Taxidermy: Just Add Death

Taxidermy is so hot right now. Here’s a great post by Alison Atkin explaining how taxidermist Polly Morgan mounts a specimen.

alisonatkin's avatarDeathsplanation

This time last week I was sat in a room, with thirty other people, staring at a dead bird. In the previous two hours it had been through the incredibly involved and yet stunningly simple process of taxidermy, as demonstrated by artist Polly Morgan.

Behind the walls of the museum, in its inner sanctum*, we gathered. In front of shelves which held all manner of taxidermied and skeletonised animals there was an old wooden workbench on wheels. A semi-circle of chairs looked in upon this workbench, where Morgan sat and transformed a blue tit from something fragile in its state of death, into something that would endure.

It was fascinating.

The amount of time, skill, patience, and effort that is applied solely to create something that looks almost exactly like it did when you set out, is remarkable. Especially since if it is done well, all of this will be…

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Bill Pettit Memorial Award 2013

I’m pleased to announce that NatSCA is calling for applications for the 2013 Bill Pettit Memorial Award. Any questions let me know.

Here’s last year’s project:

Margaret Gatty’s algal herbarium in St Andrews

In February 2013, NatSCA kindly granted me the Bill Pettit Memorial Award in order to assess and describe the algal herbarium of Margaret Gatty in the St Andrews University Herbarium.

Detail of: Chorda filum (Linnaeus) Stackhouse. Collected in Filey (Yorkshire. UK), August 1871. MG0079 in the Margaret Gatty herbarium, STA.

Detail of: Chorda filum (Linnaeus) Stackhouse. Collected in Filey (Yorkshire.
UK), August 1871. MG0079 in the Margaret Gatty herbarium, STA.

Margaret Gatty (1809-1873) started collecting seaweeds in 1848 when she spent some months convalescing at Hastings. She built up a large herbarium of her own collections, supplemented by local and foreign specimens sent to her by phycologists such as William Henry Harvey, Catherine Cutler and Jacob Georg Agardh. Margaret Gatty and her daughter Horatia carefully organized the herbarium in albums, following Harvey’s taxonomical insights. In 1863, Margaret Gatty published a two-volume book on British seaweeds.

The bulk of Margaret Gatty’s herbarium was donated to the Gatty Marine Laboratory in St Andrews in April 1907, by her daughter Horatia Eden. The collection was initially kept at the Gatty Marine Laboratory, which was named after its benefactor Charles Henry Gatty (1836-1903), a distant cousin of Margaret Gatty’s husband, the reverend Alfred Gatty. The collection was later incorporated in the St Andrews University Herbarium (STA) and moved to the Department of Botany. The STA collections are currently housed at the St Andrews Botanic Garden.

Detail of: Bellotia eriophorum Harvey. Collected by F. von Mueller, Phillip Island (Australia). MG0053 in the Margaret Gatty herbarium, STA.

Detail of: Bellotia eriophorum Harvey. Collected by F. von Mueller, Phillip
Island (Australia). MG0053 in the Margaret Gatty herbarium, STA.

Margaret Gatty’s herbarium was curated by Dr Helen Blackler (1902-1981), who started working in St Andrews in 1947. Dr Blackler published several short notes regarding the collection, but a comprehensive description of the whole collection was never made. My assessment of the collection started by locating and counting specimens and plates in the Margaret Gatty herbarium, which were retrieved from many different shelves and cabinets in the St Andrews Herbarium.

More than 8,825 specimens and 500 plates belonging to the Margaret Gatty herbarium have now been found in STA. Some 4,250 specimens in the collection are still mounted in the original albums, approximately 2,975 specimens were kept in folders or in unsorted stacks or packages. Around 1,600 specimens were taken out of the original albums and were mounted by Dr Blackler on herbarium sheets.

The collection shows a great deal of variation: some specimens are very nicely preserved, other specimens are in poor condition. Some specimens specify the collector, taxon name, collection date and location, whereas other specimens have no associated data at all. In her notes, Dr Blackler suggested that at least 500 specimens in the collection should be designated as type material. Although the full taxonomic scope of the collection has not yet been assessed, it is apparent that the collection contains several type specimens.

Following the retrieval and assessment of specimens, the STA collections were reorganised to allow the specimens in the Margaret Gatty herbarium to be stored together. Further curation is ongoing and includes numbering and databasing of selected specimens.

Detailed results of my findings will be described in a forthcoming paper in NatSCA News. I would like to thank NatSCA for providing this fantastic opportunity to promote and safeguard a very interesting and important historical collection.

Dr Heleen Plaisier, St Andrews University (Visiting Scholar, School of Biology)

Dead Interesting

palaeosam's avatarPalaeosam's Blog

What would you do if you had a year to identify and evaluate the contents of your natural history collection? A quarter of a million specimens spread over two sites, that’s an average 2 minutes and 6 seconds per specimen. If you must insist on eating, sleeping, travelling from one site to the other… that time per item rapidly dwindles.

These are the issues facing the Horniman Museum’s Russell Dornan and the Bioblitz team. Despite his daunting schedule Russell still found time to come and talk to us for three hours. That gives the PubSci audience a collective value of 85.7 museum specimens. I’m very flattered by that!

The issues that face the Bioblitz process are numerous: in the liquid stores you have a giant fan running in the background that prevents you thinking when it’s on and stops you breathing when it’s off; Elsewhere, the drawers and storage units…

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The Bill Pettit Memorial Award

NatSCA is pleased to invite applications to this year’s Bill Pettit Memorial Award.

Up to £2,000 of grant money will be made available to NatSCA members every year to support projects including the conservation, access, and use of natural science collections. Continue reading