Jamaica drove us to the University of the West Indies. We met with Patrick Lewis the herbarium curator and Dr Phillip Rose, the botanical lecturer at the University. We were later joined by Patrick Plumber, the University technician. We visited the collection and learnt about the flora of Jamaica which consists of c.2,700 specimens of flowering plants and 600 ferns. The herbarium had mainly been collected in the late 1800s by renowned Irish botanist William H Harris (1860-1920) who was the former superintendent of gardens and plantations in Jamaica. He discovered a large number of species new to science. We were impressed that the 36,000 specimens were well cared for, re-mounted onto archival card and all strapped and not adhered with PVA, a practice the Jamaican botanists were not in favour of.img_1919

One of the first specimens we saw when entering the University was this one. Not such an impressive image I’m afraid but great to see. Patrick Lewis grew this specimen 4 years ago and it is yet to flower, but it is the endemic  Broughtonia sanguinea R.Br. This is the orchid believed to have been named after our own intrepid Dr Arthur Broughton. The R.Br. refers to the authority that named this specimen and this was Robert Brown, the very man responsible for Brownian motion and the scientific use of microscopes. Worryingly he has been quoted as referring to Broughton as a fellow Scot, however we know Broughton to have been brought up in England, and his father the Reverend Thomas Broughton moved to the parish of Bedminster, Bristol in 1744. His 5 siblings were English, but Broughton did study medicine in Edinburgh, so this could be the reason…we have gained a few more leads since being out here in Jamaica but our search for more information continues …

NatSCA Digital Digest

Three-toed sloth (C) Horniman Museum and Gardens

Three-toed sloth (C) Horniman Museum and Gardens

The October NatSCA Digital Digest is here already, where does the time go?

What’s New to Read?

Dana Andrew recently went to Jamaica to track down the original location of some museum specimens, and has reported back to ICOM. She was funded by a WIRP international travel grant, and you can read about her blustery adventures, so far, here.

Eighty full years of mourning have now taken place for the Thylacine, since it was deliberately driven to extinction in 1936. Thylacine expert, Jack Ashby, makes sure it’s not forgotten and talks about how it feels to be in the area where it happened in a tribute blog here.
What’s New to See?

On the 19th October the Grant Museum of Zoology will bring you some sex, some creativity, and some trickery. A new exhibition looks at the colourful world of reproduction in nature.

Two days later, the Wildlife Photographer of the Year exhibition opens at the Natural History Museum on the 21st October. Always a crowd pleaser, I’ve had some sneak peeks which prove this year will be no different.

And just one day after that, the Horniman Museum will also be ready to entertain with a new exhibition. This one, called Memorial: A Tribute to Taxidermy, exhibits historic Horniman Museum taxidermy specimens alongside Jazmine’s modern day interpretations. Elegant and beautiful, this exhibition is a must-see, and comes complete with a fascinating timelapse film of how she did it.
What to do with your Sawfish

If you have any sawfish rostrums in your collection, particularly if they have locality data, there is something important you really need to do! The Sawfish Conservation Society, the Shark Trust, and The Deep (aquarium) have begun a joint venture to research museum specimens and data with the aim to protect wild populations. If you can help, please get in touch with any of the aforementioned lovely people, and to thank you for your efforts, your institution will be acknowledged in any scientific papers that get published. Double win.

Sawfish rostra (Wikimedia Commons)

Sawfish rostra (Wikimedia Commons)

Curators of the Caribbean

300-year-old plant collection brings Bristol Museum & Art Gallery and the Natural History Museum Jamaica together!

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A digitised page from Volume 4 of the Jamaican herbaria

In the autumn of 2014, I was fortunate to be contracted by Bristol Museum to conserve and digitise 4 bound volumes of plant specimens dating from the 1770s and collected by the prestigious botanist Dr Arthur Broughton. The conservation and digitisation was completed in early 2015, yet two years on I am still working with and fascinated by this fabulous collection.

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Rhian Rowson and the 4 volumes of 18th century bound herbaria

Dr Arthur Broughton, was a Bristolian who made the mammoth journey to Jamaica, due to ill health, and myself and Rhian Rowson, biology curator at Bristol Museum & Art Gallery, are trying to piece together his years studying botany in Jamaica and the impact this renowned botanist has had on the island and the world of botany. The volumes are large, heavy, leather bound books holding c. 1000 specimens including extremely rare and type material. The books were analysed for biocides, cleaned in preparation for digitisation, digitised and then each specimen was painstakingly removed from the volumes and re-mounted onto archival sheets. This project has mitigated the risk of contamination from handling the treated pages, has increased access and ease of handling but most importantly the images have been shared with other institutions. The ebook highlights some of the star specimens in the collections

The most exciting connection made during the research side of this project was with the Natural history museum of Jamaica (NHMJ). Through this collaboration, the opportunity has arisen for both me and Rhian to travel to Jamaica to collect modern material, research the historic plant specimens and illustrations held in Bristol museum and the collectors behind them. We have been extremely fortunate to gain funding from both WIRP (Working Internationally Regional Project) and the Jonathan Ruffer Curatorial Grant. Both funders were extremely supportive and constructive in helping towards our submitting a successful application.

Victoria Purewal viewing Broughton plant specimens

Victoria Purewal viewing remounted specimens from one of the Jamaican volumes.

We fly into Kingston, Jamaica on Tuesday 27th September and will be gathering historical data on Dr Broughton and other prestigious botanists including Robert Long and the Reverend Lindsay, both of whom were collecting and working during this interesting time in history. We will be met by Keron Campbell, the botany curator at the NHMJ and together with the natural history team we will be escorted around the island, helping us to identify and verify plant specimens and localities. Modern day specimens will be collected to help interpret our historic material and provide a contemporary and fresh perspective that we can use to engage with our Bristol and Jamaican communities. We will be keeping active on social media whilst there, and hopefully offer some insight on the specialisms and research being conducted in Jamaica but also on the botany and the habitats on the island of Jamaica.

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NatSCA Digital Digest

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Welcome to the August 2016 edition of the NatSCA Digital Digest: an oasis of calm in a raging tempest of olympics, Trump, brexit, austerity, and celebrity deaths.

News from the Blogospbere

Hannah Cornish has been writing about the often-overlooked gems of the museum collection: the slides. You can read it here.

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Image courtesy of the Oxford University Museum of Natural history

So Pokémon Go happened last month: the Smartphone game that has been an unintended boon for the museum world. Several curators have weighed in on the phenomenon; here is Jack Ashby’s take on it.
News from Nature

The organisation which used to call itself “Nature First” has just demonstrated why that name was no good. In a shock announcement last week, Natural England seems to be favouring the lives of human-reared pheasants over the lives of the wild buzzard. We have watched buzzard numbers slowly recover over the past thirty years, it would be dreadful to see all that progress lost now – and even worse if the hunters mistake other struggling raptors (the Hen Harrier, e.g.) for a buzzard. Here is the RSPB’s response.
News from the Museums

I’ve been doing some travelling lately. I visited the Natural History Museum in Doncaster. It’s a small but delightful museum which has struggled through some hard times, as so many have, but makes the most of what it has. Its collections are benefitting greatly from having a specialist curator right now – long may it continue.

A little closer to home: I visited the Natural History Museum’s new Colour and Vision exhibition, which is beautiful despite not mentioning the Tuatara anywhere. The exhibition looks at the evolution of the eye throughout nature and the beautiful ways in which nature tries to catch the visual attention of others. If you’re in the area, I highly recommend it.

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A montage of Trilobite sensory organs

Announcements

I am delighted to announce that Deputy Keeper of the Horniman Museum, co-blogger, and good friend Emma Louise Nicholls is engaged to be married! I wish her and her fiance every happiness for the future.

Micromuseum: The slide collection of J T Quekett

How many natural history collections contain drawers and drawers of unloved microscope slides? With a few notable exceptions, such as the Grant Museum Micrarium, museums often find slides difficult to display and use.

The Royal College of Surgeons (RCS) has a particularly large collection of 50,000 slides, making up more than half of all the objects in the collections here. Hardly any are on display in the Hunterian Museum. A closer look however, reveals that the RCS microscope slide collections are really something special. From William Osman Hill’s Yeti slides to William Hewson’s 240 year old microscope vials, the slide collection here is every bit as exciting and important as the other objects in the museums.

As Collections Assistant for the microscope slide collection most of my work over the last six months has been on the John Thomas Quekett collection. His name is not well known, but if you have heard of it that is probably because you have come across the society of microscopists named in his honour. The Quekett Microscopical Club (QMC) has generously funded a project to care for Quekett’s original slides.

John Thomas Quekett (1815 -1861) was a leading histologist and microscopist who was Richard Owen’s deputy at the Royal College of Surgeons.  Quekett took over as conservator of the Hunterian Museum in 1856 when Owen left for the British Museum to become the superintendent of the natural history department and oversee the building of what would become the Natural History Museum, London. Quekett was at the cutting edge of a revival of the popularity of the microscope in the Victorian period. He wrote A Practical Treatise on the Use of the Microscope which became a classic text for microscopists, and is known to have instructed Prince Albert in the use of his silver microscope. He was a fellow of the Linnaean Society and the Royal Society, and worked with famous scientists such as geologist Charles Lyell, palaeontologist Gideon Mantell, explorer David Livingstone, botanist Joseph Hooker and Charles Darwin himself.

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John Thomas Quekett (1815-1816). (Image Royal College of Surgeons)

 

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An octopus from the Quekett Microscope slide collection. (Image Royal College of Surgeons)

 

Quekett was a pioneer in histology and microscopy, designing his own microscope and producing stunning histological preparations, especially injected specimens. Furthermore he put every natural object he could get his hands on onto a microscope slide. Animal, vegetable, mineral, everything. Tissue samples of every organ in the human body, a whole octopus, tiny flakes of silver, the exquisitely prepared respiratory system of a caterpillar. He prepared diatoms, ferns and coal, delicate sections of pterosaur bone, thylacine teeth and oak wood. There are even hair samples disturbingly labelled ‘vampyre’, although this probably refers to the bats rather than the undead.

He carefully labelled and catalogued his slides to produce a comprehensive natural history collection on a microscopic scale, and 12,000 of these slides remain today. It is not surprising that a recent review of the RCS collections concluded that the Quekett material is “one of the strongest representative collections of Victorian microscopy and scientific practice in general in the UK and possibly the world” (RCS Significance Review June 2015).

Given their age the slides are in relatively good condition, but there are some issues to contend with such as cracked glass, missing labels and leaking fluid. Since the 1880s microscope slides have been a standard size – 2.5cm x 7.5cm, but the Quekett collection predates this. His slides range in size from 1.8cm x 4.8cm up to a whopping 8.5cm x 20cm. Some of the slides are also very thick and all this makes storage difficult and any type of automated scanning nigh on impossible.

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Slices through the teeth of thylacines. (Image Royal College of Surgeons)

The collection is obviously of interest to those working on the history of science and microscopy, but impressively the slides are still being used for scientific research, 170 years after Quekett made them. Preparations of harder materials such as fossils, bones and teeth have survived in excellent condition, enabling modern researchers to gather data from the collection. The image below was taken recently using reflected light fluorescence microscopy by a PhD student studying bone remodelling in mammal species.

Transverse section of the humerus of a mountain hare. Prepared by J T Quekett, photographed by Alessandro Felder, Royal Veterinary College. Image taken at 4x magnification using reflected light fluorescence microscopy

Transverse section of the humerus of a mountain hare. Prepared by J T Quekett, photographed by Alessandro Felder, Royal Veterinary College. Image taken at 4x magnification using reflected light fluorescence microscopy. (Image Royal College of Surgeons)

With the upcoming RCS decant and new Hunterian Museum planned for 2020 there is an opportunity to bring this collection to prominence again. We plan to include Quekett’s story in the new exhibits and make his collection better known, better protected and more easily accessible online. At first glance an old microscope slide collection might not look like much, but if you investigate further you never know what you might find.

Written by Hannah Cornish

(Collections Assistant, Royal College of Surgeons)

For more information about J T Quekett see:

https://www.rcseng.ac.uk/library/blog/quekett-and-exploration

http://www.quekett.org/about/who/history