Digitisation of the National Herbarium of Ireland: Moving on from Manual to Semi-Automatic Imaging.

Written by Wuu Kuang Soh, botanist at the National Botanic Gardens of Ireland (OPW).

The National Herbarium (DBN) at the National Botanic Gardens of Ireland is home to an ever-expanding collection of approximately 600,000 plant and fungal specimens from across Ireland and around the globe. This rich collection spans mainly from the early 1800s to the present day, including specimens gathered from voyages of exploration, ranging from the Americas to Asia. Some of the oldest specimens, dating back to 1661, are over 350 years old. Apart from our herbarium, the other important plant collections on the island of Ireland are held by the Ulster Museum and Trinity College Dublin. This makes the DBN collection invaluable not only as a source of natural heritage but also as a part of Ireland’s cultural legacy. 

Herbarium collections are crucial to enhancing our understanding of the natural world. Beyond documenting plant species, these specimens reveal the intricate relationships between plants and their environments and tell the story of botanical discovery over time. The wealth of data gathered from this collection allows us to track historical and geographical changes in flora and helps predict future environmental impacts. Digitising this vast collection is a key step toward preserving these resources for future generations. Digital records not only provide greater access for researchers and the public but also safeguards the physical specimens by minimising handling and potential damage.

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Make Plastic History

Written by Glenn Roadley, Curator of Natural Science, The Potteries Museum & Art Gallery, Stoke-on-Trent.

In May 2023, Professor Claire Gwinnett reached out to me with an opportunity to host a public event at The Potteries Museum & Art Gallery (PMAG). Claire, Professor of Forensic and Environmental Science at Staffordshire University, is an expert in the study of plastic pollution and has worked with the museum before to lead activities at our various science events, so immediately thought of us when seeing the call for applications for the British Academy’s SHAPE Involve and Engage grants. The programme offered grants of up to £8,000 for innovative engagement activities which highlight humanities research, with partnerships between academic and cultural institutions eligible to apply. Claire and I put our heads together and came up with a plan for a day of family-friendly activities aimed at raising awareness of plastic pollution and the research being undertaken to tackle it. At the centre of these activities would be a workshop run by Dan Lewis, an artist who uses plastic fragments found on the beach to create works of art.

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