William Thomas March, a Jamaican Collector, Naturalist and Early Pioneer of Biological Data Recording in Jamaica.

Written by Olivia Beavers, Assistant Curator of Vertebrate Zoology at World Museum, National Museums Liverpool.

Figure 1. William Thomas March’s bird skins stored in the Vertebrate Zoology collection at World Museum, National Museums Liverpool © National Museums Liverpool (World Museum: NML-VZ T1134, NML-VZ T760, NML-VZ T5652, NML-VZ 1989.66.1279, NML-VZ T19525, NML-VZ T12817, NML-VZ T9981, NML-VZ T1128, NML-VZ T14037, NML-VZ T14031/ Olivia Beavers)

August celebrates Jamaican independence, so what better way to celebrate than to talk about a Jamaican collector from the 1800s whose contributions to understanding Jamaican biodiversity are not yet fully recognised. 

I recently finished the project stage of the Associateship of the Museum Association (AMA). My project focused on helping to tell untold stories of the collections held at World Museum. 

Through trial and error, I started to look through World Museum’s database and Google the names of collectors to see if we had collectors who had black or brown heritage – with a focus on collectors with specimens from the Caribbean. I ended up finding William Thomas March. Only two previous papers were written about him, both by Catherine Levy (Managing Director of Windsor Research Centre, former President of the Caribbean Birds, and of BirdLife Jamaica). 

To coincide with the research and my project, I created a new dataset titled ‘Bird skins from Jamaica in the collections of World Museums Liverpool’ – now available on the Global Biodiversity Information Facility (GBIF) website. It includes specimens from William Thomas March.

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How a Giant Panda – possibly called Grandma – ended up at Leeds City Museum.

Written by Clare Brown, NatSCA Membership Secretary & Curator of Natural Science, Leeds Museums and Galleries, Leeds Discovery Centre.

On display in the basement gallery of Leeds City Museum is a stuffed Giant Panda. We’ve always known and referred to her as “Grandma”, the panda that died only a few days after arriving in London in 1938.

Photograph of a taxidermy giant panda at Leeds Museum.
‘Grandma’ the Giant Panda ©Leeds Museums and Galleries.

Grandma, named as she was the oldest of the group, and her compatriots Happy, Grumpy, Dopey and Baby (Snow White was released in March that year) were the first live Giant Pandas to arrive in the UK. They had taken a long and complicated journey out of central China. Trapped in the forests above Weizhou, Sichuan, the pandas were initially kept at Chengdu under the care of Elizabeth and Floyd Tangier Smith.

Over several weeks, paperwork was prepared and plans were put in place for moving six pandas across the country during a Japanese invasion. It was then Elizabeth who, leaving a poorly Floyd to catch a plane, navigated her way to the Hong Kong Society for Prevention of Cruelty to Animals’ Dogs Home, a journey of some 1400km. One panda died en route.

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‘Tom’ The Burlingham Bird

Written by Anthony Roach FLS (He/Him), Archives Assistant, Worcestershire Archive and Archaeology Service.

Whilst we do have some objects held at Worcestershire Archives, a mummified bird filed in a plastic pocket was a hugely surprising find all the same! The bird was ‘filed’ – its place as important as other key events in the history of Burlingham & Co., Evesham, a business, which from the late 19th century onwards was managed by Henry Burlingham.  

Image of the Burlingham bird when first discovered Ref 705.1373 BA12963.6.63 © WAAS

Either side of the mummified bird contains photographs of the Evesham premises charting its changing fortunes, a catalogue of products sold, adverts and circulars sent out to clients. Whilst Burlingham & Co. began as merchants and agents of a wide range of goods, including coal, their interests narrowed as sellers of construction materials, garden machinery, and fertiliser.

Close up of the Burlingham Bird Ref 705.1373 BA12963.63 © WAAS

I was excited by ‘The Burlingham Bird’ find and set about the challenge of learning more about it and also how best to conserve and safely store the specimen in our archives.

The Mummy Bird

Close up of image with text ‘Mummified seabird found in bag of Arabian Guano’ c.1957-8 Ref 705.1373 BA12963.6.63 © WAAS

As you can see it was described as ‘Mummified sea bird found in bag of Arabian Guano c.1957/8’  When I first examined it, I thought it most resembled either a cormorant or a shag having been used to seeing both around the coasts and estuaries in Devon. Having reviewed the different species found in Arabia using the image supplied with the bird and the morphology of the mummified bird itself, it most closely resembles the Socotra cormorant (Phalacrocorax nigrogularis) – endemic to the Persian Gulf and the south-east coast of the Arabian Peninsula.

Socotra cormorant – Phalacrocorax nigrogularis – Cornell Lab of Ornithology Macauley Library © Oscar Campbell
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