Should museums charge for enquiries?

FromShanklin

As a museum curator I get a huge variety of enquiries from members of the public. My most popular is the ‘meteorite’ enquiry; in 7 years, I have only ever seen one real meteorite. (99% of the time the‘meteorite’ is unquestionably waste from smelt works, wonderfully called ‘slag’.) The most interesting enquiry I’ve had so far was a leopard tooth, subsequently donated to the museum and is currently undergoing some pretty awesome research. I have had plenty of funny enquiries, including a person who saw faces in her ‘crystals’ (there were no faces, nor were there crystals, just pebbles picked up from the road). The funniest has to be an email sent into me for a bird identification: no photo, just a wonderful description of the bird; “It had black feathers. As it flew, it made a ka ka karr kar noise. It never flew higher than 4 metres above the…

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Become a Member of NatSCA Today!

Our long awaited online membership subscription system is now up and running at http://www.natsca.org/membership! Joining NatSCA has never been easier. You can now pay online securely by card, without needing to register with PayPal and we can also accept international payments.

New members can join online now by visiting http://www.natsca.org/membership, but we ask that existing members email us at membership@natsca.org to obtain a unique renewal link.

If you have not paid your membership dues yet, now is the perfect opportunity to do so! Membership costs just £15 for individuals (£10 unwaged) and £30 for institutions. Earlybird registration for our conference with SPNHC in Cardiff closes this Friday, April 25th and to receive the discounted rate, you must be a member in good standing.

For a full list of the benefits of NatSCA membership, please visit our membership page.

Thank you for supporting our work and welcome aboard new members!

Caring for Entomology Collections

The following post is from Emma-Louise Nicholls of the Grant Museum of Zoology who attended our recent Caring for Entomology Collections Workshop

The scarab beetle shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

At the NatSCA course Caring for Entomology Collections held at the NHM in London, I not only got to salivate over the swanky slide cabinets that the Natural History Museum now houses, but I also got to pin a scarab beetle from scratch, peer into a liquid nitrogen freezer at minus 196 degrees, see a grasshopper eating a mouse, eat amazing food (not from the nitrogen freezer), and was even rewarded for my endless questions* with a free gift in the form of a rubber gasket. All in all it was a stupendous day and a course definitely worth attending.

This liquid nitrogen freezer is used to store organic material that would degrade at higher temperatures.

This liquid nitrogen freezer is used to store organic material that would degrade at higher temperatures.

The day was split into eight sections that covered how to prepare your specimens, care for and store your collections, and lots of inspiration for what you can subsequently do with your specimens to make them available to a wider audience. We also talked about how to deal with insects that are not so much the specimen type, but more of the wild roaming, likely to eat your specimens variety. Although there is much to say, here are some highlights.

The Digitisation Project is working to re-house entomology collections and give each specimen an individual QR code for fast and efficient data extraction.

The Digitisation Project is working to re-house entomology collections and give each specimen an individual QR code for fast and efficient data extraction.

We were shown an impressive digitisation project that involved taking a drawer of entomological specimens in need of some TLC, applying both remedial and preventative conservation techniques and then photographing each specimen with a unique QR code. The idea is that in the future, the code can be scanned and will link to metadata on the Museum’s database. Knowing how troublesome paperwork for loans can be, this has exciting implications in terms of simplifying the process and decreasing both the time required and the potential for human error in filling out forms and in transcribing the specimens’ labels.

Integrated Pest Management (IPM) is an essential part of any museum staff members’ knowledge base. Even if a full blown IPM plan is not logistically feasible in your building (as it isn’t in the museum where I work), a knowledge of how and why it works is integral to writing a pest monitoring programme that suits your collection. Housekeeping is, of course, the most important part of keeping museum pests at bay, but even in the best kept collection, pests can and do still occur, and knowing how to monitor and effectively eradicate any outbreaks is integral to preventative conservation of your specimens. It was both interesting and very useful to compare and contrast the problems and protocols that are used by the Natural History Museum with those from my own museum and I came away some useful tips.

The scarab beetle in the centre of this image shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

The scarab beetle in the centre of this image shows how pins are used to manipulate the legs whilst the specimen is drying, after which it will maintain its shape.

The element of the course I most enjoyed was the opportunity to both pin an insect specimen, and ask endless questions of the suitably enthusiastic entomologists demonstrating the techniques. There are many more methods used in pinning insects and other invertebrates than I had ever imagined, and being able to have a go myself solidified the information as well as making for an exciting day. I can proudly tell you that the scarab I pinned lost no legs and the metal pin was at a (near) perfect 90 degree angle to the base. It’s all in the teaching no doubt.

Despite both the obvious and more subtle differences between the Natural History Museum and other natural history collections and museums, I felt the information given at the course was delivered in a way as to be directly relevant to all collections represented. Having spoken to the other delegates present, it was unanimously agreed to be a thoroughly useful and interesting day.

– Emma-Louise Nicholls is the Curatorial Assistant at the Grant Museum of Zoology

* May have been an attempt to silence me

Flood

Herbology Manchester

Yes, we had a flood, which was not as disastrous as it could have been.  Most of the water flowed down the spiral staircase or through the floor and affected the museum galleries below us on every floor.  Those galleries were closed that day and some still have warped floorboards.

The flood started in our Mosses and Liverworts room on the 5th floor, where a water mains pipe fed into a smaller pipe.  It used to feed a water tank in that room, which is no longer there.  The pressure joint between the two pipes burst open in the middle of the night and water flooded out for a few hours before University security staff responded to the fire alarm.  They had to break open the door at the top of the spiral staircase to get in.

Luckily most of our specimens were off the floor on shelves but some…

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Can the natural science collection community really do anything about climate change?

MAconf2013I attended November’s Museums Association conference in Liverpool to talk, for NatSCA, on how having a natural science curator in your midst will help your museum to be greener. The session I was involved in, ‘Dead Zoos’, looked at addressing environmental issues from the natural science collection viewpoint.

Both Darren Mann and Henry McGhie spoke eloquently and sensibly about our unique position as natural scientists. We can engage all walks of life with nature and, as a consequence, we can also instil a sense of protectiveness. This, of course, includes caring about our changing climate.

I’ve heard him speak about this before but Henry’s admiration of the RSPB’s ‘giving nature a home’ campaign is always thought-provoking. The RSPB have set out to give people a framework for helping nature directly, and the public have responded.

Several of the questions from the floor asked for practical help in using their natural science collections (with or without a specialist curator) to open up discussions on green issues in their museums. Engaging people – on a wide scale – with nature is easy, a hedgehog really does speak for itself. Natural science specimens need little curatorial input to be engaging and so interpretation can easily be turned to thinking about protecting the environment. Case studies abound from Darren’s entomology collection as well as examples like the Yorkshire Museum’s Tansy Beetle reintroduction in the museum’s garden.

Last but not least it was great to attend a natural science session devoid of whinging. We talked about the positive future, not the negative past. Attendance wasn’t phenomenal, 45ish, but it wasn’t terrible. I would like to see future MA conference sessions that don’t necessarily concentrate on natural science but instead include it as an integral part of a wider topic. That would be progress.

Clare Brown