NatSCA Digital Digest – August 2023

Compiled by Glenn Roadley, NatSCA Committee Member, Curator of Natural Science at The Potteries Museum & Art Gallery.

Welcome to the August edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

#SPPC2023 – Registration is now open!

Registration is now open for the 2023 Symposium on Palaeontological Preparation and Conservation which will be held on 6th September 2023 at the University of Lincoln, UK.

#SPPC2023 will take place at the Minerva Building, Lincoln UK, in conjunction with the Symposium on Vertebrate Palaeontology and Comparative Anatomy. Platform presentations will take place in the morning, with time during tea break and lunch for delegates to view posters. You can register here. Registration closes: Monday 21 August 2023.

For more information please contact sppc@geocurator.org

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NatSCA Digital Digest – July 2023

Compiled by Milo Phillips, Assistant Curator of Entomology for National Museums Scotland.

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Welcome to the July edition of NatSCA Digital Digest.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

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Sector News

HOGG Conference & Field Meeting

There’s still time to register for the upcoming The History of Geology Group (HOGG) conference & Field Meeting. The event will be hosted at Trinity College Dublin, Ireland and will take place between Tuesday 15th and Friday 18th August 2023 on ‘Aspects of the history and progress of geology in Ireland’. 

The programme includes the one-day conference and three days of field and archive visits, including a visit to the birthplace of modern seismology, and opportunity to look at material not often open to view.

Registration is €17 (£15) and can be completed through Eventbrite by clicking here. For more information, visit the event page or email duncan.hawley.hogg@gmail.com

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Unpacking the Unnatural History Museum (Season 1)

Written by Verity Burke, John Pollard Newman Fellow of Climate Change and the Arts, University College Dublin.

Blaschka Models. Image credit: courtesy of the National Museum of Ireland: Natural History.

We’re at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity, and the Intergovernmental Panel on Climate Change has reported on the devastating trajectory of the climate crisis. Museums have an important role to play in communicating the value of nature. Yet nature is, necessarily, mediated in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. While the natural world has always been mediated in the museum space, what does this mediation mean now for natural history museums and collections, and the natures they present?

These are some of the questions which drive my research into museum representations of the natural world, and was the inspiration behind putting together an event series called ‘The Unnatural History Museum: Mediating Nature in the Sixth Mass Extinction’ (part of the Irish Research Council-funded project ‘Still Lives: Organic and Digital Animals in the Natural History Museum’ at Trinity College Dublin). I was keen to make a space to have these conversations across disciplines and sectors (something which we get surprisingly few opportunities to do, despite often working on similar topics or issues), to allow us to share what we were doing and discuss why. This blog is a short overview of the topics that the first season of the Unnatural History Museum engaged with from September 2022 to April 2023, with some excitement about what arose in the first season, and in anticipation of continuing these conversations in a planned second season.

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NatSCA Digital Digest – March 2023

Welcome to the March edition of NatSCA Digital Digest.

Compiled by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

A monthly blog series featuring the latest on where to go, what to see and do in the natural history sector including jobs, exhibitions, conferences, and training opportunities. We are keen to hear from you if you have any top tips and recommendations for our next Digest, please drop an email to blog@natsca.org.

Sector News

NatSCA Conference 2023

Registration is open for the Annual Conference & AGM of the Natural Sciences Collections Association will be held on Thursday 27th and Friday 28th April 2023. Stoke-on-Trent Museums will be hosting the conference at The Potteries Museum & Art Gallery. The conference will include gallery and collection tours, presentations, poster sessions and the annual AGM. The focus this year is:

So how do we actually do all this? Hopeful futures and turning theory into practice for big issues in natural history collections

This is the “How To…” conference for people working with natural history collections. The last few years have seen unprecedented changes in the expectations for what the museum sector can deliver. Global and local social and environmental issues have coincided to reinforce the needs of museums to consider their reinvention and relevance.

Register via Eventbrite through the NatSCA website: https://www.natsca.org/natsca2023. Members can access discounted booking rates by entering a promo code which has been distributed. If you are a NatSCA member and have not received a code via email, please contact membership@natsca.org. We look forward to seeing you in April!

SPNHC Conference

The 38th Annual Meeting of The Society for the Preservation of Natural History Collections is being held in San Francisco, California 28 May – 2 June 2023. Full details here.

Unnatural History Museum session

This session will be held on 22nd March 2023 on the topic of decolonising natural history museums. 

“We are at a crucial historical moment, in which the International Union for Conservation of Nature Red List has announced a catastrophic decline in global biodiversity. Yet nature is, necessarily, interpreted in museums, through taxidermy dioramas and skeletal mounts; virtual tours and digital databases; image, text and film. The Unnatural History Museum brings together museum professionals and academics across disciplines to platform vital conversations about the museum mediation of the natural world during the sixth mass extinction.”

Each session is hosted on Zoom to allow for international participation, and takes the format of short presentations focussed around a specific theme, followed by a synthesised Q&A and roundtable discussion. To register and find out more click here.

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Aliens Escape the Herbarium

Written by Annette Townsend (Interdisciplinary Natural History Artist) & Sally Whyman (Curator: Botany Curator, Amgueddfa Cymru – National Museum Wales).

Aliens 1956. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Plants growing on the wall of a London art gallery!! On closer inspection you discover they are alien plants, introduced to the UK. Looking even closer you realise they are delicate sculptures, handmade from beeswax, paraffin wax, tinned copper wire, tissue paper, cotton thread, artists’ pigments, acrylic paint and acrylic varnish.

Aliens 1992. Close-up. Annette Marie Townsend. Image Dewi Tannatt Lloyd

Mounted on stainless steel plates with stainless steel strips, and epoxy printed collector labels, in a juxtaposition of historic and modern materials and techniques, each sculpture mimics a real herbarium sheet, found in the Welsh National Herbarium, Amgueddfa Cymru.   

Wax passion flowers in progress. Image A.M. Townsend

The brainchild of Annette Marie Townsend and Sally Whyman who wanted to combine the skill, vision and dexterity of the artist with the depth of collection knowledge of the curator, allowing the plants to come to life and escape the confining folders and cabinets of the herbarium. This Aliens series allows the plants tell their stories of biodiversity change and invasive species to new audiences, further afield than museum visitors and botanical researchers.    

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