Category Archives for Projects

Packing the Blaschka Glass Models 

Written by Julian Carter, Principal Conservator Natural Sciences, Amgueddfa Cymru – Museum Wales, Cardiff

During the late 19th century, Leopold Blaschka (1822-1895) and his son Rudolf (1857-1929) produced thousands of beautifully detailed glass models of a wide range of sea creatures, and other animals, for natural history museums and aquaria all over the world. The work has since been hailed as “an artistic marvel in the field of science and a scientific marvel in the field of art”. The work of the Blaschka’s remains remarkably contemporary today, working as they did on the cusp of design, craft, and industry. Crossing the boundaries of science and art, the surviving models today have a value that makes them irreplaceable. 

The idea for making lifelike renditions of sea creatures out of glass arose from the difficulty of preserving and displaying soft-bodied animals such as jellyfish, marine worms, and sea anemones. Preserving such animals in a lifelike way is difficult as techniques such as fluid preservation cause colours to quickly fade and shapes to become distorted. Leopold Blaschka devised a solution to this problem by using his glass working skills to accurately model these animals out of glass and other materials available to him and went on to establish a successful business supplying glass models to museums worldwide during the latter half of the 19th century. 

The model of the sea anemone Actinia mesembryanthum (right) based on a plate (left) from Phillip Henry Gosse’s Actinologia britannica. A history of the British sea-anemones and corals which Leopold Blaschka used for the early sea anemone models that he built.
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It’s Getting Better

Written by Dr Amy Geraghty, Assistant Keeper/Curator of aquatic zoology collections with responsibility for fluid collection management.

The National Museum of Ireland (NMI) Natural History Division (NHD) holds about 2 million specimens in its collection. The collection is ordinarily split between three locations: the museum and two off-site storage buildings. However, at the time of writing, nearly all specimens are in one of the two storage buildings. The museum galleries are being emptied to facilitate investigative works on and the refurbishment of building itself.

One of the National Museum of Ireland’s two storage buildings in 2006. It is an old British army barracks that now stores the fluid collection, some of the dry zoology, mineralogical and paleontological collections. (Image courtesy of Nigel Monaghan)

One of the storage buildings is a mid-nineteenth century British army barracks that came to NMI in the mid-1990s and now stores NHD collections. Retrofitting the building for collection storage has involved the installation of plasterboard ceilings, internal doors, and security and fire alarm systems. Toilets, telephones, a tearoom, shelving, and internet facilities were later installed in the 2000s.

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65 Million Years in the Making, Five Seconds to Explain

Written by Callum Smart, a natural history volunteer at Bolton Museum. He works both in the stores, documenting the collections, and in the gallery engaging with visitors using the objects to start conversations. Here he shares his experience of one afternoon with a school group.

It’s Wednesday afternoon at Bolton Museum and I have just finished setting up the fossil touch tray, a selection of ancient artefacts for visitors to get hands on with. A school trip marches through the atrium, passing the gift shop with furtive glances, heading towards the wonderful Egyptian exhibits. The children clutch their worksheets, a scavenger hunt checklist filled with items from around the museum’s galleries. They whisper to each other, checking if they’ve missed anything in the Bolton’s History gallery and making bold claims over what they’ll find in the next room.

Callum at the object handling table with the fossil touch tray speaking to visitors. © Bolton Museum

A few of them spot the fossils on my trolley and start to stop, blurting out questions, weighing up whether to reach out and touch the strange rocks. I’d love for kids to interact with the fossils, it’s why I’m there. But I also don’t want to distract them from their trip, so I’m grateful when the teacher steers them on. Their teacher asks if I would be able to talk to the children about the fossils when they finish in the Egypt gallery. “Of course,” I say, “I’d be happy to.”

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NatSCA Digital Digest – February 2025

Compiled by Ellie Clark, Collections Moves Team Leader at the Natural History Museum

Welcome to the February edition of NatSCA Digital Digest.

Digital Digest is a monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

Save the Date: SPPC, June 26th – 27th 2025

The 30th Symposium on Palaeontological Preparation and Conservation will be held in the Netherlands this year on 26-27th June.

The theme will be From Excavation to Exhibition including aspects of the story of how geological collections end up on display in our museums, as well as their conservation and preparation. A call for abstracts and registration is coming soon. For more details visit: https://www.geocurator.org/events/97-sppc

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Birds of Bolton Museum

Written by Lauren Field, Curator of Natural History, Bolton Museum.

In June 2024 Bolton Museum launched a summer exhibition titled Birds of Bolton. This exhibition celebrated the incredible variety of bird life in Bolton and beyond and was inspired by the recent donation of a large collection of sketchbooks by Bolton-born artist and naturalist Eric Gorton (1929-2001).

Eric Gorton with his illustrations. © Bolton Museum

Dating from 1947 to 1998, the sketchbooks are the record of a lifelong love of birds and other local wildlife. His drawings capture the rich diversity of Bolton’s bird population – their shapes, colours, how they behave, and where they live. Eric Gorton spent over fifty years filling his sketchbooks with observations of birds in the field.

Pages from Eric Gorton’s sketchbook. © Bolton Museum

Gorton worked for Bolton Museum from 1947 to 1976. He worked initially as the museum taxidermist and later as Keeper of Natural History, and he helped to build one of the best collections of bird skins in the country which is still held at the museum today.

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