NatSCA Digital Digest

Welcome to the new weekly digest of posts from around the web with relevance to natural science collections. We hope you find this useful and if you have any articles that you feel would be of interest, please contact us at blog@natsca.org

1. Blog: Dr Woodward’s Fossils

Dr Ken McNamara, Sedgwick Museum of Geology

Synopsis

How the Sedgwick Museum began as a collection of 10,000 fossils ‘of all kinds’ belonging to John Woodward, and his bequest of £100 a year to ‘keep a lecturer’. The fossils were kept for 300 years in five beautiful walnut cabinets, pictured herein. Originally called the Woodwardian Museum, this blog looks at how Woodward helped to shape the museum, and the legacy he left behind.

http://blog.geolsoc.org.uk/2014/02/21/dr-woodwards-fossils/

Bothriolepis, a fossil fish. (C) UCL Grant Museum

2. Blog: What can Twitter do for our collection?

Giles Miller, Natural History Museum

Synopsis

Case study showed ‘major players’ retweeting you leads to a greater number of retweets and new followers. Timing of tweets is essential, e.g. weekend tweets hardly ever get retweeted. Twitter may not affect KPIs in a measurable manner, but it opens up the museum to an audience that would never otherwise visit for logistical reasons. It also facilitates access to parts of the collections that are not on display.

http://www.nhm.ac.uk/natureplus/blogs/micropalaeo/2014/02/18/how-did-twitter-help-our-collection

3. Event: The Future of Museums

A conference and workshop for early career museum professionals

Synopsis

Designed to collate the ideas of aspiring museum professionals, a series of talks and discussions will be followed by the opportunity for delegates to collaborate on a manifesto for museums and collections.

http://museumsshowoff.wordpress.com/the-future-of-museums/

4. Event: Human Evolution – The Story of Us

A four hour only pop-up event Friday 7th March at UCL

Synopsis

This mini exhibition will showcase rarely seen objects from UCL’s Biological Anthropology Collection of early hominin fossil casts, including Lucy, the famous Australopithecus afarensis from East Africa. The objects exhibited will also include tools and visitors will have the chance to ‘meet the scientists’. The event will take place in the Rock Room at UCL, which has permanent displays of geological collections.

http://blogs.ucl.ac.uk/museums/2014/02/27/human-evolution-the-story-of-us/

Neanderthal from BBC’s Prehistoric Autopsy exhibition at the Horniman Museum. (C) Paolo Viscardi

5. Event: Written in Stone: Life and Death in the Fossil record

Evening workshop at the Lapworth Museum of Geology, Birmingham

Synopsis

The workshop will be an interactive exploration of Cambrian organisms that formed part of the Cambrian Explosion and the subsequent Biodiversification Event of the Ordovician. These two points in Earth’s history are considered to be the foundations of the Earth’s biodiversity in the modern day.

http://www.birmingham.ac.uk/facilities/lapworth-museum/news/2014/28Feb-Written-in-Stone-Life-and-Death-in-the-Fossil-record.aspx

Compiled by Emma-Louise Nicholls, NatSCA Blog Editor

Do you want to train to be Natural Science Curator?

Heritage Lottery Fund ‘Skills for the Future’

Natural History & Social History Training Opportunities

Support from the Heritage Lottery Fund ‘Skills for the Future’ programme and Natural Sciences Collections Association (NatSCA) has created opportunities for four individuals to train in curatorial skills with a partnership of regional museums and heritage sites.

We are looking for people who are passionate and enthusiastic about Natural History/Sciences or Social History. These traineeships are available to anyone who might not have qualifications in the subject area, or are not from museum background, or are wanting a career change.

  • ·         One Natural History traineeship based at The Manchester Museum The University of Manchester
  • ·         One Natural History traineeship based at Leeds Museum Discovery Centre
  • ·         One Natural Science  traineeship based at Thinktank Science Museum, Birmingham Museum Trust
  • ·         One Social History traineeship based at The Herbert Art Gallery & Museum, Coventry

Full information and application forms can be found within the job packs

Please follow link   www.bmag.org.uk/about/vacancies

Closing date is: 20 March 2013 at 10.00 AM   Proposed dates for interviews: W/C 14 April 2014
If you have any enquiries about these traineeship opportunities, please contact Paulette Francis-Green Project Manager by email projmangctrainee@aol.co.uk

Bill Pettit Memorial Project – Conservation of historic Taxidermy

Ann Ainsworth (Colchester and Ipswich Museums)

Hannah Clarke (Freelance Conservator)

Ipswich Museum has an important historic collection which dates back to its opening in 1847. A recognised strength of the natural history collection is the historically important Victorian and Edwardian taxidermy of animals from across the globe.

The taxidermy collection is stored in an old building which used to be an old coach depot and later a garage. The space had become very dusty and dirty and a significant mould problem had developed.

one

We followed a very simple methodology of light dusting with soft brushes using a vacuum containing a HEPA filter. This was followed by swabbing with an alcohol/water solution to remove the mould and kill the spores. Where possible specimens were covered or wrapped in polythene to act as a protective cover to protect from dust, provide an external surface for mould to grow on, and to prevent pest damage which is also a potential problem within the stores.

two

The variety of conservation problems, meant that many different treatment processes needed to be used by Hannah. Some of the processes included dry cleaning, wet cleaning, re-adhering, colour matching, re-inserting feathers, removing old varnish with solvents, mitring, sealing with brown gum tape, and applying and buffing wax. New panels of glass and sections of beading had to be sourced and cut to size.

The top panel of the pike case had warped and bowed, as the glass side panels had been broken previously. There were no structural supports on the front inside edges of the case either, meaning that the top of the case was unsupported from the front. The existing beadings on the rear inside edges were not secure, and the metal tacks used to hold the mitred sections of wood in place were very loose. New beading was sourced to match as close to the original as possible and was then colour matched and held in place using new tacks.

Cygnet before conservation

Cygnet before conservation

Cygnet after conservation

Cygnet after conservation

The Bill Pettit Memorial funding went towards payment for the freelance Conservator in terms of time and travel expenses and the purchase of replacement glass and beading for the cases where broken or damaged.

It was agreed that conserved cases would not be returned to store until the planned repair work had been successfully completed. As many of the conserved cases as possible were put on public display in the museum galleries. This has enabled part of the collection not normally seen by visitors to be on display. It has also helped to present a strong message of the Museum Services’ wish to improve the condition of specimens and its storage facilities and helped to raise the profile of the project.

Spicer platypus case after conservation

Spicer platypus case after conservation

 

Caring for Entomology Collections

The following post is from Emma-Louise Nicholls of the Grant Museum of Zoology who attended our recent Caring for Entomology Collections Workshop

The scarab beetle shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

At the NatSCA course Caring for Entomology Collections held at the NHM in London, I not only got to salivate over the swanky slide cabinets that the Natural History Museum now houses, but I also got to pin a scarab beetle from scratch, peer into a liquid nitrogen freezer at minus 196 degrees, see a grasshopper eating a mouse, eat amazing food (not from the nitrogen freezer), and was even rewarded for my endless questions* with a free gift in the form of a rubber gasket. All in all it was a stupendous day and a course definitely worth attending.

This liquid nitrogen freezer is used to store organic material that would degrade at higher temperatures.

This liquid nitrogen freezer is used to store organic material that would degrade at higher temperatures.

The day was split into eight sections that covered how to prepare your specimens, care for and store your collections, and lots of inspiration for what you can subsequently do with your specimens to make them available to a wider audience. We also talked about how to deal with insects that are not so much the specimen type, but more of the wild roaming, likely to eat your specimens variety. Although there is much to say, here are some highlights.

The Digitisation Project is working to re-house entomology collections and give each specimen an individual QR code for fast and efficient data extraction.

The Digitisation Project is working to re-house entomology collections and give each specimen an individual QR code for fast and efficient data extraction.

We were shown an impressive digitisation project that involved taking a drawer of entomological specimens in need of some TLC, applying both remedial and preventative conservation techniques and then photographing each specimen with a unique QR code. The idea is that in the future, the code can be scanned and will link to metadata on the Museum’s database. Knowing how troublesome paperwork for loans can be, this has exciting implications in terms of simplifying the process and decreasing both the time required and the potential for human error in filling out forms and in transcribing the specimens’ labels.

Integrated Pest Management (IPM) is an essential part of any museum staff members’ knowledge base. Even if a full blown IPM plan is not logistically feasible in your building (as it isn’t in the museum where I work), a knowledge of how and why it works is integral to writing a pest monitoring programme that suits your collection. Housekeeping is, of course, the most important part of keeping museum pests at bay, but even in the best kept collection, pests can and do still occur, and knowing how to monitor and effectively eradicate any outbreaks is integral to preventative conservation of your specimens. It was both interesting and very useful to compare and contrast the problems and protocols that are used by the Natural History Museum with those from my own museum and I came away some useful tips.

The scarab beetle in the centre of this image shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

The scarab beetle in the centre of this image shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

The element of the course I most enjoyed was the opportunity to both pin an insect specimen, and ask endless questions of the suitably enthusiastic entomologists demonstrating the techniques. There are many more methods used in pinning insects and other invertebrates than I had ever imagined, and being able to have a go myself solidified the information as well as making for an exciting day. I can proudly tell you that the scarab I pinned lost no legs and the metal pin was at a (near) perfect 90 degree angle to the base. It’s all in the teaching no doubt.

Despite both the obvious and more subtle differences between the Natural History Museum and other natural history collections and museums, I felt the information given at the course was delivered in a way as to be directly relevant to all collections represented. Having spoken to the other delegates present, it was unanimously agreed to be a thoroughly useful and interesting day.

– Emma-Louise Nicholls is the Curatorial Assistant at the Grant Museum of Zoology

* May have been an attempt to silence me

Flood

Lindsey's avatarHerbology Manchester

Yes, we had a flood, which was not as disastrous as it could have been.  Most of the water flowed down the spiral staircase or through the floor and affected the museum galleries below us on every floor.  Those galleries were closed that day and some still have warped floorboards.

The flood started in our Mosses and Liverworts room on the 5th floor, where a water mains pipe fed into a smaller pipe.  It used to feed a water tank in that room, which is no longer there.  The pressure joint between the two pipes burst open in the middle of the night and water flooded out for a few hours before University security staff responded to the fire alarm.  They had to break open the door at the top of the spiral staircase to get in.

Luckily most of our specimens were off the floor on shelves but some…

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